Yume to kyôki no ôkoku

THE KINGDOM OF DREAMS AND MADNESS is a documentary exploring the dying days of Studio Ghibli and in particular lead animator Hayao Miyazaki. Set during the making of THE WIND RISES, this is a reflective journey, tinged with sadness and nostalgia, that sees the famed cartoonist looking back over his life and work as well as discussing the challenges of both present and future.

Needless to say, this is a must see for anybody who considers themselves a fan of Studio Ghibli. Unlike western-made documentaries, this takes the straightforward approach of simply grabbing a camera, following Miyazaki and his crew around, and asking the occasional question. The unobtrusive approach works well, somehow getting you into the heart and soul of the studio, and it feels refreshing for there to be no talking head interviews, no movie clips interspersed into the narrative. Somehow, THE KINGDOM OF DREAMS AND MADNESS manages to capture a little of the Studio Ghibli magic itself.

If you love films as a passion go watch this.

If you love films as an art go watch this.

If you love animation go watch this.

If you want to see a glimpse of the magic of film go watch this.

This documentary is something special. If you don't know already this documentary follows one of the greatest animators of all time, Hayao Miyazaki, as he works on what is likely his last film, the Oscar-nominated 'The Wind Rises".

This small peak behind the scenes is something of an oddity among documentaries. Where as so many documentaries are focused on presenting the facts of a topic to light in a way that is both non- biased and easy to understand 'The Kingdom of Dreams and Magic' prefers to forgo this and instead attempt to provide emotion to its viewers as well as leave a lot of subjects and stories untouched or unfinished in a way that makes me think that the documentary film makers behind the camera never had any intention in attempting to make the famed studio Ghibli any less magical. I have to believe that this was done purposefully to protect the magic of the studio to which the title of this documentary alludes.

If you are reading this and wondering why I'm being so vague about describing the actual goings on of the documentary it is because I feel the emotion of what I saw in this film can never be translated properly to the written word.

If you ever watched a movie of Hayao Miyazaki then watch this flick, it will only make you respect the man, the studio, and the films even more.

Detailed observational doco filmed in Hayao Miyazaki's Studio Gibli building. The studio cat gets as much screen time as Takahata working down the road on The TALE of PRINCESS KAGYUA.

The bulk of the footage covers Miyazaki finalizing AS the WIND RISES working in his computer free headquarters, recording voice tracks and music and showing the finished film to his staff.The only person in a suit is the legal rep.

Not an unblemished study, as this is likely to be the last film of both these major figures in animation, the record of their work has an extra, slightly melancholy feeling.

Mostly magical movie of my life. I cried when he wrote that letter. Miyazaki is on of the few artists in this modern world and we need to appreciate him for that. Legends never die.

The Kingdom of Dreams and Madness stays true to its name, offering a deep, touching, and realistic insight into the dreams and madness rampant in the production of Hayao Miyazaki's 'last' masterpiece, 'The Wind Rises'.

To the surprise of many, the documentary doesn't dive into Studio Ghibli's rich heritage. With the exception of Miyazaki's partnership with Isao Takahata, we learn little to nothing of his life, family, education, and works. Even less documented is the production process from concept to film. If you're looking for structure, biopsy, behind the scenes, and feel-good tangents, this is not it.

'Hello, please allow me to observe you working.' - the hanging note in the opening scenes summarizes the film's 'unobtrusive' approach. Unlike the typical American documentary, the Kingdom of Dreams and Madness drops the head-on interviews, spotlights, and overall busy atmosphere, in favour of capturing the routine of the team at Ghibli. Lacking the excitement and glorification one would expect from such a talented budget, the already 120 minute long time line feels slow. Watching sometimes feels as tedious as the animation process itself. Though, the result is a treasure: an unbiased look at what it means to be, and work for Miyazaki; the crew's timid involvement allows Miyazaki to open up, giving us an unexpected glimpse into what goes on in his head, and leads to a touching, raw, understanding of 'the suffering of film making'.

There's one thing to take away from The Kingdom of Dreams and Madness: Miyazaki's philosophy. In a place where we expect happiness, motivation, and fusion, we instead find cynicism, bitterness, frustration, and chaos. Albeit delivered politely and comically, Miyazaki's words are not what we expect to hear. Through rants about bowing to not being able to draw A6M Zero's, Miyazaki channels his surrender within the modern world. 'Today, all of humanity's dreams are cursed somehow'. You can't create your own happiness, because you cannot control how others see your creations. 'The notion that one's goal in life is to be happy, that your own happiness is the goal... I just don't buy it.'

The Kingdom of Dreams and Madness is nothing you would expect, and everything you need to know. At first hard to follow, it quickly immerses you in a philosophical trance. Be sure to leave time to ponder at this solid 10.