Vampira and Me

There's not much surviving footage of Vampira in her prime, so there's only so much they could do here, but the interview with her in her old age was great and she was quite candid and sharp. Overall, a very well made doc about a legend that deserved better in life.

(IMO) - "Vampira And Me" was a good (but not great) bio-documentary.

This 106-minute presentation takes a close-up look at the patchy career of Maila Nurmi (known as "Vampira") who hosted her own late-night TV show back in the mid-1950s.

Maila died in 2008 at the age of 85.

This intimate and moving portrait of a lost goth icon brought tears to my eyes.

It's rare to see a movie and know that it was made with love, but I would say this is a film like that. Director R. H. Greene has excavated pretty much every frame of film featuring Maila Nurmi as her barrier-shattering goth creation Vampira, the majority of which was found and presented here for the first time in over 50 years. In that way, this film is quite a present to pop culture history.

But the core of this documentary is the on camera interplay between Greene, the unseen questioner, and Nurmi, the regal, coquettish, gleeful, moist-eyed interviewee. Nurmi was clearly bloodied by her adventures in Hollywood as Vampira but she comes across as (mostly) unbowed, or at least willing to make the sacrifices that were required to give the world her creation. Knowing Nurmi at least got respect and affection from Greene and other second and third generation fans makes the rest of her story--a real Hollywood tragedy--easier to bear.

Thoughtful comments by cult comedian Dana Gould stand out, as does the amazing side story of Voluptua, a rip-off character created by men to capitalize on Vampira's popularity. Voluptua proved by her sex kitten submissiveness just how radically feminist the self-sufficient Vampira really was--when men tried to recreate Vampira's success, they created a blow-up doll, where Nurmi created a feminist icon. An amazing story, for horror fans and anyone who cares about radical.depictions of women in the media age.

First, the bad / sad news: Only about 2 minutes of footage from Maila Nurmi's Vampira show are known to exist. Although, there was a news article some years back, that said that most of the full episodes were still around, held privately by an "anonymous owner".

Now, the good news: VAMPIRA AND ME is a loving, fascinating look at Ms. Nurmi and her alter ego, told -mostly- in her own words, in the flesh! Writer / Director R. H. Greene went to great lengths to present a tribute that isn't just some fawning fanboy fiesta.

Greene allows the triumph, as well as the tragedy and pain in Ms. Nurmi's life to emerge, filling in the blank spaces. From her first donning of the Vampira persona at a masquerade party, to her meteoric rise as the dark star of KABC-TV in Los Angeles, she was larger than life. Still, though she had her time with the likes of James Dean and Elvis Presley, she ultimately fell from grace, living in obscurity and poverty. In spite of this, Maila shows great dignity and poise in her interview.

Obviously, her part in PLAN 9 FROM OUTER SPACE is covered, as is her wonderful recitation in THE BEAT GENERATION. Her later meeting with punk band, THE MISFITS is also discussed.

However, for me personally, the most arresting and haunting part of the entire documentary is Maila's singing / reciting the song, "Genocide Utopia" with the band Satan's Cheerleaders. This impromptu performance gives me the shivers, no matter how many times I hear it! The fact that she was 64 when she did it, tells us all we need to know about this incredible woman, and her blazing, undying spirit!

The movie ends with Maila and Satan's Cheerleaders performing, "I'm Damned" over the end credits. What a finale!...

With "Vampira & Me" director/producer R.H. Greene has put together quite an interesting documentary spotlighting the patchy acting career of Maila Nurmi (aka. Vampira) who, with her ear-piercing scream and hour-glass figure, became a minor pop-culture icon during the 1950s.

Through vintage film clips, stills, and interviews, we learn how Maila (seeking fame & fortune) moved up from being a cheesecake magazine model in the late 1940s, to doing TV commercials in the early 1950s, to her glory days of becoming Vampira, delightfully hosting her own late-night TV show in the mid-1950s which screened Sci-Fi and Horror films for all the fans.

Known as the "Glamor Ghoul", Maila never ceased to thrill her many fans with the wild combination of her eccentric (and, yes, sexy) make-up, costume and persona.

Sadly enough, by the early 1960s Maila had all but faded away into obscurity and seclusion. She was later discovered waiting tables at a second-rate diner to make ends meet.

In 1997 producer R.H. Greene sought out Maila (who was now 75) and interviewed her for this entertaining and informative documentary. And I'm glad he did.