Ein schwuler Mann geht mit seiner lesbischen Freundin einen Deal ein: eine Green-Card-Ehe für ihn im Gegenzug für eine In-vitro-Fertilisationsbehandlung für sie.Ein schwuler Mann geht mit seiner lesbischen Freundin einen Deal ein: eine Green-Card-Ehe für ihn im Gegenzug für eine In-vitro-Fertilisationsbehandlung für sie.Ein schwuler Mann geht mit seiner lesbischen Freundin einen Deal ein: eine Green-Card-Ehe für ihn im Gegenzug für eine In-vitro-Fertilisationsbehandlung für sie.
- Auszeichnungen
- 2 Gewinne & 5 Nominierungen insgesamt
Jeffrey Liang
- Lady Shu Mai
- (as Jeffrey Liang 'Miss Shu Mai')
Françoise Yip
- Susan
- (as Francoise Yip)
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I know, I know, as a gay man I was supposed to love this movie (just like I did the original). But sad to say, this remake is not very enjoyable.
They get credit for putting new twists on the plot vs. The original, but pacing is waaaaay too slow and it takes forever to get going. Quite honestly, there's very little humor. The first hour drags and is pretty boring, and it's not until the grandmother shows up that things get interesting. The grandmother, in fact, is the most interesting character in the entire movie. Dialogue is mundane and the few funny lines stand out simply because there are so few of them.
With all the talent they had on hand, this could've been so much better.
They get credit for putting new twists on the plot vs. The original, but pacing is waaaaay too slow and it takes forever to get going. Quite honestly, there's very little humor. The first hour drags and is pretty boring, and it's not until the grandmother shows up that things get interesting. The grandmother, in fact, is the most interesting character in the entire movie. Dialogue is mundane and the few funny lines stand out simply because there are so few of them.
With all the talent they had on hand, this could've been so much better.
Having been watching movies now for roughly 70 years, I relish finding something completely different from the usual fare. And hopefully also highly entertaining. This one meets those requirements, my wife and I found it unique and highly entertaining.
Also, with so many years of watching over 200 movies a year, I have noticed many times, a movie will start very well, get a bit muddled in the middle, and then doesn't know how to wrap everything up and arrive at a meaningful ending.
This one avoids that pitfall, it ends very nicely, in a very appropriate manner for the various characters and their situations.
The basic situation is this - two couples, one a female-female and the other a male-male, are good friends. In each case there are family impediments that make it hard to be their selves and live their best lives. That is part of the struggle.
Then, one of the guys, a Korean in the states for study, may outlive his visa and may need to return home, unless ... he can get married. But his partner is not ready for marriage.
The title of this movie would not be "Wedding Banquet" if there were no wedding, but what happens is a big diversion from where it was headed.
Anyway, we watched it at home on DVD from our public library. It is thoroughly entertaining with many laughs but also many meaningful adult themes.
Also, with so many years of watching over 200 movies a year, I have noticed many times, a movie will start very well, get a bit muddled in the middle, and then doesn't know how to wrap everything up and arrive at a meaningful ending.
This one avoids that pitfall, it ends very nicely, in a very appropriate manner for the various characters and their situations.
The basic situation is this - two couples, one a female-female and the other a male-male, are good friends. In each case there are family impediments that make it hard to be their selves and live their best lives. That is part of the struggle.
Then, one of the guys, a Korean in the states for study, may outlive his visa and may need to return home, unless ... he can get married. But his partner is not ready for marriage.
The title of this movie would not be "Wedding Banquet" if there were no wedding, but what happens is a big diversion from where it was headed.
Anyway, we watched it at home on DVD from our public library. It is thoroughly entertaining with many laughs but also many meaningful adult themes.
The Wedding Banquet is a delightful, heartfelt remake of Ang Lee's 1993 classic that takes a beloved, time-honored premise and refreshes it for a new era. While the original film navigated issues of immigration, identity, and secrecy in a delicate blend of drama and comedy, this film shifts the focus toward relationships and personal growth, exploring the emotional depth of its characters with humor and sincerity.
The film's comedy, though undeniably lighthearted, works largely because the film is brisk, without sacrificing the emotional truth of the characters. The narrative unfolds at a fast pace, each twist and turn propelled by a charming, almost sitcom-like energy.
While the plot may feel predictable at times, and some of the situations bordering on farce, the direction allows the characters to shine through the chaos, striking a balance, using humor to gloss over some of the more contrived plot points, yet never losing sight of the genuine emotional moments at the film's heart.
The blend of comedy and sincerity is where the film truly excels. It never leans too heavily into one side, allowing for moments of deep emotional truth to coexist with the lighthearted absurdity of the characters' increasingly ridiculous plans. When the film slows down, the dialogue crackles with authenticity-especially during the quieter exchanges.
