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7,5/10
3265
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Füge eine Handlung in deiner Sprache hinzuWhen Harvard Ph.D. student Jennifer Brea is struck down by a fever that leaves her bedridden, she sets out on a virtual journey to document her story as she fights a disease that medicine fo... Alles lesenWhen Harvard Ph.D. student Jennifer Brea is struck down by a fever that leaves her bedridden, she sets out on a virtual journey to document her story as she fights a disease that medicine forgot.When Harvard Ph.D. student Jennifer Brea is struck down by a fever that leaves her bedridden, she sets out on a virtual journey to document her story as she fights a disease that medicine forgot.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 8 Nominierungen insgesamt
Jessica l e Taylor
- Self
- (as Jessica Taylor)
Nancy Klimas
- Self
- (as Dr. Nancy Klimas)
Paul Cheney
- Self
- (as Dr. Paul Cheney)
Lee-Ray Denton
- Self
- (as Leeray Denton)
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I am one of the millions missing, but one who is not bedridden, and I can still work, though at a much diminished capacity. Jennifer's attempt to describe her life and her illness is much needed. I was in tears as she described the difficulty of getting a diagnosis. When I got sick 25 years ago, it took me 6 years to be diagnosed. I was hoping that diagnosis was a little further along than it apparently is in the medical community. That was a major disappointment for me. I wish she had talked more about the cognitive issues. Yes, ME is physical, but the brain fog, the inability to concentrate or stay on task, the disorganization that came with the condition, the struggle to perform cognitive tasks that were once easy (reading maps, remembering how to get somewhere you should be able to, forgetting appointments, short-term memory problems, etc. etc), all add another layer to an otherwise debilitating condition. My accolades for Jennifer for the supernatural strength and commitment it required to put together a great snapshot of our shared nightmares.
The theme of this film could not be more timely -- an accomplished, strong young woman falls ill with a mystifying malady and suddenly discovers that doctors dismiss her symptoms, misdiagnose the disease, or tell her it's all in her head. Once she deteriorates to the point of being bedridden, she realizes that she has been all but disappeared. Only through social media -- one of the few ways that allow her to remain connected to the world -- does she realize that millions around the world have been rendered similarly invisible.
Directed mostly from her bed and including footage of herself shot on an iPhone, this documentary weaves together director Jen Brea's personal story -- centered mostly around how she and her husband, Omar Wasow deal with the way her disease upends their lives -- with those of other patients. Much in the film is shocking and indeed hard to believe. It's hard to believe that some ME/CFS patients (myalgic encephalomyelitis/chronic fatigue syndrome) suffer from a form of the disease so severe that they must live in darkened rooms, unable to bear light, sound, or touch -- and that some must be fed intravenously. It's hard to believe that patients can be taken from their homes and forcibly institutionalized because health policy in some countries continues to be based on the outdated notion that the illness is psychosomatic. It's hard to believe that an illness so common (an estimated 17-30 million around the world) could be so under researched or so devastating.
I could not be more pleased to learn that Unrest has made the short list for the Oscars best documentary category. It's an underdog -- the film got its start through a Kickstarter campaign and has gone from a Sundance audience award, to place on PBS's Independent Lens lineup, to the notice of the Academy. Furthermore, it's directed by a woman of color who is disabled and is speaking on behalf of an extraordinarily disenfranchised group of people similarly disabled by the disease. It's easier to let people disappear, easier to imagine that it will never be you. But it's also #timeforunrest.
Directed mostly from her bed and including footage of herself shot on an iPhone, this documentary weaves together director Jen Brea's personal story -- centered mostly around how she and her husband, Omar Wasow deal with the way her disease upends their lives -- with those of other patients. Much in the film is shocking and indeed hard to believe. It's hard to believe that some ME/CFS patients (myalgic encephalomyelitis/chronic fatigue syndrome) suffer from a form of the disease so severe that they must live in darkened rooms, unable to bear light, sound, or touch -- and that some must be fed intravenously. It's hard to believe that patients can be taken from their homes and forcibly institutionalized because health policy in some countries continues to be based on the outdated notion that the illness is psychosomatic. It's hard to believe that an illness so common (an estimated 17-30 million around the world) could be so under researched or so devastating.
I could not be more pleased to learn that Unrest has made the short list for the Oscars best documentary category. It's an underdog -- the film got its start through a Kickstarter campaign and has gone from a Sundance audience award, to place on PBS's Independent Lens lineup, to the notice of the Academy. Furthermore, it's directed by a woman of color who is disabled and is speaking on behalf of an extraordinarily disenfranchised group of people similarly disabled by the disease. It's easier to let people disappear, easier to imagine that it will never be you. But it's also #timeforunrest.
No longer silent and hidden, "Unrest" effectively, artistically, and beautifully brings the topic of ME/CFS out into the open for all to see.
First-time director and patient Jen Brea presents the illness in a multi-dimensional manner, demonstrating the full reality of this complex disease. The severity and seriousness of the illness is conveyed, along with moments of grace, humor, resilience, and cinematographic artistry. In addition, the trajectory of ME/CFS is historically explained and includes interviews with prominent researchers in the field in order to provide the audience with the scientific underpinnings of the illness.
I recommend this film not only for patients with ME/CFS but for anyone who loves the cinema. "Unrest" stands alone on its own merits as an interesting, well-made documentary. It is also enlightening for those who suffer from related illnesses, as the experiences portrayed in the film can be quite similar.
First-time director and patient Jen Brea presents the illness in a multi-dimensional manner, demonstrating the full reality of this complex disease. The severity and seriousness of the illness is conveyed, along with moments of grace, humor, resilience, and cinematographic artistry. In addition, the trajectory of ME/CFS is historically explained and includes interviews with prominent researchers in the field in order to provide the audience with the scientific underpinnings of the illness.
I recommend this film not only for patients with ME/CFS but for anyone who loves the cinema. "Unrest" stands alone on its own merits as an interesting, well-made documentary. It is also enlightening for those who suffer from related illnesses, as the experiences portrayed in the film can be quite similar.
One of the most compelling documentaries I've ever seen. From moment one ("Princeton Veterinary Hospital") Jen and Omar reel you into the mad, new life Jen's illness has shaped for them. The movie goes beyond educating people about a poorly-understood illness. Instead, it vividly recreates the reality of Jen and the other patients, and it does so with such humor, humanity, and loving-kindness that you feel as though you know all of these people and are deeply invested in their small triumphs. An absolute must for any documentary devotee, and anyone who struggles with chronic illness or is struggling to understand the world of someone who does.
I know this is full of superlatives, but I can't help it. Ugly crying was involved when I saw this story, but it somehow manages to be uplifting instead of despairing. I can't recommend it highly enough.
I know this is full of superlatives, but I can't help it. Ugly crying was involved when I saw this story, but it somehow manages to be uplifting instead of despairing. I can't recommend it highly enough.
Wusstest du schon
- WissenswertesThe budget was raised via a Kickstarter campaign. Many contributions came from fellow M.E. sufferers.
- Zitate
Jennifer Brea: Every movie I saw said: when you fall ill, either you will find the cure, or you will die trying.
- SoundtracksDuke of Earl
Written by Gene Chandler (as Eugene Dixon), Earl Edwards and Bernice Williams
Performed by Gene Chandler
Courtesy of Vee Jay Records
Used by permission of Concord Music Group, Inc.
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Box Office
- Bruttoertrag in den USA und Kanada
- 40.081 $
- Eröffnungswochenende in den USA und in Kanada
- 10.607 $
- 24. Sept. 2017
- Weltweiter Bruttoertrag
- 40.081 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
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