Füge eine Handlung in deiner Sprache hinzuThree improv actors are asked to go undercover by the police in London's criminal underworld.Three improv actors are asked to go undercover by the police in London's criminal underworld.Three improv actors are asked to go undercover by the police in London's criminal underworld.
Empfohlene Bewertungen
A washed out Actor, an Improv Teacher and a quirky Tech guy find themselves working for the police, going undercover to bust two big drug gangs.
I was taken aback by all 3 leads (one unknown that ended up being better than expected), with Orlando Bloom reminding why I find him so charming with his acting. Didn't expect to also see Sean Bean and Ian McShane, much less delivering quality roles in what seems like a low profile film.
All around, a quality script that is quite entertaining and unpredictable due to the creativity of this nonsensical premise. Good dialogue, some action, and plenty of comedic moments. Easy recommendation, as it has too many good things going for it..
I was taken aback by all 3 leads (one unknown that ended up being better than expected), with Orlando Bloom reminding why I find him so charming with his acting. Didn't expect to also see Sean Bean and Ian McShane, much less delivering quality roles in what seems like a low profile film.
All around, a quality script that is quite entertaining and unpredictable due to the creativity of this nonsensical premise. Good dialogue, some action, and plenty of comedic moments. Easy recommendation, as it has too many good things going for it..
First off, I don't normally rate Amazon original films, they're usually toss to be honest, but this is pretty decent actually.
Cast was great, Orlando Bloom was brilliant, although his accent slipped a couple of times, but I suppose that's kind of the character... He's bang at the TRT though isn't he lol, me missus was loving it haha.
Nick Mohammed played his usual character, was great though and always been a fan of Bryce Dallas Howard. Some great cameos from some familiar faces of British telly. Sean Bean in it as well (always brilliant), did his usual thing... Poor fella lol. And I'll watch anything that Paddy Considine is in since '24 hour party people'.
Was pretty funny, very English humour, which is surprising, since I think the writers are American, either way; funny is funny...
Very minor nitpick, some of the slang was off, rat instead of grass etc, but again very minor and most people won't care and non English people won't even notice.
I was going into this happy to turn it off if it wasn't good after 20 minutes, but it kept me hooked and smirking all the way through.
Give it a chance, it's not even an hour 40.
Pretty decent, especially for an Amazon original!
7/10.
Cast was great, Orlando Bloom was brilliant, although his accent slipped a couple of times, but I suppose that's kind of the character... He's bang at the TRT though isn't he lol, me missus was loving it haha.
Nick Mohammed played his usual character, was great though and always been a fan of Bryce Dallas Howard. Some great cameos from some familiar faces of British telly. Sean Bean in it as well (always brilliant), did his usual thing... Poor fella lol. And I'll watch anything that Paddy Considine is in since '24 hour party people'.
Was pretty funny, very English humour, which is surprising, since I think the writers are American, either way; funny is funny...
Very minor nitpick, some of the slang was off, rat instead of grass etc, but again very minor and most people won't care and non English people won't even notice.
I was going into this happy to turn it off if it wasn't good after 20 minutes, but it kept me hooked and smirking all the way through.
Give it a chance, it's not even an hour 40.
Pretty decent, especially for an Amazon original!
7/10.
Deep Cover is a lot better than expected, especially for a streaming original. The central premise of improv actors going undercover makes sense in a weird way and it's got enough laughs interspersed throughout as well as just being really good at the undercover stuff. It's tense, twisty and always moving forward whilst still finding time for some decent character arcs for the main three to make it an even more worthwhile watch.
Bryce Dallas Howard anchors all the chaos and Nick Mohammmed's awkwardness is endearing. Orlando Bloom is easily the best thing about this as his character who loves to take method acting too far consistently gets the biggest laughs and is the most watchable presence by far. Paddy Consadine is a likeable mobster plus screenwriters Ben Ashenden & Alexander Owen also make a fun comedic duo who get away with lampshading.
Tom Kingsley's direction imbues the film with a greater visual texture than something released straight to streaming usually has. It's clearly been shot on location and isn't constantly over exposed which aren't high bars to reach but are greatly appreciated considering how many films struggle to achieve them. There are undoubtedly luls between laughs, counterbalanced by how good they are when they arrive.
Bryce Dallas Howard anchors all the chaos and Nick Mohammmed's awkwardness is endearing. Orlando Bloom is easily the best thing about this as his character who loves to take method acting too far consistently gets the biggest laughs and is the most watchable presence by far. Paddy Consadine is a likeable mobster plus screenwriters Ben Ashenden & Alexander Owen also make a fun comedic duo who get away with lampshading.
