Revelations

Yeon Sang-ho, the visionary behind Train to Busan, returns with Revelations, a slow-burn psychological thriller that forgoes adrenaline-fueled chaos for a disquieting exploration of faith, justice, and the darkest corners of the human psyche. The film skillfully weaves together the stories of a pastor, a detective, and an ex-convict, all of whom are driven by their own deeply held (and often flawed) beliefs. What begins as a missing person case spirals into a tense, unpredictable descent into moral ambiguity. Ryu Jun-yeol's performance as the pastor is particularly chilling, a compelling portrayal of a man whose faith mutates into a terrifying justification for his actions. The film doesn't offer easy answers, instead leaving the audience to grapple with unsettling questions about what constitutes "good" and "evil." While its deliberate pace may test the patience of some, the film's thematic density and masterful performances make it a rewarding and thought-provoking watch.

Is it worth watching? Yes. It's a gripping and intelligent thriller that will stay with you long after the final scene.

To be honest, I expected more. The plot was quite predictable - not in the sense that you could guess the ending, but rather that you could anticipate how the next scenes would unfold. The character twists weren't particularly fresh or surprising. Actually, there were many moments where the characters' actions felt a bit confusing and forced. Every issue in the movie, from the initial events to the ending, happened and was resolved too quickly.

The acting was decent. Shin Hyun Bin has shown noticeable improvement in her acting compared to her previous works. Ryu Jun-yeol, as always, delivered a solid performance.

Overall, the movie didn't leave much of an impression on me because its main message wasn't deep. If you have time and are curious, you can give it a try. But I know there are many other Korean films out there that are much better and more worth watching.

South Korean director Yeon Sang-ho delivers a gripping and suspenseful experience in the first two-thirds of his latest film. Set against an increasingly tense backdrop, the story builds steadily toward a thrilling showdown in an unfinished house-an eerie, concrete shell that serves as the perfect stage for a psychological and spiritual confrontation.

At the heart of this build-up is the character of the pastor-charismatic, unsettling, and deeply complex. His god-like delusions and moral ambiguity offer rich thematic material, and it's here that the film seems poised to dive into bold, unflinching territory.

And then, inexplicably, it all falls apart.

Instead of deepening the conflict, the film abandons its most compelling character. The pastor vanishes from the narrative, and with him, the entire dramatic weight and thematic sharpness of the film. The focus shifts to a police officer's investigation-a far more conventional and diluted thread that lacks the urgency and existential tension of what came before.

This final third feels like a betrayal-not just to the audience, but to the film's own premise. What was once sharp and provocative becomes bland and toothless. The direction loses its edge, opting for a safer, less confrontational conclusion that undermines everything the first part had set up.

Ultimately, what begins as a promising, intense thriller fizzles out into a hollow resolution. It's a shame to see a film with such daring potential end in such a timid and characterless way. A missed opportunity.

Nice Korean thriller with a submessage: Take responsibility for your own actions and do not hide behind a God or devil.

The movie is not predictable and has some typical Korean-style twists. Starting of as a kidnap story, the movie quickly moves towards a story about guild and religion.

The protagonist is Min-Chan, a pastor who - at first hand - seems to not be capable of killing another human being. After a fatal 'accident' with the main antagonist, a sadistic killer obsessed by 'the one eyed monster', things quickly take a turn and Min-chan comes to believe God has given him a revelation. The third character storyline revolves around a traumatized police officer named Yeon Hui, who has to (literally) face her trauma's in order to get her own revelations, in another way as Min-Chan.

This is the latest Netflix Korean offering, which stands up against several other similar movies.

So the basis of the plot revolves around a kidnapper and a Pastor, but the story takes may twists and turns and lines between good and bad are blurred, which if course is far more to how life actually is than most of Hollywoods superhero style movies.

It keeps you engaged throughout the whole movie, is she alive, is she not being a running theme throughout. Look, there are some flaws here, the storyline isn't anything groundbreaking + there's no big twist at the end, but it's thrilling enough to keep you entertained till the credits roll. Another downside is how the characters make some terrible choices; a detective goes to a suspected crime scene alone + the perpetrator not covering his tracks at all being two of the most notable. However these are mistakes many movies make and didn't ruin the suspense for me.

I also liked the way religion was explored heavily but never shown in a preachy way. Whether there was any divine interventions going on is left to the viewers imagination, which means neither Theists or Atheists should be offended, Lastly despite what another reviewer has said, the acting is superb, they put western actors to shame, i cried at the end. I think the other reviewer may just be racist.

All in all, i highly recommend it if you are a fan of the genre, if not, it may be a little slow for you.