To mikro psari

Live your myth in -post economy crisis- greece of the 10's

Yannis Economidis, the director, started his career by doing something really extraordinary. Something new and daring. His movies do not follow the conventional rules of a "product" that has to sell. His movies have to say something and that's it.Of course sometimes this turns out bad, so Yannis had to do a few things for the first time. Like choosing actors with a very different approach. The team of actors were some well known and recognizable faces, merged with actors that are appropriate in a Yannis Economidis film. If I would be a director, I would have the same aesthetics as Yannis has. I love the photography of the movie. Starting with abandoned places, rust, dirt, same aesthetic as the incredible "dirty street light" scene for a few seconds on Soul Kicking. The sound is nicely layered to the whole film. Keeps realism flowing through the whole film. The music. Well I have to state that there is no fanfare without reason. It is simple and minimalistic yet it is solid and well fit to the whole feeling of the movie. I take the movie as a noir gangster film, that focus on ethics. Stratos is a really nice anti-hero. Well made, having a background, a present situation and finally a redeeming thing to do. The movie plays with the spectator's feelings. It is empty and silent, like a desert of Strato's heart. Yet in the end, it seems that feelings come back to life inside Strato. He is capable to love purely and that makes him do something out of his feelings. Strato's feelings got him into trouble in the past. Now for the second time his feelings will put an end on all of this, but the feelings are different and that is what redeems him.

A full story, well made, with Yanni's signature placed well inside it. Yannis had to deal with the fact that he had to make something more... commercial than his art. He had to care about drawing people to watch his movies. It is irritating I suppose. But yet it is needed. The good thing is that he kept his character and personal signature of his movies into this one too.

I would put a 10/10 because it surpasses every Greek movie I have ever seen, but i still expect more by the director. This is not his peak. So Yannis, I put an 8/10 just to make you do that leap that might make you direct an award winning movie in the end.

Do I recommend it? Of course I do. But it isn't for everyone. It is not a pleasant movie you are gonna enjoy with your girlfriend, drinking cola and eating tortilla dips, no. Such movies, like "Το Μικρό Ψάρι" make you think and feel hard. And that is what I like about them.

I watched "Spirtokouto" with friends. All his next movies, were watched by me into a cinema room, from a seat, just to support and show my respect to one of the greatest and most daring directors Greece has.

It's dark, full of verbal and physical violence, but down under all those things, there's nothing less than the perfect portrait of a damned person. A person whom one action defined his whole life, a person who found and lost his purpose, an empty person, but still, a person gracefully showing a last act of humanity, before leaving.

Around him, the dark world of crime, a parallel universe that lives side by side with our "normal" one. A universe that is very different to leave, a universe with unspoken laws that bend or break depending on the situation.

Great film, great leading actor, very sharp and intense directing when required. Must see.

The movie tells the tale of Stratos, a weathered hit-man, who more-or- less wants to leave the past behind him. But as we know from other gangster-stories, once you get in it's hard to get out.

This is a very slow-paced crime drama. Well directed, with an impressive lead actor and good, believable cast. There are many well-composed scenes that create a desolate world, and one has to wonder how close to the real Greece that is.

The only (but important) element that bothered me was the length, which is mostly due to an exaggerated amount of minimalistic long scenes. The story was compelling enough, I wish it was just edited-down a bit. But I respect the director and his vision.

After the screening, here at the Ghent Film Festival, I've overheard someone say "this is like the Greek Drive, but at least Drive had style". I disagree with that remark and would not compare the two films at all.

"The Small Fish" (aka "Stratos") is an intense and dramatic portrait of contemporary Greece, seen through the eyes of Stratos, a contract killer who works during the day in a bakery, where he silently and passively witnesses the exploitation of workers. His life acquires another meaning when he is behind his car wheel, with a gun in his pocket and a mission to accomplish. But do not think that the movie is executed in correspondence with the dramatic intensity of his criminal life. Not that "The Small Fish" is a bland film either. The point is that director Yannis Economides opted to tell the story from the other side of Stratos' personality. It is really a problem for Stratos, that he has a very soft heart: he is giving all his money to Yorgos, the brother of a guy called Leonidas, who once saved his life, so that Yorgos can execute a plan to free Leonidas from a maximum security prison; and Stratos also sees after a family that lives across his apartment building, that includes a dying grandfather, a little daughter, a disabled father and a very young prostitute mother -who in fact could be the little girl's sister too, but who knows... everything about Stratos' concerns is dark or faint, while those who surround him are screaming, bullying or abusing everybody, including him, of course. He has a violent past and after many years in jail two mob factions want his services. This is just an idea of the main plot elements but there are more that complicate the proceedings, and it takes 133 minutes to reach a fine resolution. Without pointing out the national crisis, unemployment, breaking of moral codes, or unethical actions, "The Small Fish" gives a rich panorama of what a great empire as Greece has become in the 21st century, which should also serve as a warning to the empire of the day and its citizens. And yes, the Greek title "To mikro sari" (that is, the small fish) refers to the popular saying, "Big fish eat small fish".