Auferstanden

With nothing else to see, I went, somewhat reluctantly, to see the new Biblically inspired, movie, 'Risen' (which, as you can see, got good reviews on IMDb). Ostensibly about the crucifixion and resurrection of Christ, it's more a logical investigation imaginatively laid atop a history lesson, a key miracle of the New Testament, and a logical examination of rational thought challenged by inexplicable events. Told from the perspective of a Roman Tribune sent to investigate how Jesus' physical body disappeared from it's tomb, it's a story well told, seems historically authentic, and I (a lapsed Catholic/agnostic/skeptic) recommend it highly. It was also an interesting exercise in memory, as I strained to remember what I remember from hours of Catechism, and yearly celebrations of Good Friday, Easter, and the Feast of the Assumption...which turned out to be...not much.

There are parts which recall 'Life of Brian', it's a little bit long, the disciples resemble the inhabitants of the hippie commune in 'Easy Rider', Bartholomew is completely over the top, and the actor who plays Christ is iffy. But, then again, he is tasked with the impossible role of being man and God (just what expression would you choose if you played Christ?) without descending into camp farce. All in all, he does OK.

Joseph Fiennes plays the Tribune with authenticity, honesty, and an openness which allowed me to put myself in his place...how does a rational man deal with fundamental challenges to his heretofore solid as a rock, world? When do you surrender to faith when all the 'reason' in the world suggests that reason has little to do with it all?

It's a good movie, well worth seeing.

Risen gave a fresh but solemn view of the biblical story of the aftermath of Jesus's crucifixion as it tells the story through the eyes of a conflicted and emotionally drained Roman soldier named Clavius. Clavius seems more of a tired observer with his deep stare and mellow manner, and he seems appalled by the violence that the Roman soldiers perform, violence that he himself is called on to perform as well. He is tired of it all and wants to retire to a quiet life with a family, without witnessing any more deaths. None-the-less, duty demands that he kill from time to time, which he dutifully does, and he seems half mortified over this, and half compliant. During the battle in the beginning of the movie, Clavius apathetically kills a Jewish rebel, and later, during the tri-crucifixion scene, he orders a Roman soldier to break a prisoner's leg as he's dying on the cross, then runs his spear through Jesus's ribs, and he's no more bothered by this than if someone fender-bendered him at the supermarket.

The way Fiennes played his role as a troubled Roman official was intriguing, capturing civilians to question them about the whereabouts of Jesus's body, then dismissing them at will. The viewer expected Clavius to perhaps resort to violence or torture to get his captures to speak and reveal where Jesus's body is, knowledge that he desperately needed to satisfy his commander, Pontius Pilate. However, Clavius never quite went that far, either out of compassion or exhaustion. While Fiennes was cast well, Curtis, who plays Jesus, is a cross between a California hippie and a happy skateboard dude in a Coke commercial. In his final good-bye scene, Jesus glibly calls across the sand yelling his farewell as if mom was telling her kids to be good while dad's in charge.

Clavius's young side kick Lucius is played by Tom Felton, and unlike Draco, Lucius follows Clavius around looking confused. Bartholomew was my favorite character. Clavius demands that Bartholomew tell him where Jesus's body is, and Bartholomew grins flippantly and conveys that he ain't telling nothing'! Clavius interrogates him more harshly, kicks him to the ground, and Bartholomew gets up and slowly approaches Clavius, solemnly bends down to his ear, and says, "he's everywhere!" Then Bartholomew beams and prances away; the joke's on Clavius! The only more comical scene was when Clavius asked a group of men, "Does any of you know Mary Magdalene?" and all of them raised their hands. One more -- I was amused when Mary Magdalene looked like Miss Karate Woman beats Godzilla when she kicked an advancing soldier out of her way and escaped through a stone window. Mary is cast well, but her role is too brief, as is all the twelve disciples who are never given any individual definition (except for Simon, who sometimes pouts, and who sometimes is as happy as Santa Claus). Pontius Pilate is old and whiny and is fixated on not upsetting public opinion. Maybe he was really like that, but they don't show the inner turmoil he must have felt being forced to kill an innocent man to placate the masses.

We all know the ending, but Risen takes an unorthodox (if you will) direction. We see facial expressions of shock and realization that tell the story better than computer-generated special effects, and we are constantly grounded into this time period with the frequent buzzing of flies over rotting bodies, hair filled with dust and sand, broken statues of the gods, and earthquakes that crack massive stone gates. Thus, Risen shows instead of tells, and doesn't preach, thank God.

Risen is a Biblical Drama/Adventure film that follows Roman Tribune 'Clavius' (Joseph Fiennes) who is tasked with investigating the disappearance of the body of 'Jesus of Nazareth', who has been rumoured to have resurrected. This movie was a very pleasant surprise as i went into it expecting just an average film about a story that has been represented on the big screen many many times, but i got a very interesting, and dramatic film that had me hooked right to the very end. Many of these biblical films do touch on many of the same beats, but this film approached the story in some interesting ways and offered enough new to differentiate it from the others. The film featured some excellent/very good and convincing performances, but also had one or two miscasts. The story progressed at a steady pace for most of the film making it very easy to follow, and the film was also accompanied by a pretty good soundtrack that i did not expect at all.

