Ein romantischer Jubiläumsausflug in eine abgelegene Hütte wird unheimlich, als eine dunkle Präsenz auftaucht und das Paar gezwungen ist, sich der unheimlichen Vergangenheit des Anwesens zu ... Alles lesenEin romantischer Jubiläumsausflug in eine abgelegene Hütte wird unheimlich, als eine dunkle Präsenz auftaucht und das Paar gezwungen ist, sich der unheimlichen Vergangenheit des Anwesens zu stellen.Ein romantischer Jubiläumsausflug in eine abgelegene Hütte wird unheimlich, als eine dunkle Präsenz auftaucht und das Paar gezwungen ist, sich der unheimlichen Vergangenheit des Anwesens zu stellen.
- Regisseur/-in
- Autor/-in
- Stars
- Auszeichnungen
- 1 Nominierung insgesamt
Zusammenfassung
Reviewers say 'Keeper' is an unsettling psychological horror film with haunting atmospheric tension and captivating visual storytelling. Tatiana Maslany's performance and Jeremy Cox's cinematography are praised. However, the plot receives mixed reviews, with some finding it intriguing and others criticizing it for being predictable and tedious. The ending is contentious, with varied reactions. Pacing, character development, and dialogue are also criticized, though the film's unique atmosphere and visual style are noted.
Empfohlene Bewertungen
Liz (Tatiana Maslany) and her boyfriend Malcolm (Rossif Sutherland) drive to a secluded cabin in the woods to celebrate their one-year anniversary. Almost immediately after their arrival, it becomes clear that they are being watched. In a nearby cabin, Malcolm's cousin Darren (Birkett Turton) is staying with his new girlfriend Minka (Eden Weiss). Liz eats a welcome cake left behind by the concierge, and soon after, strange spirits begin stalking her. When Malcolm has to leave for work in town, Liz is left alone in the cabin with whatever is haunting her.
I have to admit: despite being a slow burn, Keeper is genuinely tense at times. The bathtub scene, where Liz is surrounded by what looks like a flowing wall of spirits, is particularly effective and made me hopeful that this film might become something truly unsettling and original. For a moment, it felt like the movie was building toward something fresh. Unfortunately, that promise doesn't fully pay off.
One of the main issues is how the spirits are used. Most of the time, they linger in the background, visible to the audience but positioned just out of Liz's line of sight. While this can work as a suspense technique, it's overused here. When a spirit finally reveals itself to Liz, it disappears almost immediately, turning what should be a terrifying moment into a cheap jump scare. The film repeatedly hints at danger without committing to it.
The third act raises more questions than it answers. Malcolm eventually offers an explanation for what's happening, but it feels incomplete. Darren suddenly vanishes, with no explanation. The spirits resemble a toned-down, almost softcore version of Hellraiser-style creatures, yet the film never explains why they look this way or what they represent. The ending feels rushed, as if the filmmakers realized they needed to wrap things up quickly and chose the most convenient resolution for Liz without fully earning it.
By the time the credits roll, there are too many loose ends: Who made the cake? Why did it trigger the events? What really happened to the other women? And what exactly were these spirits?
If none of that was meant to matter, then it raises a bigger question: why make this movie at all?
Keeper isn't a bad film. It has atmosphere, tension and a strong central performance from Tatiana Maslany. But it ultimately settles for ambiguity where clarity was needed, leaving the experience more frustrating than haunting.
I have to admit: despite being a slow burn, Keeper is genuinely tense at times. The bathtub scene, where Liz is surrounded by what looks like a flowing wall of spirits, is particularly effective and made me hopeful that this film might become something truly unsettling and original. For a moment, it felt like the movie was building toward something fresh. Unfortunately, that promise doesn't fully pay off.
One of the main issues is how the spirits are used. Most of the time, they linger in the background, visible to the audience but positioned just out of Liz's line of sight. While this can work as a suspense technique, it's overused here. When a spirit finally reveals itself to Liz, it disappears almost immediately, turning what should be a terrifying moment into a cheap jump scare. The film repeatedly hints at danger without committing to it.
The third act raises more questions than it answers. Malcolm eventually offers an explanation for what's happening, but it feels incomplete. Darren suddenly vanishes, with no explanation. The spirits resemble a toned-down, almost softcore version of Hellraiser-style creatures, yet the film never explains why they look this way or what they represent. The ending feels rushed, as if the filmmakers realized they needed to wrap things up quickly and chose the most convenient resolution for Liz without fully earning it.
By the time the credits roll, there are too many loose ends: Who made the cake? Why did it trigger the events? What really happened to the other women? And what exactly were these spirits?
If none of that was meant to matter, then it raises a bigger question: why make this movie at all?
Keeper isn't a bad film. It has atmosphere, tension and a strong central performance from Tatiana Maslany. But it ultimately settles for ambiguity where clarity was needed, leaving the experience more frustrating than haunting.
This movie was absolutely terrible.
We went to the movie theatre to watch it and 4 separate groups of individuals walked out before the movie ended.
The movie lacked everything: compelling characters, a storyline with depth, a plot, everything! I just don't understand why this movie was made or the message - it was so bizarre!
DO NOT waste your money or time by seeing this utter garbage.
We went to the movie theatre to watch it and 4 separate groups of individuals walked out before the movie ended.
The movie lacked everything: compelling characters, a storyline with depth, a plot, everything! I just don't understand why this movie was made or the message - it was so bizarre!
DO NOT waste your money or time by seeing this utter garbage.
Osgood Perkins third film in 18 months is another horror story, though tonally different from both "Longlegs" and "The Monkey". This is , I suspect, the most divisive of the three films and I'm not sure really benefitted from the improvements made possible by Neon's cash injection.