Tom Kingsley's direction imbues the film with a greater visual texture than something released straight to streaming usually has. It's clearly been shot on location and isn't constantly over exposed which aren't high bars to reach but are greatly appreciated considering how many films struggle to achieve them. There are undoubtedly luls between laughs, counterbalanced by how good they are when they arrive.
A home run from Amazon Prime and a stark reminder that when the casting is right, even the silliest concept can be an absolute hit.
3 Misfits. 5 mobsters. 100 minutes of chaos, or 3 Wannabe actors. 4 criminal escapades and 1 hilarious heist?
3 Amateurs. 7 bad guys and endless laughs?
Directed by Tom Kingsley and co-written by Colin Trevorrow. Deep Cover is a buddy crime comedy that fuses absurd improv energy with a sharp, surprisingly structured story. The premise? A London improv teacher and her two misfit students get recruited by a rogue cop to infiltrate the mob. And somehow, it Works, and really well.
And what a cast! Just perfect. Bonnie's got the smarts. Roach's got the fists. The Squire's got... a lunchbox and anxiety.
Bryce Dallas Howard (Argylle - Elly Conway) gives an extraordinary performance as Kat, the fast-talking, improv coach whose life hasn't exactly gone as planned. Caught between professional obscurity and existential drift, she's suddenly in a position but handles it with enough charm and wit to sell coke back to the guys who made it.
Orlando Bloom is another revelation. As Marlon, a hilariously intense method actor whose only real claim to fame is playing the Pizza Knight in TV commercials, Bloom's performance is a delicious send-up of theatrical self-importance. He approaches every ludicrous situation with the gravitas of Macbeth in a Wetherspoons. One of his improv backstories involves running away from home at five because "his inner child needed space." Nick Mohammed (Ted Lasso) as the timid and awkward Hugh, rounds out the trio. He's the office worker who took improv classes just to survive small talk at work, until he's accidentally deep in the London criminal underworld. Watching him nervously snort coke to "test the product" might be the funniest moment in British cinema this year.
Together, this trio doesn't just carry the movie, they elevate the movie. Their chemistry is awkwardly brilliant, and their commitment to staying "in character" while navigating real criminal threats brings both genuine tension and laugh-out-loud moments. There's no smugness, no irony overload, just three actors throwing themselves into absurdity with full sincerity.
And the supporting cast? Stacked. Sean Bean as the sketchy cop, Paddy Considine (Kevin Harrigan - Mobland) as an unhinged mob fixer, and Ian McShane (aka Winston - John Wick) growling his way through top-dog gangster role Metcalfe. Surrounding the silliness with actors known for hard-boiled grit was a masterstroke.
Tonally, Deep Cover walks a tricky line and somehow doesn't trip. It's goofy but never stupid, serious without losing its bounce. The pacing is tight, at just over 100 minutes, it never drags. It even throws in a couple of clever twists to keep you guessing. And perhaps best of all? It avoids the lazy crutches of modern comedy: no toilet humor, no sex jokes, no gratuitous swearing. It's smart, situational, and character-driven.
Even the score elevates the movie with tracks like "It's Not Unusual" (Tom Jones) and "We Are Your Friends" (Justice Vs Simian). Fits like a straitjacket.
And absolutely, the plot is ridiculous. But that's kind of the point. And what sets Deep Cover apart is its energy. Unlike so many streaming comedies that feel stitched together in post-production, this movie feels like everyone was in sync. The actors improvise like their lives depend on it. Deep Cover is a riotous, fast-paced, and weirdly wholesome crime comedy that finds its strength not in reinventing the genre, but in committing to the bit. Powered by a cast that knows exactly what they're doing and a script that walks the absurdity tightrope without slipping, this is a film that knows how to make you laugh, care, and forget to check your phone. Whether you're here for the improv chaos, the mob satire, or just to watch Orlando Bloom monologue his way through a hostage negotiation-this one's well worth 100 minutes of your time. A solid 8/10. Better not miss this one...
3 Misfits. 5 mobsters. 100 minutes of chaos, or 3 Wannabe actors. 4 criminal escapades and 1 hilarious heist?
3 Amateurs. 7 bad guys and endless laughs?
Directed by Tom Kingsley and co-written by Colin Trevorrow. Deep Cover is a buddy crime comedy that fuses absurd improv energy with a sharp, surprisingly structured story. The premise? A London improv teacher and her two misfit students get recruited by a rogue cop to infiltrate the mob. And somehow, it Works, and really well.
And what a cast! Just perfect. Bonnie's got the smarts. Roach's got the fists. The Squire's got... a lunchbox and anxiety.
