IMDb-BEWERTUNG
5,9/10
2046
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAfter ten years, Mia hopes for a promotion to upper management in the store when the boss/owner wants to see her. But he wants her to show his son, Nick, the ropes. Mia's a widowed mom and N... Alles lesenAfter ten years, Mia hopes for a promotion to upper management in the store when the boss/owner wants to see her. But he wants her to show his son, Nick, the ropes. Mia's a widowed mom and Nick is single.After ten years, Mia hopes for a promotion to upper management in the store when the boss/owner wants to see her. But he wants her to show his son, Nick, the ropes. Mia's a widowed mom and Nick is single.
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This story had good potential. Add one key element to the usual widow with a son breaks in the new boss plot-line. That element is that the son is in a wheelchair, injured in the accident that killed his dad. I also give this movie some small creativity points that Nick didn't come in trying to make Mia's life miserable by changing everything without asking.
I thought the execution was choppy. I expected more from Hayie Duff. At times she was OK, but at other times she seemed clumsy in her role. I got tired of seeing her tilt her head down in her humility pose. And she was clumsy at times with Antonio Cupo. They didn't seem to have chemistry and it sure didn't seem like Mia wanted to give Nick a chance. Most of the courting going on seemed to be Nick courting Scott, not his mom. There just wasn't enough of Mia and Nick connecting.
The company in trouble theme was also executed clumsily. (You don't leave your conference room door open when you are discussing ideas for cost cutting that affects employees.)
On the other hand, there were definitely some good moments especially toward the end. But they seemed like items checked off on someone's list of plot devices. Overall though, I guess there were enough positives that I give this movie a thumbs up, but barely.
I thought the execution was choppy. I expected more from Hayie Duff. At times she was OK, but at other times she seemed clumsy in her role. I got tired of seeing her tilt her head down in her humility pose. And she was clumsy at times with Antonio Cupo. They didn't seem to have chemistry and it sure didn't seem like Mia wanted to give Nick a chance. Most of the courting going on seemed to be Nick courting Scott, not his mom. There just wasn't enough of Mia and Nick connecting.
The company in trouble theme was also executed clumsily. (You don't leave your conference room door open when you are discussing ideas for cost cutting that affects employees.)
On the other hand, there were definitely some good moments especially toward the end. But they seemed like items checked off on someone's list of plot devices. Overall though, I guess there were enough positives that I give this movie a thumbs up, but barely.
So im only writing to critique the supposed business model of the supposed single location Christmas store that operates year round.
First off, the sell Christmas hats, and very limited other Christmas items. They have a warehouse on top of a back room at the store. They also have a corporate office with a reception desk employee.
Now I only have a BS in Business Management, but I know that a 1500 sq ft retail store that sells merchandise for a single holiday, probably doesn't need a warehouse, and it's definitely doesn't need a corporate office with a reception desk. If the average hat costs $20 (and that's very generous), their sales would need to be in the millions, which im not seeing from that tiny store front.
And yes, I know, it's a movie. But it's not too hard to do a little research.
Actually really liked the concept and there was some decent potential here in 'Hats Off to Christmas' with its ideas. It is not original by any stretch, then again nobody should watch a Hallmark film expecting originality (which has only been achieved sporadically). Have nothing personal against Hallmark, far from it, and absolutely love Christmas, so there was no negative bias towards the film before watching. Actually wanted to like it.
That 'Hats Off to Christmas' didn't do much with its potential and wasn't the at least decent film that it could have been if it had tried harder actually saddened me somewhat. It is nowhere near Hallmark's worst, there were some really rough ones since 'Hats Off to Christmas'. It is not one of their best either, with some of their output being surprisingly good as long as one doesn't expect a massive amount or award-worthy.
'Hats Off to Christmas' best component is the acting, which was well above average all things considered. Haylie Duff and Antonio Cupo both do a good job in their roles, especially Duff as one of the few businesswoman-type characters in a Hallmark film to not be annoying and have a personality. Their chemistry is sweet and genuine. Jay Brazeau is also strong and Sean Michael Kyer has his heartfelt moments.
Production values are quite nice, especially the scenery, and they don't look cheap or drab. The soundtrack is pleasant and isn't as intrusive as can be the case for Hallmark Christmas films. A few heart-warming moments here and there, really did like the idea of Scotty's subplot and that did have moments of heart.