Liz (Tatiana Maslany) comes to the secluded woodland house belonging to her boyfriend Malcolm (Rossif Sutherland). The only nearby house belongs to Malcolm's cousin Darren (Birkett Turton) though he is supposed to be away. Liz begins to see and feel presences in the house and surround area that she can't explain. Her distrust of Malcolm grows, though he too is seeing his previously sensible and capable girlfriend seemingly losing her mind.
I listened to a podcast with Osgood Perkins before seeing the film, so I am aware that the film was shot before "The Monkey" in Canada, as a way to keep working around the 2023 labour strikes. I also knew that it was shot in a 'pickup' style with them attempting to hammer out exactly what the story was in post-production and also that Neon gave him a small amount of money to enhance the visual effects ahead of release. I don't think that those CGI elements were to the films benefit, the practical effects are much scarier than those elements, particularly as they are exposed for quite long period in the last act.
I was maybe a bit more prepared though for the "dark trip" style of the film, as opposed to some of the rest of the audience in the screening I was in, who seemed more negative about the film at its conclusion than I felt. I thought that Maslany was, as she always is, brilliant.
It couldn't live up to an exceptional trailer and the 'cleanliness' of the CGI elements, as opposed to the physical effects really worked against the film, but overall, I still feel positively about it.
Liz (Tatiana Maslany) comes to the secluded woodland house belonging to her boyfriend Malcolm (Rossif Sutherland). The only nearby house belongs to Malcolm's cousin Darren (Birkett Turton) though he is supposed to be away. Liz begins to see and feel presences in the house and surround area that she can't explain. Her distrust of Malcolm grows, though he too is seeing his previously sensible and capable girlfriend seemingly losing her mind.
I listened to a podcast with Osgood Perkins before seeing the film, so I am aware that the film was shot before "The Monkey" in Canada, as a way to keep working around the 2023 labour strikes. I also knew that it was shot in a 'pickup' style with them attempting to hammer out exactly what the story was in post-production and also that Neon gave him a small amount of money to enhance the visual effects ahead of release. I don't think that those CGI elements were to the films benefit, the practical effects are much scarier than those elements, particularly as they are exposed for quite long period in the last act.
I was maybe a bit more prepared though for the "dark trip" style of the film, as opposed to some of the rest of the audience in the screening I was in, who seemed more negative about the film at its conclusion than I felt. I thought that Maslany was, as she always is, brilliant.
It couldn't live up to an exceptional trailer and the 'cleanliness' of the CGI elements, as opposed to the physical effects really worked against the film, but overall, I still feel positively about it.
I find that I am really am a fan of Osgood Perkins as I loved The Blackcoat's Daughter and Longlegs. I love his odd sense of humor in The Monkey. Keeper is definitely an acquired taste because it doesn't provide many answers due to its open-to-interpretation, nightmarish nature. I love aggressively weird movies like Keeper.
Keeper (2025) is a psychological horror movie directed by Osgood Perkins and it follows a couple on a romantic anniversary trip to a secluded cabin that turns sinister when a dark presence reveals itself, forcing them to confront the property's haunting past. I just got done watching the movie and it was okay.
Positives for Keeper (2025): The story is somewhat interesting for what it's going for. I also have to give credit to Osgood Perkins for doing his best with what he has to work with. Tatiana Maslany and Rossif Sutherland are good in their roles. The movie is short and it gets to the point. And finally, the ending was interesting for being different enough.
Negatives for Keeper (2025): This movie has a story that you've seen so many times. It is so predictable with what is going to happen. I was getting bored with the movie because I saw a lot of things coming. And finally, the ending was bizarre despite being interesting.
Overall, Keeper (2025) is one of the weaker movies from Osgood Perkins that I've seen so many times, but I will continue to watch his movies in the future.
Positives for Keeper (2025): The story is somewhat interesting for what it's going for. I also have to give credit to Osgood Perkins for doing his best with what he has to work with. Tatiana Maslany and Rossif Sutherland are good in their roles. The movie is short and it gets to the point. And finally, the ending was interesting for being different enough.
Negatives for Keeper (2025): This movie has a story that you've seen so many times. It is so predictable with what is going to happen. I was getting bored with the movie because I saw a lot of things coming. And finally, the ending was bizarre despite being interesting.
Overall, Keeper (2025) is one of the weaker movies from Osgood Perkins that I've seen so many times, but I will continue to watch his movies in the future.
The Best New and Upcoming Horror
The Best New and Upcoming Horror
Sinister sequels, eerie indies, and blockbuster boo-fests — here are the most exciting horror movies and shows to add to your Watchlist.
Wusstest du schon
- WissenswertesA teaser trailer for "Keeper" appeared at the end of Osgood Perkins film "The Monkey."
- SoundtracksLove Is Strange
Performed by Mickey & Sylvia
Written by Mickey Baker, Bo Diddley (as Ellas McDaniel) and Sylvia Robinson
Published by Ben-Ghazi Enterprises Inc.
Administered by Warner Chappell Music Canada Ltd.
Courtesy of RCA Records
By arrangement with Sony Music Entertainment (Canada)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
The Year in Posters
The Year in Posters
From Hurry Up Tomorrow to Highest 2 Lowest, take a look back at some of our favorite posters of 2025.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Kỳ an nghỉ
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.200.165 $
- Eröffnungswochenende in den USA und in Kanada
- 2.527.627 $
- 16. Nov. 2025
- Weltweiter Bruttoertrag
- 5.405.848 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen




