Tokyo Override

The visuals, character design and animation were amazing; however, the plot was lacking. The plot was confusing as there wasn't a clear explanation of what was going on. Characters lacked depth too. I couldnt truly understand the development of the plot, if there was any. What was of the point of this series? The viewer gets that the main characters love their bikes and their freedom, but what else? Aside from that love, what was happening in the series? What were the intentions of the ''villian''? They werent very clear about that. What was the reason why the main characters were fighting the ''villian''? It wasnt really explained. This series had so much potential :((( (I love Spoke though)

Not to be missed for anime fans; especially, if you liked the Arcane TV series.

The impressive world-building teake sus to a squeaky-clear TRON-ized future Tokyo with some dark secrets.

The female characters are less stereotyped than usual, a good sign. It's more narratively coherent than Arcane season one and almost as visually impressive. It has more CGI than the more hand-crafted Arcane. As in Arcane, character models here may be made in Blender then hand animated. Voice acting is excellent.

Looks like another worthwhile risk on Netflix's part, giving a studio a budget to do something great--and they deliver!

This is a succesful professional and artistic effort!

Tokyo Override is one of those shoes which baffles me in various ways. It opened to a silent debut, no advertising to aid its showing, and has shown little fanfare from the distributors itself. Yet the show took half a decade to release, and was officially partnered with major motorcycle teams; top that with the great graphics and well designed characters and you're left with one question: Why like this?

This is one of those shows which, was it released a decade ago on satellite channels, would have run for 12-24 episodes before being renewed for a new season. It would have had one-off episodes and character bonding specials. Throughout the scene we would have seen the backstories and motifs behind each character and the world of Tokyo would be carefully crafted as a visual sandbox. Unfortunately, this was not how the show was released. Instead, we got a 6 episode streaming release and it shows. 6 episodes which kept me hooked but left yearning for more.

Beside Kai, we learn the most about Hugo, a fellow member of Suma Garage. This isn't to say we learn particularly much about him though. Despite hints at what makes him tick, what made him the way he is in the series, he's left as a rather two-dimensional character with an obvious three-dimensional history we'll never see. This extends to Spoke who is worse off for this than Hugo for we never get to see the glimpse of his backstory. Watari (and to an extent her father) are virtually non-existent character wise and live only to further the plot.

Speaking of plot, it's perfectly okay. I enjoyed the mystery at hand and it progressed nicely. However, because of this, we got so little time on the world and characters themselves. I would have binged 6 episodes of the members of the garage just completing deliveries. My best comparison to this is that of early Star Wars Rebels with Kai as Ezra Bridger, except imagine he joined the Ghost Crew, saved one group of people then took down Vader.

I could go on how the three departments (the ministry of Justice, the Narcs, and Suma Garage) mesh really well. I could mention the gorgeous animation style and character design. I could sing the action sequences praises and I could even go on about the motorcycle designs. However, my one lasting thought on this series is how much I wish it was more. I wanted to love these characters, I wanted to fall in love with the world it showed me. You just can't do that on 6 episodes (25 minutes at that!)

All in all, great premise and a good watch, couple with gorgeous animation and scenes to match, it's let down by what is too straight forward a season. Suggest you watch but don't get attached too early, it'll only make that last episode sting more.

P. S: I cannot believe there wasn't a single AKIRA slide all film...

Expecting a show with decidedly different tones, I found myself watching an animated series that although full of potential never really reached a sufficient level of depth.

The message of the series is the only clear narrative element while the facts, the characterization of the characters, the objective of the antagonists, the quality of the dialogue, and the resolution are a disaster.

Frankly, I also did not always like the quality of the animations, which, although rich in characterization and wonderful visual elements in some scenes, often lacked personality.

Probably the animated series that has least engaged me in recent years, the ending however is enjoyable even if predictable and trite.

A teenage hacker joins a crew of motorcycle-riding rebels in a futuristic Tokyo that has no room for rebellion.

I watched this mostly by accident. I was looking through Netflix's catalog of stuff labeled as adult animation, and a stray click caused this series to start playing. "Alright, why not," I thought. I guess it was fated to be.

In general, I liked the art, but when I saw how cutesy the kids were drawn, it kind of tanked my interest. I'm really not a fan of that sort of thing. It usually means that whatever I'm watching is going to be all cutesy and targeted to either kids or young adults.

Sure enough, our protagonist is a kid who has superhuman hacking skills. She basically snaps her fingers, and every electronic device in her vicinity instantly does whatever she wants. It's basically a magic power. OK, that's find for kids' stuff, but I was looking for something a bit more mature.

I was a bit annoyed with the protagonist from the start, I guess. It just kept getting dumber as time went on. Eventually, I realized this wasn't the story of a group of cyberpunk rebels who take in a kid, it was the story of a kid who takes in a group of cyberpunk rebels who need her to solve all their problems.

It reminded me of computer games like Skyrim, where you join a faction at the lowest tier, and the other members are a bit suspicious of you. But by the end of one in-game day, you've become the leader of the faction, and everyone loves you. It's ridiculous and breaks immersion, but it's a fun fantasy, so people go along with it.

Like video game protagonists, the kid ends up doing crazy epic things that really don't make any logical sense. In one scene, she's not even sure if she likes motorcycles. By the end of the 25-minute episode, she's the best motorcycle stunt driver in the world. Again, OK for kids' stuff, not so good for something targeted to audience older than 7.

I started to think that maybe I'm being way too harsh about a kids' show that I happened to watch by accident. So I checked the age rating, and the IMDb says it's TV-MA. As far as I can tell, this isn't meant for kids. It's just written poorly.

Some of the characters are likeable, though, and they get a tiny bit of depth. Alongside the nice art, they make it watchable, and I think you'll be able to make it to the end. It's just six episodes, so it's not a big ask. It does raise the question of why they didn't make this a single 2 hour movie, though.