IMDb-BEWERTUNG
5,6/10
31.902
IHRE BEWERTUNG
Wie haben sich die Freunde Scooby und Shaggy eigentlich zum ersten Mal getroffen und wie kam es zu "Mystery Inc.", dem Zusammenschluss mit den jungen Detektiven Fred, Velma und Daphne?Wie haben sich die Freunde Scooby und Shaggy eigentlich zum ersten Mal getroffen und wie kam es zu "Mystery Inc.", dem Zusammenschluss mit den jungen Detektiven Fred, Velma und Daphne?Wie haben sich die Freunde Scooby und Shaggy eigentlich zum ersten Mal getroffen und wie kam es zu "Mystery Inc.", dem Zusammenschluss mit den jungen Detektiven Fred, Velma und Daphne?
- Auszeichnungen
- 3 Nominierungen insgesamt
Will Forte
- Shaggy Rogers
- (Synchronisation)
Mark Wahlberg
- Blue Falcon
- (Synchronisation)
Jason Isaacs
- Dick Dastardly
- (Synchronisation)
Gina Rodriguez
- Velma Dinkley
- (Synchronisation)
Zac Efron
- Fred Jones
- (Synchronisation)
Amanda Seyfried
- Daphne Blake
- (Synchronisation)
Kiersey Clemons
- Dee Dee Skyes
- (Synchronisation)
Tracy Morgan
- Captain Caveman
- (Synchronisation)
Frank Welker
- Scooby-Doo
- (Synchronisation)
- …
Iain Armitage
- Young Shaggy
- (Synchronisation)
Mckenna Grace
- Young Daphne
- (Synchronisation)
Pierce Gagnon
- Young Fred
- (Synchronisation)
Ariana Greenblatt
- Young Velma
- (Synchronisation)
Simon Cowell
- Simon Cowell
- (Synchronisation)
Christina Hendricks
- Officer Jaffe
- (Synchronisation)
Henry Winkler
- Keith
- (Synchronisation)
Harry Perry
- Harry Perry
- (Synchronisation)
Empfohlene Bewertungen
This will probably be the entry in the Scooby-Doo franchise that is going to equally divide its audience, with each side giving its own valid reasons. Some viewers are going to appreciate the modernization of the story, while others will wish it had stayed in the late 1960s. Some are going to get a kick out of the pop culture references, while others will ask themselves why they are in a Scooby-Doo movie. Some will appreciate the superhero theme, while others will forget that Blue Falcon and Dynomutt have existed in the past. Some will recoil at the childish crude humor, while others may giggle at it. Some longtime Hanna-Barbara fanatics are going to love the tie-in with other characters, while others are going to call it a forced attempt to kick-start a shared universe. It'll be very interesting to see how the overall consensus falls, and it'll also be up to the individual to form its own opinion. At the end of the day, it's a kids' film. That's the best anyone can say about it. It does what it can to introduce this franchise to a younger generation through those quirks and contemporary computer animation, while at the same time, it does have enough weight in the story and aims closer to the source material than more recent attempts, even when it doesn't always digest easy. It'll be up to you to decide where this lands. Obviously, it's more focused at entertaining today's kids than being a great entry in the Scooby-Doo canon. However, if it connects with the long-time meddling kids that grew up with the characters for over half a century, then it has definitely earned its extra Scooby Snack points.
Did not have the classic Scooby Vibe. Trying to hard to be hip. Mystery Incorporated cartoon was so much better.
Scooby-Doo is one property that has probably done just about everything you can think of for a franchise that has gone on for a few decades, I'm not going to even bother listing all the things this intellectual property has had its hand, er, paw in because we could be here all day (or all night depending on when you're reading this...). The news of a big screen reboot just made me go "meh!" at it, on account that this franchise is still going and it seems like they release a new direct-to-video feature or TV series every week at least, but I guess you could do worse since Scooby-Doo these days is mostly stale but not offensive. I didn't mind the look of the characters, you could have done worse in design. I didn't mind the change of voice actors all that much and I like the idea of a Hanna-Barbera Cinematic Universe (Because why not? It's been done before on the small screen and comic strip books). I didn't see it in theatres (Obviously, I don't need to go into the specifics as to why, if circumstances had been different I probably would have seen it in the theater) and I didn't want to spend more than $20 to rent it, so I waited till it came on HBO Max to see it. Overall I would say it's 40/60, 40 percent being good and 60 percent being meh to dire. There are some nice ideas, good voice acting, and funny moments throughout, but the plot isn't particularly well thought out and, as my summary states, it's less of a Scooby-Doo picture and more of a Blue Falcon movie, so much so that I was left to ask myself on repeat "why didn't you just make a Blue Falcon movie, Warner Bros.?" Blue Falcon isn't as well-known a property as Scooby-Doo, so you can have more free reign to do with that in crafting a narrative and potentially gaining a new audience in the process - Worked for Marvel with Iron Man, Thor, Guardians of the Galaxy, and many others. Will the family like it? I think they will, it has problems but it's not what I would call boring either, wouldn't mind seeing a sequel, just tone down the world building and, I don't know, have some mystery to the plot, because last I checked Scooby-Doo is about Mystery Incorporated.
