Ick

I swear, there is not a camera shot longer than 12 seconds in this entire movie. It is liking watching some random one and a half hour flashback montage scene, it was like the flashback opening of the film just never stopped! Kills the movie. The acting is good, the idea behind the film is okay but I think the director/writer threw too much thought into the ick metaphor and ultimately made it null and void. This should have never got a big screen release. The soundtrack is cancelled out because using tons of different songs for 20 seconds each just gets old however whoever scored the film did an excellent job, shame their talent was wasted on this mess. I definitely know Ick is not the type of film you pay money to watch.

There is an eight-screen movie theater in my town, and since I'd had some work successes, I wanted to treat myself to a movie. My choices were; yet another Superman reboot, yet another Fantastic Four movie (unsure if reboot or not), yet another Jurassic sequel, Elio, a Smurfs reboot, something called "The Home," and the "How to Train your Dragon live action."

Then, there was this.

It starred Brandon Louth, which made me go hm. Since his turn as the Man of Steel, he has kept fairly busy on television, but I remember his appearance in "Zack and Miri make a porno," which was only a short while after Superman Returns. He seemed animated and relaxed in his role (a very brief but somewhat important one in that movie) and I remember thinking that if they allowed that side of him to come through in his Superman movie it might have been better received.

For the first part, he's in high school and it made me wonder if they used de-aging technology or if, with the makeup he could still look that young even in his mid-40s. I think it might be both. Happily, for the rest of the movie he got to show the side of him that was so appealing in "Zack and Miri."

The movie itself is somewhat of a rapid-fire assault on the senses and is made for a completely different demographic than me. As other reviewers have said, the "Ick" depicted in the movie might be a metaphor for culture rot so prevalent today.

And yes, it does get a little slapdash at the end, but overall it was fun to see a little creativity and fun in a movie for a change. I also got the sense that some of the easter eggs other reviewers have described might reveal themselves more in a repeat viewing.

The length and pacing hit the sweet spots for a movie such as this, and as another reviewer has said, it looks like everybody had a good time making it. I had a good time seeing it, and since Brandon was one of the producers, I want to say thank you to him for turning out something semi-original.

If you're the kind of genre fan who can't get enough of Cooties, Night of the Creeps, or Jack Brooks: Monster Slayer, then Joseph Kahn's ICK is your next late-night obsession. Equal parts slime soaked satire, throwback creature feature, and goofball gorefest, ICK is a B-movie with A-level confidence, a film that knows exactly what it is and owns it every gloriously gooey step of the way.

Brandon Routh delivers another enjoyable performances as Hank Wallace, a washed-up high school football star turned reluctant science teacher with a personal grudge against mediocrity, and now, apparently, aliens (I think). When a parasitic lifeform begins infecting his sleepy hometown, he's forced to team up with sharp witted student Grace (Malina Weissman, absolutely owning every line) to save the world or at least their zip code.

The script balances absurdity and affection with surprising finesse. While the satire could have easily veered into "try-hard" territory, it never does. Instead, it feels right, organic, self-aware, and just grounded enough to work. Think They Live, but with alien goo and gym class trauma.

Let's talk about that goo. The CGI? Well... it's fine. Serviceable. Some of the larger-scale creature shots look like they were rendered on a monster energy drink budget, but honestly, it just adds to the film's low-fi charm. Would practical effects have elevated it? Absolutely. But in fairness, some of the creature sequences are too bonkers to pull off practically without quadrupling the budget. Thankfully, the film leans into its own ridiculousness, never pretending to be more polished than it is.

Where ICK really surprises is in its heart. Beneath the eye-rolling puns, exploding heads, and sarcastic monologues, there's a genuine emotional throughline. Hank's journey from burnout to unlikely hero has weight.

ICK is exactly what the horror-comedy genre needs more of bold, messy fun with a sharp bite. It's not trying to win awards. It's trying to make you laugh, scream, cheer, and say, "What the hell did I just watch?" and in that, it completely succeeds.

I'm going to be honest here.

This film is pretty dumb.

But, while it comes off as random, with a creature whose existence is never explicitly explained.

Kahn admittedly does a competent job providing explanations for the unexplained aspects of the film via subtext.

You just need to wade through the ick, in order to get there...and, well, get what the film is about.

Because we are the ick.

The ick- an invasive alien plant creature that becomes more malevolent, the more it's exposed to modern humanity- is a manifestation of the worst aspects of human nature...our most cringe qualities (think of it kind of like when AI when is exposed to the internet).

Hence why the only people immune to it are those who have been humbled by life.

Take the two main characters, for example.

Both of whom had it all in highschool, only to lose it all in their transition to adulthood, when life gave them a reality check.

The protagonist of the story, having been the highschool quarterback, whose life- after being slated for the NFL- gets upended when he suffers a career ending injury (brought on by the ick) in his final game before going off to college.

And our protaganess (the most divine beauty to ever grace the silver screen), when, despite being the most popular girl in school, isn't able to get into the university of her dreams.

Though, also her best friend (and the boy she likes), who are just kind-hearted nerds in the form of a tortured artist and the smartest girl in school.

The latter being characters that are contrasted by the guy who seems to be, at least, semi-autobiographically based on the director, himself.

Though, not necessarily in a realistic sense.

