Inmitten der politischen Unruhen in Teheran kämpft der Untersuchungsrichter Iman mit Paranoia. Als seine Waffe verschwindet, verdächtigt er seine Frau und seine TöchterInmitten der politischen Unruhen in Teheran kämpft der Untersuchungsrichter Iman mit Paranoia. Als seine Waffe verschwindet, verdächtigt er seine Frau und seine TöchterInmitten der politischen Unruhen in Teheran kämpft der Untersuchungsrichter Iman mit Paranoia. Als seine Waffe verschwindet, verdächtigt er seine Frau und seine Töchter
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 36 Gewinne & 71 Nominierungen insgesamt
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The movie "The Seed of the Sacred Fig" is a political thriller centered on Iman, who is searching for a promotion in Tehran's judicial system. As he ascends in his career, he is torn between personal and professional conflicts, facing moral dilemmas within his family amid the upheaval of the 2022-2023 Iran protests.
The movie is captivating for its portrayal of the clash between an archaic, sexist, and oppressive government driven by religious ideals and the freedom of expression, culture, and modern values embraced by the younger generation. This duality extends into the family dynamic, where personal beliefs collide with political pressures, creating a powerful internal conflict.
Director and writer Mohammad Rasoulof delivers an emotional movie by blending real footage of student protests following the death of Mahsa Amini in 2022.
Another standout achievement is the title The Seed of the Sacred Fig, which perfectly captures and summarizes the essence of the movie. It's a perfect and beautiful choice that sums up the story beautifully.
The movie is captivating for its portrayal of the clash between an archaic, sexist, and oppressive government driven by religious ideals and the freedom of expression, culture, and modern values embraced by the younger generation. This duality extends into the family dynamic, where personal beliefs collide with political pressures, creating a powerful internal conflict.
Director and writer Mohammad Rasoulof delivers an emotional movie by blending real footage of student protests following the death of Mahsa Amini in 2022.
Another standout achievement is the title The Seed of the Sacred Fig, which perfectly captures and summarizes the essence of the movie. It's a perfect and beautiful choice that sums up the story beautifully.
The sacred fig is also the strangler fig. It nuzzles its host even as it strangles them to death. The criminal is not the one you expect.
Iman is climbing the ladder in Iran's judicial system. High minded, ambitious, and hard-working, he strives to earn the approval of his superiors and is promoted. Expecting adulation, Iman encounters rebellion instead. Where he presumes love in his workplace, country, wife and daughters, he finds insurgence. If Iman looks inside himself, he might find a way to set things right.
The Seed of the Sacred Fig won two prizes at the Cannes film festival and succeeds because of its authenticity, depth, capable actors, and riveting story. Director Mohammad Rasoulof spent time in prison for the crime of practicing his art of filmmaking. Rasoulof appeared via video at this Toronto International Film Festival screening to tell the story of one of his interrogators who felt shame at his actions and didn't know in what direction to turn. He claimed to be getting grief from his family. This interrogator is the model for the character of Iman.
This raw and unsettling film features actual footage from the violent 2022 uprising in Iran over the death of 22-year-old Mahsa Amini, who was taken into custody for allegedly wearing her hijab improperly. The film reminds us to take a close look at our workplace, country, friends, family, and selves in order not to become a host for any strangler figs, no matter how sacred they claim to be.
Iman is climbing the ladder in Iran's judicial system. High minded, ambitious, and hard-working, he strives to earn the approval of his superiors and is promoted. Expecting adulation, Iman encounters rebellion instead. Where he presumes love in his workplace, country, wife and daughters, he finds insurgence. If Iman looks inside himself, he might find a way to set things right.
The Seed of the Sacred Fig won two prizes at the Cannes film festival and succeeds because of its authenticity, depth, capable actors, and riveting story. Director Mohammad Rasoulof spent time in prison for the crime of practicing his art of filmmaking. Rasoulof appeared via video at this Toronto International Film Festival screening to tell the story of one of his interrogators who felt shame at his actions and didn't know in what direction to turn. He claimed to be getting grief from his family. This interrogator is the model for the character of Iman.
This raw and unsettling film features actual footage from the violent 2022 uprising in Iran over the death of 22-year-old Mahsa Amini, who was taken into custody for allegedly wearing her hijab improperly. The film reminds us to take a close look at our workplace, country, friends, family, and selves in order not to become a host for any strangler figs, no matter how sacred they claim to be.
Where do I even begin ?.. Words like freedom and dignity are not just mere words but they carry in them the deepest pain and suffering of all of humanity, Pain and suffering that were unawaredly endured for thousands of years through social and all kinds of oppression at the hands of a few oppressors and many a times by the very social norms that the humanity had laid out for itself through the truncated understanding of its own social condition in the larger scheme of collective human existence, how do you even go about freeing yourself from the clutches laid out by the collective oppression that has become your identity and the very means to your existence, how do you even go about waking up the society to the cultural cruelty that it's inflicting on its own cultural freedom and social well-being, The seed of the scared fig is not just a movie about Iran and it's women and their struggle over theocratical oppression to expand the social space for their personal freedom to reach the realms of human dignity and it's social acknowledgement, it's a much deeper study on the conflict that arises between the all empowered state through whatever social dictum and the individual freedom which forms the basis of the creation of the sub-unit called family, the very basis on which societies as such come into existence and seek to thrive in various forms and colours...This movie carries a seed in it that humanity needs to cherish for its own better future ...
