Ein Live-Action-Prequel-Spielfilm nach einem jungen Cruella de Vil.Ein Live-Action-Prequel-Spielfilm nach einem jungen Cruella de Vil.Ein Live-Action-Prequel-Spielfilm nach einem jungen Cruella de Vil.
- 1 Oscar gewonnen
- 28 Gewinne & 43 Nominierungen insgesamt
Empfohlene Bewertungen
The atoeynis a little thin but it's a fun feast if fashion, music and big performances. Emma Thompson seemed to be having a lot of fun with her character, I came away feeling glad I had seen it at the cinema and thinking of at least 3 friends to reccomend it to, enjoyed it!
101 Dalmations is a fantastic film with excellent characters, and after watching it one would think that it cannot be depicted in live action. The live action remakes proved this correct, however Cruella is different.
The angle taken on the film actually provides a sufficient and imaginative backstory for Cruella DeVil, and it cleverly manages to position the audiences on the side of the character despite how much we hate her in all her other depictions. That was quite impressive, as well as the acting from Emma Thompson.
The story was good, except there appeared to be repetition of segments of the movie which just make you feel like the movie is more of the way through than it actually is. Another thing that did this was the constant climactic moments which end up tiring you out a little. This means that when the proper climax happens, the movie feels like it's been going on forever and you find yourself not really as engaged as you should be.
Emma Stone's accent was really impressive, however it must have been the director's decision to make it more posh in certain moments, which I wasn't really a fan of. Also, the incorporation of a full fledged lgbt character felt a little unsuitable for the time period in which it was set (sorry about the spoiler).
The soundtrack was filled with excellent songs which were really suitable for the film. However, the events happening on screen couldn't quite match the coolness of the song resulting in the music being a slight distraction.
Overall a very admirable and imaginative effort from Disney.
The angle taken on the film actually provides a sufficient and imaginative backstory for Cruella DeVil, and it cleverly manages to position the audiences on the side of the character despite how much we hate her in all her other depictions. That was quite impressive, as well as the acting from Emma Thompson.
The story was good, except there appeared to be repetition of segments of the movie which just make you feel like the movie is more of the way through than it actually is. Another thing that did this was the constant climactic moments which end up tiring you out a little. This means that when the proper climax happens, the movie feels like it's been going on forever and you find yourself not really as engaged as you should be.
Emma Stone's accent was really impressive, however it must have been the director's decision to make it more posh in certain moments, which I wasn't really a fan of. Also, the incorporation of a full fledged lgbt character felt a little unsuitable for the time period in which it was set (sorry about the spoiler).
The soundtrack was filled with excellent songs which were really suitable for the film. However, the events happening on screen couldn't quite match the coolness of the song resulting in the music being a slight distraction.
Overall a very admirable and imaginative effort from Disney.
My faith in Walt is restored...Disney that is.
Ever since I was a little child watching in wonderment in the dark at the Movies or on the Black and White Pye TV at home...Walt Disney has entertained me for decades, but it's been a while since he put this kind of smile on my face.
Even though he's pushing up daisies or chilling out in a Cryogenic Chamber he still manages to bring magic into my life.
The brands latest effort is the live-action prequel, "Cruella" and it lives up to the trailers and then some.
It's a very dark origins story, not unlike "Joker".
Both films feature famous villains and turn them into protagonists misunderstood by friends, family and society.
What an amazing cast to watch strutting their stuff on the big screen and enjoying themselves.
"La La Lands" Emma Stone is brilliant as both Estella and her alter ego Cruella.
Emma Thompson is the Baroness...the nasty sociopathic woman Estella aspires to be whilst Cruella wants to destroy her and for good reasons that will reveal themselves in the fullness of time.
Joel Fry who was fun in "Yesterday" and Paul Walter Houser from "Richard Jewell" and "I,Tonya" provide the comic relief.
John McCrea who flamboyantly played Jamie in "Everybody's Talking About Jamie" doesn't hold back as the Rock Star of the Vintage Rag Trade.
Dedicated followers of fashion will love this movies costumes.
As usual Mark Strong puts in another strong performance as John the Valet.
The best part is the films Director is a fellow Aussie, Craig Gillespie, better known for "Lars and the Real Girl" and "I, Tonya" where he worked with Houser.
The original live action Cruella de Vil, Glenn Close, gets a nod with an Executive Producer credit for this 2021 movie.
"Cruella" had me from the opening bars of Supertramps' "Bloody Well Right" as we witness the birth of Estella.
From there the soundtrack rolls on highlighting just how good some of the modern classic songs of the 60's and 70's have stood the test of time.
It's a stellar collection of music from The Doors, Nine Simone, Electric Light Orchestra, The Ohio Players, Queen, Blondie, and The Clash to name a few.
It's already liked on my Spotify Library and playing in my French Batmobile.
I even love how the famous Disney logo is in black, white and red...Cruella DeVil's colours.
Even though it's based on the popular children's novel "One Hundred and One Dalmatians" by the late author Dodie Smith and has a PG rating this is a movie adults will also enjoy.
After all they didn't release it during the School Holidays.
In the words of Deadpool, "You're so dark. Are you sure you're not from the DC Universe."
Ever since I was a little child watching in wonderment in the dark at the Movies or on the Black and White Pye TV at home...Walt Disney has entertained me for decades, but it's been a while since he put this kind of smile on my face.
Even though he's pushing up daisies or chilling out in a Cryogenic Chamber he still manages to bring magic into my life.
The brands latest effort is the live-action prequel, "Cruella" and it lives up to the trailers and then some.
It's a very dark origins story, not unlike "Joker".
Both films feature famous villains and turn them into protagonists misunderstood by friends, family and society.
What an amazing cast to watch strutting their stuff on the big screen and enjoying themselves.
