Eine karriereorientierte Bindungsphobikerin, die Monogamie nie für möglich gehalten hatte, muss sich ihren Ängsten stellen, als sie sich wider Erwarten in einen Sportchirurgen verliebt.Eine karriereorientierte Bindungsphobikerin, die Monogamie nie für möglich gehalten hatte, muss sich ihren Ängsten stellen, als sie sich wider Erwarten in einen Sportchirurgen verliebt.Eine karriereorientierte Bindungsphobikerin, die Monogamie nie für möglich gehalten hatte, muss sich ihren Ängsten stellen, als sie sich wider Erwarten in einen Sportchirurgen verliebt.
- Auszeichnungen
- 5 Gewinne & 27 Nominierungen insgesamt
- One-Night Stand Guy
- (as Bobby Kelly)
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I appreciate Schumer/Apatow's attempts at grounded, human comedy. This doesn't have to be as broad as say, "Spy", which was way more funny and, I think, thematically much smarter. But if you're going for grounded comedy then the characters have to be... well, interesting. And every single character in this is a one-dimensional shell. Each one has their role to play in the script and are nothing beyond that. The performances are strong, and the actors work hard to humanize their characters, but no person in this film is expansive or complex or terribly engaging or remotely unpredictable in any way. In fact, absolutely nothing is unpredictable in this film. So, for me, it comes off as not broad enough to be funny, and not genuine enough to be grounded.
Combine this overwhelming predictability, flat characterization and the sports-stunt casting with Apatow's habit for long running times, and an uninspired, robot-written third act, and you get a film that's more tedious than fun.
But Schumer herself is funny. And more than that, she's important. She's at her best when she's exploding the precious notion of female body imagery in joke after joke about bloody tampons and promiscuity. But the film lacks the courage of its star, which is a complicated criticism, since she actually wrote it.
There was the potential to make something outrageous and beautiful here. That potential was pretty much blown.
Here's a female point of view.
Maybe not all females have been in the protagonist's shoes, but it is very common for women to have problems with monogamy, just like men. Showing a woman who treats men the way most men treat women is not only realistic, but eye-opening. I think that's the problem most men have with the movie. No one wants to see the shoe on the other foot--it's uncomfortable, but guess what? It's reality.
I thought the movie was funny and touching. LeBron James is hilarious as himself.
For whoever says there is no real strong story-line? They obviously missed it. It's about maturing, about figuring out what a person's priorities are in life. It's about the realization that compensation isn't all it's cracked up to be.
Now even though she does manage to pull it off the best, Bill Hader and the supporting cast are also hilarious and provided a lot more laughs than i had initially expected. Bill Hader of course is hilarious and he works in this film really well but he was slightly overshadowed by Amy at some moments in the film, and the large supporting cast also took away from him a little. But man were the supporting cast hilarious, i have to give credit to LeBron James because that guy is hilarious. He was one of the biggest surprises of the film, almost every scene he was in i couldn't stop laughing, it looks like Apatow and Schumer managed to teach him a few things in terms of comedy.
As well as being jam packed with great hilarious moments this movie really had a basic but also pretty good rom-com story thrown in there. And it worked well, they didn't just force any random plot in there to add to the run-time. For the first two acts they did a great job at blending those comedic scenes and romantic more plot driven scenes well so they could switch between the two vary naturally. But the third act for me didn't work as much. The romantic side began to take charge and the comedy took a back seat. There were still some pretty funny scenes in the third act but it felt uneven tonally and a little jumpy. There was a pretty sad moment at one point then it tries to crack a few jokes immediately after then going back to the romantic stuff and it didn;t work for me as well as the rest of the film. I don't think it was an issue of being too long just needed a little more refining towards the end. But otherwise it was a great funny movie.
Amy Schumer's comedy may not be for everyone so those who are not a fan of her 'Inside Amy Schumer' skits probably won't like this as much but as far as a romantic comedy goes, this one was actually very good and had quite a bit in there for everyone. - 7.1
ALSO, on last thing, i just checked the list of cast and was surprised beyond belief when i found out that Tilda bloody Swinton was in this film. Like WTF? she was completely unrecognisable and hilarious, so see if you can pick her out when you see the film.
Wusstest du schon
- WissenswertesTilda Swinton was in charge of designing how her character looked and talked. She was very keen to take the part as it was completely different from anything else she had ever done before.
- PatzerAfter Aaron gives his speech at the award ceremony, he and Amy get into a fight. She tell him to put his award down. He places it on the ground. Later in the scene, when they walk off, the award is not in his hands nor on the ground.
- Zitate
LeBron James: Do you know Cleveland is great for the whole family?
Aaron: Yes, yes. Yes I do. You tell me that all the time. You randomly just text me that.
LeBron James: Man, What's wrong with that?
Aaron: It's just weird. It's weird.
LeBron James: I got free texting.
- Alternative VersionenThe Amy/Donald bedroom scene ends differently in the FX Networks version. Instead of cursing when Donald's mother reveals his age, Amy protests, "He made me hit him!" Donald's mother yells at Amy to get out. As Amy leaves, Donald cries, "I only wanted to show her my writing!"
- SoundtracksDo My Thang
Written by Will.i.am (as Will Adams), Ryan Buendia, Miley Cyrus, Kyle Edwards, Jean Baptiste Kouame
Performed by Miley Cyrus
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Esta chica es un desastre
- Drehorte
- Plattduetsche Home - 1150 Hempstead Turnpike, Franklin Square, New York City, New York, USA(father's retirement home)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 35.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 110.212.700 $
- Eröffnungswochenende in den USA und in Kanada
- 30.097.040 $
- 19. Juli 2015
- Weltweiter Bruttoertrag
- 140.795.793 $
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1