One thing this film did with its story that really worked in its favour was tell the story through the eyes of a non-believer, and that added so much more to the story and more interest in the film. This added element let the story take turns that you wouldn't get from just an average biblical film and was great to see. The film also 'looked' very good in terms of the scenery and cinematography, it was very subdued and didn't really have grand set pieces and scenery that were obviously CGI. This really helped the film seem very grounded and i couldn't be distracted by any obvious CGI.

I have to say that i enjoyed the last 2/3 of the film much more than the first 1/3. I felt that there were some pretty big pacing issues in the beginning where it either felt like it was progressing too slow or it was moving too fast. There was a lot of jumping through time and skipping over quite a few scenes, and it was quite jarring at times. But as the story developed it quickly flowed at a very steady pace for the rest of the film and i quickly forgave it for its earlier blunders. In terms of performance, Joseph Fiennes was fantastic in the film as 'Clavius', he was the standout in the film and put in a very convincing and engaging performance that carried the film, especially early on. There were also good performances from other side-characters who elevated the film especially later on, but they weren't all good. Peter Firth who was cast as 'Pontius Pilate' was really not good at all, the way he delivered his lines felt very forced and not natural at all. Tom Felton was also a complete miscast, he just did not work at all as a Roman Soldier and his dialogue was very wooden and fake and just gave the impression that he was overacting and did take me out of it a little.

So in the end this was a surprisingly very good biblical film that offered enough new elements to this familiar story to differentiate it from the countless other similar films. This film would have been much better had they cast someone other than Tom Felton, as he was bringing down the film when Joseph Fiennes was putting in a fantastic performance. It's no 'Passion of the Christ' but it is better than a lot of other biblical films to come out in recent years.

7.3/10

I really liked the perspective of this movie. It's told largely through the eyes of a Roman tribune, Clavius - played by Joseph Fiennes. As the movie opens, Clavius is leading Roman soldiers in battle against a group of Jewish zealots led by Barabbas. Immediately after, he's sent by Pilate to oversee Jesus' crucifixion and then, after the body disappears and rumours of Jesus' resurrection begin to spread, Clavius is sent to find out the truth- specifically, to find Jesus' dead body to put an end to this nonsensical story that has the potential to be a real nuisance to the Romans. This was a different kind of take on the Easter story. It's told through skeptical eyes rather than through eyes of faith. It's mostly believable. It makes sense to me that the Romans would want to investigate these claims of resurrection. From a Christian perspective it's a stark reminder of how small and seemingly weak the original Jesus movement was - scattered, frightened disciples under constant threat, but increasingly emboldened by the growing realization of what had happened. Fiennes was very good as Clavius - a Roman who obviously doesn't believe in Jesus as the Messiah or in his resurrection but who finally has a dramatic experience when he discovers the disciples in the upper room. It was interesting to have Clavius form a sort of partnership with the disciples - sharing their journey to Galilee and experiencing the risen Christ along the way, to the point at which you'd have to say that he was converted. Jesus (or Yeshua as he was called in the movie) was played by Cliff Curtis. Yeshua's dialogue was somewhat limited (what was important in this context was not his words, but others' experience of him) but I did like Curtis' take on Yeshua. Yeshua came across as jovial and good natured; humble and compassionate. Strangely in a movie about the Easter event, Yeshua wasn't central enough to the story for Curtis' performance to rank among some of the fine actors who've played Jesus over the years, but given the limitations of the role in this movie I thought he did well.

The basic concept (inserting a Roman tribune among the disciples) means that there were several liberties taken with the biblical story. There was, for example, a healing miracle performed by the risen Jesus - but there's no record of such a healing in the New Testament. The movie also (and unnecessarily) buys into the wholly inaccurate portrayal of Mary Magdalene as a prostitute. I saw no reason for that except perhaps that it gave an opportunity to insert some humour when Clavius burst into an establishment and asks the men inside "who knows Mary Magdalene?" - to which all the men put up their hands. OK. A quick laugh perhaps, but hardly worth perpetuating the false portrayal in my opinion. For the most part, though, the basics of the biblical Easter story were maintained, and the crucifixion story - while not as graphic as in, say, The Passion Of The Christ, was respectfully shown and appropriately difficult to watch.

Two other scenes that stood out to me as especially dramatic were one of the guards at the tomb explaining to Clavius what happened at the moment of resurrection with a mixture of shock, terror and wonder, and also the moment that Clavius burst through the door of the upper room to find the disciples but also coming face to face with the risen Yeshua - whom he knew was dead.

I liked the setting of the movie. It seemed very authentic to the time period and geography. Overall, this was a very well done movie, and for those who have a play list of sorts of movies they like to watch at Easter, this is probably deserving of a place on that list. (8/10)

I am a show biz professional and tony voter and this is a lovely movie with a breathtaking performance by Joseph Fiennes. He is absolutely wonderful with an authentic disciplined and beautiful arc to his work.