To better understand the concept behind the film, this might help, learn where the name of the film comes from:
There are plants known as "strangler figs" that exhibit strange behavior. Strangler figs (genus *Ficus*) begin their life as seeds deposited on the branches of a host tree, typically by birds or other animals. The seeds germinate and send down roots that eventually reach the ground. As the roots grow and thicken, they encircle the host tree, creating a lattice-like structure.
Over time, the strangler fig's roots and branches grow larger and more robust, competing with the host tree for sunlight and nutrients. Eventually, the fig's growth can become so extensive that it constricts the host tree's trunk, restricting its ability to transport water and nutrients. This process can lead to the host tree's death, effectively allowing the strangler fig to take over the space and resources previously used by the host.
The strangler fig does not immediately kill the host tree but rather slowly overcomes it through a combination of physical encasement and competition for resources. This fascinating but destructive relationship highlights a unique strategy in the plant kingdom for survival and growth.
Over time, the strangler fig's roots and branches grow larger and more robust, competing with the host tree for sunlight and nutrients. Eventually, the fig's growth can become so extensive that it constricts the host tree's trunk, restricting its ability to transport water and nutrients. This process can lead to the host tree's death, effectively allowing the strangler fig to take over the space and resources previously used by the host.
The strangler fig does not immediately kill the host tree but rather slowly overcomes it through a combination of physical encasement and competition for resources. This fascinating but destructive relationship highlights a unique strategy in the plant kingdom for survival and growth.
Tonight, I watched the film "The Fig Tree of Temples" and I have to say, it was one of the most beautiful and impactful cinematic experiences I've ever had. What made this film resonate with me so deeply wasn't just its strong and artistic storytelling, but the fact that every scene felt so realistic and connected to my personal experiences. It was as if every moment of the film reminded me of the tough and tense period we all went through.
The film beautifully and profoundly touches on the Mahsa Amini revolution and the social and political crises of that time, a period in which I personally participated and witnessed days filled with hardship and uncertainty. The story of the two girls in this context felt like a symbol for millions of Iranians who lived through those moments. I saw myself in those two characters, and this deep empathy gave me an opportunity to understand the emotions and struggles of that era.
The film was emotionally overwhelming, and each scene reminded me of how we all lived through those days, filled with both pain and hope. For me, this film is not just a remarkable piece of art, but also a reminder of a painful and crucial chapter in modern Iranian history.
If you're looking for a film that, in its beauty, also brings to light the harsh and painful truths of our society, "The Fig Tree of Temples" is an exceptional choice.
The film beautifully and profoundly touches on the Mahsa Amini revolution and the social and political crises of that time, a period in which I personally participated and witnessed days filled with hardship and uncertainty. The story of the two girls in this context felt like a symbol for millions of Iranians who lived through those moments. I saw myself in those two characters, and this deep empathy gave me an opportunity to understand the emotions and struggles of that era.
The film was emotionally overwhelming, and each scene reminded me of how we all lived through those days, filled with both pain and hope. For me, this film is not just a remarkable piece of art, but also a reminder of a painful and crucial chapter in modern Iranian history.
If you're looking for a film that, in its beauty, also brings to light the harsh and painful truths of our society, "The Fig Tree of Temples" is an exceptional choice.
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- WissenswertesDirector Mohammad Rasoulof was originally scheduled to take part in the 2023 Cannes Film Festival as a jury member of the Un Certain Regard section. However, he was arrested in July 2022 after criticising the government's crackdown on protestors in the southwestern city of Abadan in Iran over deadly building collapse. On May 8, 2024, Rasouloff's lawyer announced that he has been sentenced to eight years in prison as well as flogging, a fine and confiscation of his property. On May 12, 2024, Rasouloff announced that he managed to flee Iran and was staying at an undisclosed location in Europe. On May 24, 2024, Rasouloff attended the film's premiere in Cannes and on the red carpet he held up photos of two of the film's actors, Soheila Golestani and Missagh Zareh.
- Crazy CreditsOpening credits: "Ficus Religiosa is a tree with an unusual life cycle. It seeds, contained in bird droppings, fall on other trees. Aerial roots spring up and grow down to the floor. Then, the branches wrap around the host tree and strangle it. Finally, the sacred fig stands on its own."
- VerbindungenFeatured in 82nd Golden Globe Awards (2025)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 860.139 $
- Eröffnungswochenende in den USA und in Kanada
- 35.230 $
- 1. Dez. 2024
- Weltweiter Bruttoertrag
- 6.589.959 $
- Laufzeit2 Stunden 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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