It started well, with a touching scene of the main characters meeting for the forst time as kids (or puppies, in Scooby's case) and then having one of their traditional adventures. However, this only lasts 15 minutes, and from there the movie stops being a Scooby Doo movie and starts being a superhero movie, with Dick Dastardly as the supervillain, and Blue Falcon and his gang as superheroes, with the Scooby gang stuck there in a movie that is not their own.
Because let's face it, just like in a James Bond movie we have certain expectations, in a Scoob movie we also have expectations, and they are not met. That distinctive type of adventures where they explore a haunted location and, after many scares, end up discovering that it was all a not supernatural trick by some criminal, is not here, except for a brief nod at the beginning. Instead, we get a generic modern children's movie, with characters running around from chase to chase, battle to battle and explosion to explosion without a compelling plot, while making pop culture references. The plot involves saving the world from a large-scale supernatural threat (really supernatural, none of the subversion characteristic of the source material).
So, if we forget about wanting a Scooby Doo movie and focus on the movie we get, it's not very good either. You can see where they try to have jokes for the adult watchers, but they lack the wit and talent to make them funny. They occasionally remember that this is supposed to be a Scooby Doo movie, and they have traditional gags like having Scooby and Shaggy, in the middle of being chased by the critters, turn around and serve the critters as waiters, disconcerting them for a while, but it's too little and done without much talent. You also get a scene where two male characters fight and a female character says it's toxic masculinity, which is kind of a hateful message to send to children.
In short, if you want a Scooby movie, this is not it, and if you want a generic modern kid's movie, this is not a good one.
Because let's face it, just like in a James Bond movie we have certain expectations, in a Scoob movie we also have expectations, and they are not met. That distinctive type of adventures where they explore a haunted location and, after many scares, end up discovering that it was all a not supernatural trick by some criminal, is not here, except for a brief nod at the beginning. Instead, we get a generic modern children's movie, with characters running around from chase to chase, battle to battle and explosion to explosion without a compelling plot, while making pop culture references. The plot involves saving the world from a large-scale supernatural threat (really supernatural, none of the subversion characteristic of the source material).
So, if we forget about wanting a Scooby Doo movie and focus on the movie we get, it's not very good either. You can see where they try to have jokes for the adult watchers, but they lack the wit and talent to make them funny. They occasionally remember that this is supposed to be a Scooby Doo movie, and they have traditional gags like having Scooby and Shaggy, in the middle of being chased by the critters, turn around and serve the critters as waiters, disconcerting them for a while, but it's too little and done without much talent. You also get a scene where two male characters fight and a female character says it's toxic masculinity, which is kind of a hateful message to send to children.
In short, if you want a Scooby movie, this is not it, and if you want a generic modern kid's movie, this is not a good one.
If you or your children never watched "Scooby Doo, Where Are You!" then it stands by itself as another kids movie to watch with your family. If you're a nostalgic person and love that feeling, then Scooby Dooby Doo not watch.
Wusstest du schon
- WissenswertesThe montage of Scooby-Doo and their adventures is almost a shot-by-shot replica of the opening credits of Scooby-Doo, wo bist du? (1969).
- PatzerThe small, feather-like "spikes" on the Blue Falcon's suit often intersect and visibly clip into each other as he moves.
- Zitate
Velma Dinkley: [examines a hair] Trace amounts of hair oil, twelve-year-old scotch...
Daphne Blake: Ugh, is the bad guy my dad?
- Crazy CreditsPart of the closing credits are a montage of the Scooby gang and their friends/enemies on various adventures.
- VerbindungenFeatured in AniMat's Crazy Cartoon Cast: Big Bird's Big Break (2018)
- SoundtracksCalifornia Love
Written by Roger Troutman, Larry Troutman, Joe Cocker, Ronnie Hudson, Chris Stainton and Mikel Hooks
Performed by Tupac Shakur featuring Dr. Dre and Roger Troutman
Courtesy of Entertainment One U.S. LP
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Scooby!
- Drehorte
- Los Angeles, Kalifornien, USA(Reel FX Santa Monica)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 2.188.425 $
- Weltweiter Bruttoertrag
- 28.588.425 $
- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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