Die Geschichte der Champagnerfamilie Veuve Clicquot und ihres Unternehmens, das im späten 18.Die Geschichte der Champagnerfamilie Veuve Clicquot und ihres Unternehmens, das im späten 18.Die Geschichte der Champagnerfamilie Veuve Clicquot und ihres Unternehmens, das im späten 18.
Nicholas Farrell
- Jean-Remy Moet
- (as Nick Farrell)
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"Widow Clicquot" is an art film with historical chops helping those of us who love champagne and those who study Napolean. "Widow" is important in that title because in the early 19th century Barbe-Nicole Ponsardin Clicquot (Haley Bennett) challenged the 1804 Napoleonic code that didn't allow women to be business owners unless she was a widow.
Throughout the story, flashbacks allow us to see how she became widowed and how she grew into a winemaker helping to establish forever the méthode champenoise. The contemporary scenes allow reflections on the past and, most importantly, the role of women in the early 19th century. Although the early parts where she is struggling and learning the business of producing champagne is visually dark, Bennett infuses Barbe with enough potential energy to light up the screen.
More exciting than seeing her romances with men and wine is the process of refining her test samples into what has been known as "Comet Champagne" after the inspiration of a comet in her sky at that time. Her formula now is identified as Clicquot, a gold standard for fine champagne.
It's possible some would like to discount the feminist angle of this rich biography, but at their peril. The seeds of reasonable progress are sown here because of her excellence in developing the winery and thereby one of the world's greatest wines.
The dramatic tale, from reality, is as powerful as any romantic drama today. Too bad some will miss it out of a fear of being preached to about women's place. It is all about human ingenuity and ambition, male or female.
Throughout the story, flashbacks allow us to see how she became widowed and how she grew into a winemaker helping to establish forever the méthode champenoise. The contemporary scenes allow reflections on the past and, most importantly, the role of women in the early 19th century. Although the early parts where she is struggling and learning the business of producing champagne is visually dark, Bennett infuses Barbe with enough potential energy to light up the screen.
More exciting than seeing her romances with men and wine is the process of refining her test samples into what has been known as "Comet Champagne" after the inspiration of a comet in her sky at that time. Her formula now is identified as Clicquot, a gold standard for fine champagne.
It's possible some would like to discount the feminist angle of this rich biography, but at their peril. The seeds of reasonable progress are sown here because of her excellence in developing the winery and thereby one of the world's greatest wines.
The dramatic tale, from reality, is as powerful as any romantic drama today. Too bad some will miss it out of a fear of being preached to about women's place. It is all about human ingenuity and ambition, male or female.
Widow Clicquot is an adaption of a true story about Madame Barbe-Nicole Ponsardin Clicquot, who was to become known as the "Grande Dame of Champagne". Widowed after her mentally ill husband commits suicide, Barbe-Nicole must take on the male hierarchy to have control over her deceased husband's vineyard and in doing so continue with their quest to create something great, during a time when Napoleon had blocked trade routes. Haley Bennet was superb as Barbe-Nicole, you felt her power and her grief. I have to say she reminds me of Jennifer Lawrence in looks. The whole cast was fantastic, if you love historical dramas about strong women, I highly recommend it.
Relatively dry period drama "Widow Clicquot" is the true story of how in the late 16th century the titular Barbe Nicole Clicquot (rising star Haley Bennett - excellent) inherited the Clicquot vineyards of Champagne from crazy genius husband Tom Sturridge, and with steely determination (and the support of Sam Riley) fought off largely chauvinistic pressure from those around her (including Ben Miles & Paul Rhys) AND oppressive Napoleonic laws, to forge a legacy living on today through Veuve Clicquot. Thomas Napper directs solidly, and Erin Dignam's screenplay (cut with flashbacks) is interesting, tho perhaps only REALLY interesting to wine enthusiasts.
Working in the industry, I am aware of the place that Madame Clicquot holds in the champagne world to this day. I had read this book and learned some very interesting things about what she did and how she did it. More so, some of her 19th century innovations that are still today's standards. Maybe her most important innovation, the riddling of the bottles during the bottle fermentation, is bearly noted and definitely not named.
What came across in the movie was almost none of that. This ended up somewhat of a confusing love story set against the vineyards of the Champagne region of France. Even her love story with M. Clicquot is ignored, even to the fact and reasons for their marriage taking place in the wine caves under Reims.
This could have been a great story highlighting a woman who really beat the odds when everything was working against her. I had hoped that this might be a good movie for my co-workers to view to learn more about a product we sell quite often. Having watched it, I cannot do that in good conscience, however!
What came across in the movie was almost none of that. This ended up somewhat of a confusing love story set against the vineyards of the Champagne region of France. Even her love story with M. Clicquot is ignored, even to the fact and reasons for their marriage taking place in the wine caves under Reims.
This could have been a great story highlighting a woman who really beat the odds when everything was working against her. I had hoped that this might be a good movie for my co-workers to view to learn more about a product we sell quite often. Having watched it, I cannot do that in good conscience, however!
I went to see the movie at the local cinema due to my wife's suggestion but I was concerned it was the type of movie I would later wish I didn't bother to go and view. Not my cup of tea so to speak.
Instead, I was glad I did. It made me feel I was in the Champagne region and the acting seemed in keeping with the French way. It was in my eyes a realistic portrayal of events and the region.
I knew nothing of the person(s) or the Champagne brand but a little research beforehand helped. In any movie covering someone's life there has to be a balance with what parts are emphasised and I was happy with the mix in that regard.
Instead, I was glad I did. It made me feel I was in the Champagne region and the acting seemed in keeping with the French way. It was in my eyes a realistic portrayal of events and the region.
I knew nothing of the person(s) or the Champagne brand but a little research beforehand helped. In any movie covering someone's life there has to be a balance with what parts are emphasised and I was happy with the mix in that regard.
Wusstest du schon
- WissenswertesIn July 2010, Finnish divers found 168 bottles of champagne beneath the Baltic Sea off the coast of Åland. The bottles were sent back to France for analysis. Forty-six were identified as Veuve Clicquot. When the wine was tasted in 2015, several of them were still drinkable, well-preserved thanks to the cold and dark conditions at the depth. A bottle of nearly 200-year-old Veuve Clicquot broke the record for the most expensive champagne ever sold. In 2011, a bidder paid EUR30,000 for one of them found in the Baltic Sea.
- PatzerIn the segment that begins with the heading '1811', there is a battle going on in the background - plumes of smoke and cannon roaring - and the characters are packing up the bottles to protect them from the soldiers...the Russians." There was no battle in Champagne (or anywhere in France) in 1811. That was the year of the Peninsular War, which was in Spain and Portugal. No Russians anywhere near France for a few more years.
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[first lines]
Barbe Nicole: [narrating] Looking back on that first day with you, I think I understood immediately why humans beings are compelled to create. Why we must find some way to lay down our lives, however best we can.
Barbe Nicole: It is so the we might uncover the secrets of ourselves, better understand the ones we love. The time and place in which we live. And that with any luck, 100 years from now, someone will know that we were here.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- La viuda de Clicquot
- Drehorte
- Château de Béru, Yonne, Frankreich(multiple locations)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.023.984 $
- Eröffnungswochenende in den USA und in Kanada
- 185.531 $
- 21. Juli 2024
- Weltweiter Bruttoertrag
- 4.065.760 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Seitenverhältnis
- 2.00 : 1
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