There is, however, a sense that the film could have pushed further into daring or edgier territory. It does not venture into particularly risky or provocative comedic waters. While this makes it a more accessible film for a broader audience, it also feels, at times, a little safe. In the era of modern streaming comedies and edgy narratives, a more bold exploration of the entanglements that ensue might have added another layer of excitement or complexity to the film.
The film's comedy, though undeniably lighthearted, works largely because the film is brisk, without sacrificing the emotional truth of the characters. The narrative unfolds at a fast pace, each twist and turn propelled by a charming, almost sitcom-like energy.
While the plot may feel predictable at times, and some of the situations bordering on farce, the direction allows the characters to shine through the chaos, striking a balance, using humor to gloss over some of the more contrived plot points, yet never losing sight of the genuine emotional moments at the film's heart.
The blend of comedy and sincerity is where the film truly excels. It never leans too heavily into one side, allowing for moments of deep emotional truth to coexist with the lighthearted absurdity of the characters' increasingly ridiculous plans. When the film slows down, the dialogue crackles with authenticity-especially during the quieter exchanges.
There is, however, a sense that the film could have pushed further into daring or edgier territory. It does not venture into particularly risky or provocative comedic waters. While this makes it a more accessible film for a broader audience, it also feels, at times, a little safe. In the era of modern streaming comedies and edgy narratives, a more bold exploration of the entanglements that ensue might have added another layer of excitement or complexity to the film.
Watched at the 2025 Sundance Film Festival.
I wasn't sure how a remake would work with And Lee's classic queer romantic comedy but color me surprise, the remake does a pretty good job on being creative from it's source material with new energy, humor, and atmosphere. Andrew Ahn is a director I have been keeping up with as his work Spa Night, Driveways and Fire Island have been pretty great and emotional engaging to observe. Here, Ahn's direction on the atmosphere, dialogue, and the character dynamics are pretty good. Being able to capture the emotions, hilarious dynamics, and some of the oddity and funny moments in both heartwarming and somewhat chaotic ways.
With a good presentation, all of the performances are great as many of the cast members are able to provide fun energy, personality and purpose to their characters. Bowen Yang particular stands out at his best. Narrative-wise, I do appreciate some new themes they were able to explore but there are some moments that felt a little uninspired with the concepts and dynamics that Ahn explores. Including how the production feels almost too fake like something from Netflix and some of the structure feels a little strange, which does make some moments a bit distracting and dragging a bit.
But overall, I didn't expect much for this remake but it was surprisingly not too bad and it went beyond the expectations.
I wasn't sure how a remake would work with And Lee's classic queer romantic comedy but color me surprise, the remake does a pretty good job on being creative from it's source material with new energy, humor, and atmosphere. Andrew Ahn is a director I have been keeping up with as his work Spa Night, Driveways and Fire Island have been pretty great and emotional engaging to observe. Here, Ahn's direction on the atmosphere, dialogue, and the character dynamics are pretty good. Being able to capture the emotions, hilarious dynamics, and some of the oddity and funny moments in both heartwarming and somewhat chaotic ways.
With a good presentation, all of the performances are great as many of the cast members are able to provide fun energy, personality and purpose to their characters. Bowen Yang particular stands out at his best. Narrative-wise, I do appreciate some new themes they were able to explore but there are some moments that felt a little uninspired with the concepts and dynamics that Ahn explores. Including how the production feels almost too fake like something from Netflix and some of the structure feels a little strange, which does make some moments a bit distracting and dragging a bit.
But overall, I didn't expect much for this remake but it was surprisingly not too bad and it went beyond the expectations.
I was very much looking forward to this movie and I was not disappointed I was ready to give it seven stars after only watching the first 40 minutes and in my opinion the trailer , as is often the case, would not give one a fair idea of what the true nature of it is. Sure there's plenty of comedy, but it is really a character study of the difficulties encountered in human relationships and it does that with genuine portrayals of those relationships , couples and parent / offspring, the out in the open and the repressed. The acting and story is gripping and I think you will find yourself totally immersed in them and as unlikely as some of the events may seem, the film never struggles in getting them across, comedy , yes but it deals much more with emotions and there are so many satisfying scenes where that is the primary subject.
Seven point nine stars, script acting throughout, not one person outshines the other and equal weight is given to all of them IE well written, I loved it.
Seven point nine stars, script acting throughout, not one person outshines the other and equal weight is given to all of them IE well written, I loved it.
Wusstest du schon
- WissenswertesRemake of Ang Lee's 1993 original.
- Zitate
Angela Chen: Everything in this house is gay!
- VerbindungenReferences Das zauberhafte Land (1939)
- SoundtracksYoung Hearts Run Free (2023 Edit)
Written by Dave Crawford (as David Bernard Crawford)
Performed by Candi Staton & Benji La Vida
Courtesy of Warner Records Inc./Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
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Details
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- 囍宴
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 2.090.228 $
- Eröffnungswochenende in den USA und in Kanada
- 918.598 $
- 20. Apr. 2025
- Weltweiter Bruttoertrag
- 2.408.269 $
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Farbe
- Sound-Mix
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