Rather, how he had fantasized his life could have gone (ie gets rich, and marries the hottest girl in school...even though that, inevitably, leads to his downfall).

On top of that, Kahn clearly incorporates many of his own coming of age influences into the film, as well.

Not only in the form of a large collection of 2000's era music.

But also via other cultural influences.

Like how the main character comes off as a dollar store (read: satirized) version of Bruce Campbell as Ash in Evil Dead (right down to his iconic blue shirt).

And the one young man who is clearly fashioned after Jason Mewes when he plays Jay in the Kevin Smith films.

All in all, the whole thing is akin to a faster paced, horrorified, version of a teenage high school comedy.

Kind of it like a high octane John Hughes film, with more of an Idiocracy vibe.

Hence why I say it's a "dumb" film, despite the interesting easter eggs that are strewn throughout it.

Many of which, apparently, harken back to his earlier films.

The highlight of it all, though, is clearly our young protagoness.

She is, quite literally, a Goddess so divine, she put's Aphrodite to shame (and goddamn did she ever look good at the TIFF Q&A...the epitome of perfection).

And a great actress to boot.

But, did I love the film...well, no.

Not exactly.

It was farrrrrr too reliant upon CGI effects for my personal taste.

But it had it's moments.

As an Evil Dead fanatic, I particularly appreciated the influence he took from that series.

And I've got to give him credit for casting the right actress for the main role.

But it isn't enough to save the film from how dumb it really is.

Though...perhaps that was what he was going for.

3 out of 10.

Oh, what an absolute blast! This is genuinely some of the most fun I've had with any movie in theaters this year. I loved everything about it. Legendary music video director Joseph Kahn brings a vision to life here that harkens back to such a specific period of time. It fits right in with so many movies of the era it's emulating. Visually, it's quite incredible and I found myself in awe of what was being brought to the screen. The craft displayed here is masterful, and Kahn commits to his bold concept all the way through. It is so kinetic, imaginative, and has a powerful energy, moving seamlessly from shot to shot in a way that feels natural to the film's style. The production design is amazing. The film is honestly enchanting and just oozes charm. It wastes no time and throws you right in. So much is happening within the frame and the pace is nonstop - but as fast as this film goes, it never loses you. The aesthetic itself makes it feel like a feature length music video, and I mean that in the best way. It's defined especially by its unbelievable soundtrack, which is maybe the most impressive curation of songs I've seen in a long time. This is seriously a soundtrack that someone would only dream of having in their film. They're just INSANE needle drops, and I give major props to the team for being able to lock down all of them. I was truly blown away. We were cheering!

As Kahn mentioned in his intro to the film, he has as many creature jumpscares as he does punk rock jumpscares. The music of the All-American Rejects, Good Charlotte, Wheatus, Creed, Paramore and tons of other great bands popping up throughout the film instantly brought me back to my childhood, when my sisters were in high school and I was growing up with the songs they played. It was amazing to hear all this music in a feature film, and especially with the context of which they were used. Their place in the film feels quite motivated, as the story has a focus on the disconnect (and also similarities) between the generation of teens from the 90s/00s and those of today. Telling a modern story while using nostalgic music like this really worked to get into the headspace of Hank, played so brilliantly by Brandon Routh (who absolutely needs more starring roles today). I found him to be an excellent protagonist with a really compelling arc. I loved his transition from all-star quarterback/prom king to a broken man, stuck in one spot, whose life didn't go as planned. The opening perfectly depicts his tragic downfall, and the remainder of the film allows us to explore him as a character. He has to battle his past and the direction his life took, while also trying to move forward and own up to his newfound discovery of responsibility. The Ick itself serves as a clear allegory for the pandemic and how our society has handled it, but I think it doubles as a representation of the force that holds us back and keeps us stuck in the past. The film is all about the fact that we can't fix our mistakes, but we can move forward from them. Hank's leg is a constant reminder of this. So many are quick to embrace the problem as the solution, but it takes effort to be better and create progression in your life. I thought it was a beautifully heartfelt story to be told in a dark time of our world currently.

Also, like this month's Eddington, it makes hilarious commentary about insane people willing to get infected in the name of freedom, as well as teens using social awareness as a tool for selfish reasons. It gives us a very funny satirical look at different generations and ideologies that made me laugh, showing absurdities from all sides. I think I was smiling throughout the entire movie. It's so clever and has a heart of gold. Routh is immensely great in the film, and I dug how he played off of Malina Weissman (who heavily reminded me of Sabrina Carpenter). She was awesome here and clearly has a bright career ahead of her. I also can't stress how happy it made me to see Mena Suvari in the film, who is just a staple of so many 90s teen films. Her appearance in the opening could've been pulled straight from one of her older movies and I wouldn't have batted an eye. Such a cool meta role to include her in. Our theater also showed American Beauty and American Pie this month, making it an unofficial Mena Suvari month! This was just such a refreshing movie that blends a 2000s coming of age tone with a social satire/creature feature, soaring at every genre it taps into. It's full of endearing characters and performances, very impressive VFX work, a generationally great soundtrack, and the movie does not overstay its welcome at all. What a gem and a smart throwback film - I will definitely be rewatching this and I hope everyone gets the chance to see it this week! I wish it was getting a wider release. I desperately need to seek out Joseph Kahn's other movies and can't wait to see what else he has in store! This simply rules.