Bryce Dallas Howard (Argylle - Elly Conway) gives an extraordinary performance as Kat, the fast-talking, improv coach whose life hasn't exactly gone as planned. Caught between professional obscurity and existential drift, she's suddenly in a position but handles it with enough charm and wit to sell coke back to the guys who made it.
Orlando Bloom is another revelation. As Marlon, a hilariously intense method actor whose only real claim to fame is playing the Pizza Knight in TV commercials, Bloom's performance is a delicious send-up of theatrical self-importance. He approaches every ludicrous situation with the gravitas of Macbeth in a Wetherspoons. One of his improv backstories involves running away from home at five because "his inner child needed space." Nick Mohammed (Ted Lasso) as the timid and awkward Hugh, rounds out the trio. He's the office worker who took improv classes just to survive small talk at work, until he's accidentally deep in the London criminal underworld. Watching him nervously snort coke to "test the product" might be the funniest moment in British cinema this year.
Together, this trio doesn't just carry the movie, they elevate the movie. Their chemistry is awkwardly brilliant, and their commitment to staying "in character" while navigating real criminal threats brings both genuine tension and laugh-out-loud moments. There's no smugness, no irony overload, just three actors throwing themselves into absurdity with full sincerity.
And the supporting cast? Stacked. Sean Bean as the sketchy cop, Paddy Considine (Kevin Harrigan - Mobland) as an unhinged mob fixer, and Ian McShane (aka Winston - John Wick) growling his way through top-dog gangster role Metcalfe. Surrounding the silliness with actors known for hard-boiled grit was a masterstroke.
Tonally, Deep Cover walks a tricky line and somehow doesn't trip. It's goofy but never stupid, serious without losing its bounce. The pacing is tight, at just over 100 minutes, it never drags. It even throws in a couple of clever twists to keep you guessing. And perhaps best of all? It avoids the lazy crutches of modern comedy: no toilet humor, no sex jokes, no gratuitous swearing. It's smart, situational, and character-driven.
Even the score elevates the movie with tracks like "It's Not Unusual" (Tom Jones) and "We Are Your Friends" (Justice Vs Simian). Fits like a straitjacket.
And absolutely, the plot is ridiculous. But that's kind of the point. And what sets Deep Cover apart is its energy. Unlike so many streaming comedies that feel stitched together in post-production, this movie feels like everyone was in sync. The actors improvise like their lives depend on it. Deep Cover is a riotous, fast-paced, and weirdly wholesome crime comedy that finds its strength not in reinventing the genre, but in committing to the bit. Powered by a cast that knows exactly what they're doing and a script that walks the absurdity tightrope without slipping, this is a film that knows how to make you laugh, care, and forget to check your phone. Whether you're here for the improv chaos, the mob satire, or just to watch Orlando Bloom monologue his way through a hostage negotiation-this one's well worth 100 minutes of your time. A solid 8/10. Better not miss this one...
You have to rate a movie for what it is, and for what it is (a silly good fun romp), this was fantastic. Laugh out loud funny at times with ridiculous yet highly likeable characters.
The plot is as over the top as the characters, who are as over the top as everything else here - and I'm all for it. Personal highlights were the high speed bicycle chase, the grenade scene, and "the nose" (when you know, you'll know).
So, where do films like this fit? Think of those movie nights where you wanted to watch something like Rush Hour, or 21 Jump St, and you have just found your next film.
Manage your expectations, then have a great time with this one.
The plot is as over the top as the characters, who are as over the top as everything else here - and I'm all for it. Personal highlights were the high speed bicycle chase, the grenade scene, and "the nose" (when you know, you'll know).
So, where do films like this fit? Think of those movie nights where you wanted to watch something like Rush Hour, or 21 Jump St, and you have just found your next film.
Manage your expectations, then have a great time with this one.
Wusstest du schon
- WissenswertesIn 2019 Sean Bean had said he would no longer appear in movies in which his character dies.
- PatzerBillings was shot from the back; later his face is shown with an entry wound in the forehead. Billings was actually shot from the front. You can see the splatter on the plastic behind him. The shooter steps out from in front of him too.
- VerbindungenReferences Serpico (1973)
- SoundtracksBCC Gang
Performed by Rack feat. Immune, Strat, BeTaf Beats
Written by Rack (as Iraklis Marnezos), Georgios Bontiotis, Strat (as Fotiadis Eustratios), BeTaf Beats (as Terents Bilai), Boris Sobolev
Published by Sony ATV
Licensed courtesy of Barcode Entertainment/Stay Independent
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Deep Cover: Actores encubiertos
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- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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