"La La Lands" Emma Stone is brilliant as both Estella and her alter ego Cruella.
Emma Thompson is the Baroness...the nasty sociopathic woman Estella aspires to be whilst Cruella wants to destroy her and for good reasons that will reveal themselves in the fullness of time.
Joel Fry who was fun in "Yesterday" and Paul Walter Houser from "Richard Jewell" and "I,Tonya" provide the comic relief.
John McCrea who flamboyantly played Jamie in "Everybody's Talking About Jamie" doesn't hold back as the Rock Star of the Vintage Rag Trade.
Dedicated followers of fashion will love this movies costumes.
As usual Mark Strong puts in another strong performance as John the Valet.
The best part is the films Director is a fellow Aussie, Craig Gillespie, better known for "Lars and the Real Girl" and "I, Tonya" where he worked with Houser.
The original live action Cruella de Vil, Glenn Close, gets a nod with an Executive Producer credit for this 2021 movie.
"Cruella" had me from the opening bars of Supertramps' "Bloody Well Right" as we witness the birth of Estella.
From there the soundtrack rolls on highlighting just how good some of the modern classic songs of the 60's and 70's have stood the test of time.
It's a stellar collection of music from The Doors, Nine Simone, Electric Light Orchestra, The Ohio Players, Queen, Blondie, and The Clash to name a few.
It's already liked on my Spotify Library and playing in my French Batmobile.
I even love how the famous Disney logo is in black, white and red...Cruella DeVil's colours.
Even though it's based on the popular children's novel "One Hundred and One Dalmatians" by the late author Dodie Smith and has a PG rating this is a movie adults will also enjoy.
After all they didn't release it during the School Holidays.
In the words of Deadpool, "You're so dark. Are you sure you're not from the DC Universe."
It's dark, it's edgy, it embodies the punk rock movement of the 1970s and injects it into every aspect of this film with glorious results. Emma Thompson steals the show!
This is a film I did not see myself enjoying as much as I did. Serving as a (sort of) prequel to 101 Dalmations, Cruella is set in 1970s London during the punk rock movement and follows the character Estella (Emma Stone) as she attempts to make it in the fashion industry. She is taken under the wing of the vindictive and domineering Baroness von Hellman (Emma Thompson) and quickly learns secrets that will push her along the path to becoming the villainous Cruella De Vil.
First off I have to praise the performances of both leads. Emma Stone is wonderfully hammy yet charming and surprisingly nuanced as the titular Cruella, while Emma Thompson is cold and ruthless as the fashion mogul Baroness. There was also great support from Paul Walter Hauser as 'Horace', who serves as the main comedic output of the film, a role which he serves with aplomb.
I loved the Rock/Punk Rock style and aesthetic the film had, which is exemplified by the wonderful set and costume design and the excellent and unrelenting soundtrack. The original score from Nicholas Britell was also very effective at establishing the tone and mood and was quite Danny Elfman-esque.
My main problem with the film comes in the form of writing, with some aspects seeming cheap and overly reliant on coincidence and convenience. The latter stages are definitely weaker and the film doesn't end quite as strongly as it should have.
Overall, this is one of Disney's best live action outputs in recent memory although the sympathetic origin story seems tonally dissonant for one of Disney's most despicable villains.
First off I have to praise the performances of both leads. Emma Stone is wonderfully hammy yet charming and surprisingly nuanced as the titular Cruella, while Emma Thompson is cold and ruthless as the fashion mogul Baroness. There was also great support from Paul Walter Hauser as 'Horace', who serves as the main comedic output of the film, a role which he serves with aplomb.
I loved the Rock/Punk Rock style and aesthetic the film had, which is exemplified by the wonderful set and costume design and the excellent and unrelenting soundtrack. The original score from Nicholas Britell was also very effective at establishing the tone and mood and was quite Danny Elfman-esque.
My main problem with the film comes in the form of writing, with some aspects seeming cheap and overly reliant on coincidence and convenience. The latter stages are definitely weaker and the film doesn't end quite as strongly as it should have.
Overall, this is one of Disney's best live action outputs in recent memory although the sympathetic origin story seems tonally dissonant for one of Disney's most despicable villains.
Wusstest du schon
- WissenswertesGlenn Close, who played the first live-action Cruella DeVil in 101 Dalmatiner (1996) and 102 Dalmatiner (2000), serves as executive producer for this movie.
- PatzerCruella crashes a car into an old-fashioned British red phone box, which buckles on impact. These phone boxes were made of cast iron which would, with sufficient force, break, not bend.
- Zitate
Cruella de Vil: They say there are five stages of grief. Denial, anger, bargaining, depression, and acceptance. Well, I'd like to add one more. Revenge
- Crazy CreditsThere are scenes in the closing credits: Anita and Roger receive a gift of two Dalmatians (one each) from Cruella. The dogs are named Pongo and Perdita, the parent dogs from 101 Dalmatians. Roger then starts to play the Cruella de Vil song from 101 Dalmatiner (1961).
- VerbindungenFeatured in AniMat's Crazy Cartoon Cast: D23 Expo 2019 Extravaganza (2019)
- SoundtracksBloody Well Right
Written by Rick Davies (as Richard Davies) and Roger Hodgson
Performed by Supertramp
Courtesy of A&M Records
Under license from Universal Music Enterprises
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Cruella de Vil
- Drehorte
- Old Royal Naval College, King William Walk, Greenwich, London, Greater London, England, Vereinigtes Königreich(Rock Concert and Fountain at Regent's Park)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 100.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 86.103.234 $
- Eröffnungswochenende in den USA und in Kanada
- 21.496.997 $
- 30. Mai 2021
- Weltweiter Bruttoertrag
- 233.503.234 $
- Laufzeit
- 2 Std. 14 Min.(134 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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