McVeigh

I found this movie McVeigh boring,it was similar to the recent September 5 movie where we don't get to know any of the characters in the story in this case the innocent people ,what they were doing before this guy decided to kill and change everyone's life affected by McVeigh's actions forever. One reviewer said there was no judgement, and sometimes that is a good thing ,but not in this case especially in the heated political times we live in with all the hate in our country right now in 2025,it would have been nice to get a deeper understanding why he did this, of course we know the story, it was about Waco, In the film, it's there but it's vague, shown a few times on TV news footage ,the story should have been told as if none of us know the details from the actual event, and perhaps sending out a warning doing bad things even when you think you're making some good political statement, has consequences...innocent people died including children for McVeigh's political statement. The movie did show, this guy had a black heart ,no emotions,just a waste of a human life,it did show how he got the supplies to make his bomb, but that's where the movie stops, in fact the movie basically ends McVeigh driving off in his rent a moving truck, and then we see some real TV footage of McVeighs domestic terror act....but again the story would have been better if it was a re-enactment of the event as if i knew nothing of the event, where did he park the truck, how did he set it off,etc.what did he do after the event, did he go home and have a beer? His arrest and perhaps even his execution...for me it was just a boring movie, the guy was emotionless ,heartless which i am sure probably in real life he was but that left for a boring movie.

This movie seems to weave a lot of fake into it's story-line... I can not find where McVeigh visited some Richard Snell in prison at all. That seems to be fabricated just like Tim's girlfriend "Cindy" in the story. Far as I can find, he didn't have a girlfriend (past High School days) and claimed to not know how to talk to them. Who was the Fredrick person ?

The dialog/script in the movie is wonky, like any gun person (especially a decorated top shooter in the army) would ever call a handgun magazine a "clip". Only Hollywood does that, certainly not a gun enthusiast that travels in gun circles and cherishes the 2nd Amendment.

How about the scene where the movie protrays Tim as upset over an encounter with a black fellow, and plots to shoot him... I can't find that in any fashion, the film seems to make up stuff as it goes along...

What we do know is Tim was a person that kept to himself for the most part and was laconic with others. This is portrayed excellently in the film and that he bombed a Federal building... that is about all this flick got right... We don't get to see him at Waco being part of the upset folks.

This movie is as much fiction as it is non-fiction, thus why I rate is so low... If you wanted to paint a picture, at least use crayons from the correct box to paint that picture.

"McVeigh" (2024) attempts to chronicle the descent of Timothy McVeigh into domestic terrorism, but ultimately fails to provide a compelling or insightful portrayal of its subject. Directed by Mike Ott, the film had the potential to explore the psychological and ideological motivations behind one of the most infamous crimes in American history. Instead, it delivers a hollow, underdeveloped narrative that neither informs nor engages.

One of the film's biggest flaws is its lack of character development. McVeigh's disillusionment with the U. S. government-particularly his anger towards the federal response at Waco-is a crucial aspect of his radicalization, yet the movie barely touches on it. Without a deeper look into his beliefs and frustrations, McVeigh comes across as a one-dimensional figure, reducing the film's impact. The supporting characters are similarly neglected, existing only to move the plot forward rather than adding any real depth or nuance.

As a thriller, McVeigh is disappointingly flat. There's little tension, and the pacing drags, making it a struggle to stay engaged. The lack of emotional weight or psychological insight leaves the film feeling empty, as though it merely goes through the motions without saying anything meaningful. Even Alfie Allen's performance as McVeigh feels restrained, likely due to the script's failure to provide any real substance for him to work with.

Overall, McVeigh squanders its potential. Instead of offering a gripping or thought-provoking look at its subject, it settles for a superficial retelling that neither informs nor captivates. A film tackling such a disturbing and complex event should leave an impact-this one doesn't.

If a movie could actually be beyond boring, this would be it. Timothy McVeigh had to be more interesting than he is portrayed here because in this movie he barely exists. Alfie Allen was an extremely poor choice to play McVeigh because while he is given nothing at all to do on screen, he is too old to play McVeigh and looks nothing like him. The film is just a montage of trailers, dated wood paneling , seedy bars and diners. We learn nothing about McVeigh or anyone else. The entire movie is the lead up to the bombing but virtually nothing happens. For some reason a romance is thrown in that I don't think happened and Allen as McVeigh just seems to wander from place to place looking miserable, disturbed and suspicious. The movie is so poorly made I had no idea who the characters were suppose to be in real life. There is very little dialogue, and it seems as if they decided recreating a time period was enough. An awful film with zero redeeming qualities.

Was really hoping this was cut from the same script-pages as Tony Stone's exceptional "Ted K" (2021), but make no mistake, this is the Lifetime Channel Presents or Edward James Olmos (á la AMERICAN ME) version of the Oklahoma City Bombing and its principal architect. Totally controversy-free, favoring theatrics and creator's liberties (w source material) with the goal of producing conventional, feature-length bio-pic. DNF.

Found out the guy who directed this is seemingly a DailyWire MAGA type which checks out because it's hard to see what actually drew this guy to this story given how little he has to say about it. Weirdly Brett Gelman probably the most compelling presence here which is crazy because he's an unbearable POS (unanimously).