Füge eine Handlung in deiner Sprache hinzuAfter a tragic accident, doctor Molly Reese is mistaken for a killer by the mob. Driven by grief, she embraces a new violent path, training herself to hunt and eliminate mobsters.After a tragic accident, doctor Molly Reese is mistaken for a killer by the mob. Driven by grief, she embraces a new violent path, training herself to hunt and eliminate mobsters.After a tragic accident, doctor Molly Reese is mistaken for a killer by the mob. Driven by grief, she embraces a new violent path, training herself to hunt and eliminate mobsters.
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American Woman (2025) is a bold, if flawed, attempt at indie filmmaking that strives for emotional depth but stumbles over its own ambition. Filmed on a shoestring budget, this drama attempts to chart the inner life of a struggling mother in rural America-but never quite finds its footing.
The most immediate challenge is the acting. Performances across the board feel wooden and unconvincing, with dialogue often delivered in flat, uninflected tones. It's clear that the cast lacked the experience or direction needed to elevate the material, and unfortunately, that lack of polish makes it difficult to invest in the characters' journeys.
Visually, the film has a raw, unfiltered aesthetic that could have worked in its favor, echoing the realism of early John Cassavetes or Kelly Reichardt's quiet portraits of working-class life. However, inconsistent lighting, awkward camera angles, and occasional audio issues distract from the atmosphere the director is clearly aiming for.
Where American Woman does deserve credit is in its heart. The story-centered around perseverance in the face of economic hardship-is timely and earnest. There are glimpses of genuine emotion, especially in moments where silence and stillness do the heavy lifting. The screenplay, while occasionally overwritten, contains kernels of sharp social commentary that hint at what this film could have been with a more experienced team and a bit more budget.
In the end, American Woman (2025) is a commendable effort that doesn't quite deliver. It serves as a reminder that passion can't always compensate for execution-but it's also proof that even flawed films can carry sparks of something real.
The most immediate challenge is the acting. Performances across the board feel wooden and unconvincing, with dialogue often delivered in flat, uninflected tones. It's clear that the cast lacked the experience or direction needed to elevate the material, and unfortunately, that lack of polish makes it difficult to invest in the characters' journeys.
Visually, the film has a raw, unfiltered aesthetic that could have worked in its favor, echoing the realism of early John Cassavetes or Kelly Reichardt's quiet portraits of working-class life. However, inconsistent lighting, awkward camera angles, and occasional audio issues distract from the atmosphere the director is clearly aiming for.
Where American Woman does deserve credit is in its heart. The story-centered around perseverance in the face of economic hardship-is timely and earnest. There are glimpses of genuine emotion, especially in moments where silence and stillness do the heavy lifting. The screenplay, while occasionally overwritten, contains kernels of sharp social commentary that hint at what this film could have been with a more experienced team and a bit more budget.
In the end, American Woman (2025) is a commendable effort that doesn't quite deliver. It serves as a reminder that passion can't always compensate for execution-but it's also proof that even flawed films can carry sparks of something real.
American Woman 2025 represents a new disturbing trend in product marketing, generally. Knowing in advance that the quality of the final product will be less than expected, the creators/makers pre-budget an excessive amount for post-production promotion, relying on influencers, fake reviews, clickbait, etc. To balance the scales. American Woman is a good example. It is a pretty awful low-budget effort, a masterclass in bad acting, bad writing, and a very weak end product. Nonetheless, early in the release cycle, a veritable army of reviewers suddenly appear on IMDb, each trying to convince you this is Oscar material, at the very least. Ultimately, "top-loading" reviews always fails. But it is still an amazing phenomenon. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
American Woman, directed by Artie Seigel, is a moody and slow-burning character study that blends a bit of psychological drama with a revenge thriller. Based around on a grieving doctor pushed into a violent criminal underworld, the film shines most in its raw emotional tone and the committed performance of Katelin Stack. Her portrayal gives the story a grounded emotional core that anchors the more surreal and stylized moments.
The direction is confident, often using some murky, intimate visuals that mirror the protagonist's unraveling state of mind. However, the film's pacing may test viewers' patience-particularly in the first act, which lingers a bit too long before the central plot kicks in. The supporting characters, while intriguing, could use a bit of development, making some late-story turns feel less impactful than they should.
Still, American Woman offers a distinct voice and a compelling arc, even if not all risks pay off. It's a smart, brooding film with a few rough edges-ultimately a solid 7.5 or 8/10.
The direction is confident, often using some murky, intimate visuals that mirror the protagonist's unraveling state of mind. However, the film's pacing may test viewers' patience-particularly in the first act, which lingers a bit too long before the central plot kicks in. The supporting characters, while intriguing, could use a bit of development, making some late-story turns feel less impactful than they should.
Still, American Woman offers a distinct voice and a compelling arc, even if not all risks pay off. It's a smart, brooding film with a few rough edges-ultimately a solid 7.5 or 8/10.
A boldly dark edge-of-your-seat thriller with a challenging female lead who meets the challenge with a carefully gauged descent into outright madness. At times serious, at times crazy funny, a busy visual feast for even the best of filmmakers, and especially challenging for a first time full length feature filmmaker striking out into a world of such heavy competition. But Artie Siegel doesn't shy away or veer from the seriousness of his well authored account, and that mature focus serves him and his film and its talented newcomer actors very well indeed, especially Katelin Stack who delivers a terrific performance carrying most of the often disturbing narrative. The hand held camera does a great job supporting the film's intensely conceived plot.
Artie Siegal's latest film AMERICAN WOMAN delivers the goods even on a micro budget. The lead actress was solid and definitely carried the film. My other favorite was actor Joe Rosing who was the other half that carries this film. Joe is excellent in this and has a great body of work to prove this. Some cool experimental shots and concepts in this film made it fresh. Exciting action, cool story, great cast, slick direction and strong score was all involved in making this film a great watch. I'm looking forward to Artie's next film and I can definitely see a sequel to this. Support this film and support indie films!!
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Details
Box Office
- Budget
- 25.000 $ (geschätzt)
- Laufzeit
- 1 Std. 29 Min.(89 min)
- Farbe
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