Sadly, those heart-warming and moving moments are eclipsed by the excessive cheese and over-sentimentality that the writing is full of. A lot of the dialogue is so cheese-ridden that it makes the cheesiest burger bland in comparison, and some of the interplay is really forced. 'Hats Off to Christmas' to me came over as far too sentimental and in a rather manipulative way too, little of it felt natural and Scotty's subplot in general could have been handled with a lot more tact (especially with the football game). The story does absolutely nothing new with story tropes well worn out long ago, so one predicts many actions and many of the outcomes.
It is also very contrived, its portrayal of business and retail is agreed unrealistic, too many of the characters do not feel like real people that behave realistically and have changes of heart that ring true and not spur on the monent-like. Instead there are a lot of over-reaction behaviours here, especially considering the misunderstanding, and too many decisions come too out of nowhere and come over as illogical. Kyer had his moments, but he tended to overact his role and a huge part of me was really disappointing in not being able to relate completely to Scotty's subplot.
Concluding, rather mediocre but not a complete humbug. 4/10
That 'Hats Off to Christmas' didn't do much with its potential and wasn't the at least decent film that it could have been if it had tried harder actually saddened me somewhat. It is nowhere near Hallmark's worst, there were some really rough ones since 'Hats Off to Christmas'. It is not one of their best either, with some of their output being surprisingly good as long as one doesn't expect a massive amount or award-worthy.
'Hats Off to Christmas' best component is the acting, which was well above average all things considered. Haylie Duff and Antonio Cupo both do a good job in their roles, especially Duff as one of the few businesswoman-type characters in a Hallmark film to not be annoying and have a personality. Their chemistry is sweet and genuine. Jay Brazeau is also strong and Sean Michael Kyer has his heartfelt moments.
Production values are quite nice, especially the scenery, and they don't look cheap or drab. The soundtrack is pleasant and isn't as intrusive as can be the case for Hallmark Christmas films. A few heart-warming moments here and there, really did like the idea of Scotty's subplot and that did have moments of heart.
Sadly, those heart-warming and moving moments are eclipsed by the excessive cheese and over-sentimentality that the writing is full of. A lot of the dialogue is so cheese-ridden that it makes the cheesiest burger bland in comparison, and some of the interplay is really forced. 'Hats Off to Christmas' to me came over as far too sentimental and in a rather manipulative way too, little of it felt natural and Scotty's subplot in general could have been handled with a lot more tact (especially with the football game). The story does absolutely nothing new with story tropes well worn out long ago, so one predicts many actions and many of the outcomes.
It is also very contrived, its portrayal of business and retail is agreed unrealistic, too many of the characters do not feel like real people that behave realistically and have changes of heart that ring true and not spur on the monent-like. Instead there are a lot of over-reaction behaviours here, especially considering the misunderstanding, and too many decisions come too out of nowhere and come over as illogical. Kyer had his moments, but he tended to overact his role and a huge part of me was really disappointing in not being able to relate completely to Scotty's subplot.
Concluding, rather mediocre but not a complete humbug. 4/10
No chemistry Haylie Duff she needs to give up acting so awful usually like Anthony Cupo but this is an awful
Widowed Haylie Duff works at a small-town store where all they sell is Christmas-themed paraphernalia, all year round. When it turns out that sales are down for the last couple of years, her boss, whose immense office bespeaks the millions he has made off this venture over the years, parachutes his Wall-Street son, Antonio Cupo, over her. However, when he helps her wheelchair-bound son in a pumpkin-carving competition, things start to turn around in this ridiculously detailed but very watchable Hallmark romantic comedy.
At least part of that is due to some very fine acting on the part of the leads. Neither of their characters wish to be in this situation and they behave in a way that bespeaks their dissatisfaction and professionalism -- pardon me if I think the actors felt this way about the movie and used that for their performances. Given the ridiculous assumptions as well as the obvious and cheap cries for sympathy in the script, this should have been one of the worst of the twelve Hallmark Christmas romcoms this year. Instead, it is surprisingly good.
At least part of that is due to some very fine acting on the part of the leads. Neither of their characters wish to be in this situation and they behave in a way that bespeaks their dissatisfaction and professionalism -- pardon me if I think the actors felt this way about the movie and used that for their performances. Given the ridiculous assumptions as well as the obvious and cheap cries for sympathy in the script, this should have been one of the worst of the twelve Hallmark Christmas romcoms this year. Instead, it is surprisingly good.
Wusstest du schon
- PatzerWhen Nick and Scott are having the stocking cookies, the amount of milk in their glasses varies inconsistently between shots.
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By what name was Hats Off to Christmas! (2013) officially released in Canada in English?
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