Grotesquerie

I am almost done with episode four and I feel like I am watching a Mashup of Someone's Mid Life Crisis who is aware of their Neurodivergent Storytelling (but doesn't care what we think about that adhd method) and then added some fetishist borderline schizophrenia and then got lost telling the original story.

And yes, I am aware of how horribly structured that sentence is. It is me emulating the rhythm and tone plus general confusion as to what in the world I am watching. Who is this about? Who do I care about here? And please tell me why (for the love of storytelling just let me in on why I am watching this, please).

It's so all over the place that I welcomed Taylor's boyfriend in the chaotic mix of a cast. I am not even a fan. Meaning there's zero fangirling - just me being happy to have something to relate to or even be remotely interested in. He's got a solid vibe - I see the appeal.

But lets talk about Niecy Nash - I want to have a small talk with her agent because she is getting undersold and underused. Stop putting her in these ridiculous detective roles that it doesn't even seem she is interested in. She is better than those roles and it's not helping to keep trying. She is wise and beautiful and talented. Find her the roles that have the range and she will shine. (Sorry but these roles give us time to think about her wasted talent).

All the Actors are also quite good - but there is a very unnatural chaotic viewpoint that hurts to try to follow. I mean random singing and fires and being preached to about life and watching the weird metaphoric portrayal of some outdated religious stuff - but I guess that's okay because you throw in some online activity lines and it's suddenly not the same thing we have seen over and over? Ick.

I gave it a six because the Actors showed up and still stayed in the scenes. Maybe they were as confused as I am because I care more about that then the plot.

Is there a plot?

Ryan Murphy once was good at providing variety tales,but now feel pieces he thinks need telling his way is art versus fetish.

The lead was an unstable detective unsure how she kept her job,seemed she couldn't find her way out of a paper bag.

Who honestly would discuss a new case with a stranger claiming to be a nun,without actual credentials.. I get some nuns are less conservative,but how she acted was insane.

The priest just didn't fit his part seems Murphy was trying,to get a look-alike of Evan Peters & it failed.

Redd was an odd character that seemed too personal with the husband under her care,feel there is more to the story only time will tell.

The only thing that was grotesque was the daughter in the first episode dressed in something purposely tight & eating food enough for two people.. Who cares that she is pretty or anything,let's make weight her character focus because apparently that's how large people are perceived.

I know this is a two episode review but,feels like another season of AHS titled something else.

The series is full of clichés & plotholes,maybe stereotypes but nothing really original.

Cinematography was ok,but nothing stellar either.

Check this out & decide yourself,review edits might come as the series concludes.

Edited update- Just like in AHS: NYC all of a sudden in the last few episodes Ryan Murphy flips a switch on the storyline cohesiveness,he probably calls it artistic or twist but it shouldn't leave the viewer feeling a variety of emotions to the series from disconnected/confused & so forth.

This psychological thriller assembles a stellar cast to tell a story that sometimes feels uncertain about its direction. At times, the show evokes Silence of the Lambs, with Niecy Nash delivering an impressive performance as a flawed investigator who excels at her job yet is haunted by her own demons. The show's artistic scenes, the hyper-sexualized Catholic priest, and the surreal, exaggerated events create the sense of watching a fever dream.

As the episodes progress, the main protagonist often appears to drift through life in ways that feel unexplained. In the last quarter of the season, this approach finally begins to make sense-but then the plot takes yet another convoluted turn that may leave the audience perplexed. Despite the stellar cast, top-notch acting, and several iconic scenes, it often feels like the story itself was secondary to these other elements.

It's a shame so many people wrote this off after only watching a few episodes. I urge viewers to watch through episode 7, and then make a judgment call. While things seem odd, weird, and chaotic, there is a method to the madness. Niecy Nash is absolutely amazing in her portrayal of Lois. I have always thought of her in more comedic roles, but this role suits her extremely well. The other actors do a fantastic job as well, with each character having very specific reasons for why and who they are in this series. The other surprise is Travis Kelce - I didn't know what to expect from him as an actor, and he did a bang-up job! If you like surprising twists, this is definitely worth a watch.

All I have to say is this right here... If Niecy Nash (I don't have time to worry about a hyphenated add-on to her name) doesn't win some kind of award for these performances in these 10 episodes, there is something wrong with the Hollywood system. Forget about what the show is about, whether you like the show or not, whether the other actors are good, or the direction is good, just watch the show because Ms. Nash is nothing short of interesting as f!*k. Now, I'm going to add this so my required minimum is met for this review. These shows are getting more and more demented because Hollywood is mostly demented.