Jane Austen Wrecked My Life

It's a romantic comedy set in Paris, southern England and a French vacation home in modern times. Agathe Robinson (Camille Rutherford) runs a Paris bookshop specializing in classical English literature with her best friend, Félix (Pablo Pauly). Agathe is a fragile person devoted to her literary father's memory (she survived the car accident that killed her parents) and her desire to write a novel in the manner of Jane Austen. She has written some chapters but is stuck.

Félix arranges for her to be invited to a Jane Austen Residency on property belonging to a distant descendant of the Austen family. There, she meets Oliver (Charlie Anson), a professor in contemporary literature and the son of Todd (Alan Fairbairn) and Beth (Liz Crowther), who run the Residency.

"Jane Austen a gâché ma vie" tracks Agathe's efforts at the Residency and her complex relationships with Oliver and Félix. By the end, there is a resolution.

"Jane Austen a gâché ma vie" is a slow-paced yet engaging movie. Camille Rutherford and Charlie Anson provide the most interesting and developed characters. Pablo Pauly's character is less defined. The other Residency attendees fill slots in a literary film. It's not a laugh-out-loud comedy, but the low-key approach works surprisingly well.

I had seen the trailer at least five times, so I knew what to expect when I snuck in for my third film of the day. This movie is a small gem, a European romantic comedy without Hugh Grant or Colin Firth. Agathe is stuck in a rut. Her parents died in a car accident with her in it. She now has a car phobia. She lives with her sister, who sleeps around and brings them home. She has a platonic relationship with her Paris bookshop Shakespeare and Company coworker Felix. They end up kissing on the dock after he secretly enters her for a Jane Austen writing residency in England. This is somehow the same plot device contained in Broadway's one woman show, Call Me Izzy. JA's great great great grandson picks her up. She vomits all over him. Needless to say, they will fall in love and Agathe becomes suddenly embroiled in a romantic triangle. Camille Rutherford is unconventionally pretty and funny as the lead. Charlie Anson nicely handles his intellectual hunk Oliver assignment. Pablo Pauly is good as the Casanova coworker. Frederick Wiseman has a nice cameo as a poet at the end. It's just a sweet, pleasant and relaxing film to spend a hundred minutes with on a weekend. Writer and director Laura Piani has secured her artistic future. My audience and I were enthralled.

Calling all hopeless romantics. This movie will be on your list of favorite foreign love stories. It has a young-quirky single lady, Agathe, who works in a bookstore in France and has aspirations of becoming a writer. She is inspired by her favorite author Jane Austen, however, comes to realize that she has writer's block. Agathe will have to overcome her fears to liberate her emotions and transfer them onto paper.

Agathe (Camille Rutherford) believes that she is struggling to write due to her love life being nonexistent - ever since the tragic car accident where her parents were inside the car with her, but they did not survive. On the other hand, her friend and co-worker Felix (Pablo Pauly) is the type that is a freedom-loving who is reluctant to commit to a relationship as he reveals to Agathe about the many dates he has been in. Without hesitation, Felix discretely submits some of Agathe's writings to the Jane Austen Residency and remarkably she gets accepted for a writer's retreat in England.

This lighthearted movie takes you to the beautiful English countryside, where Agathe is greeted by the handsome Oliver (Charlie Anson), a distant descendant of Jane Austen. They get off to a rough start, but they gradually seem to be drawn to one other. The romantic connection develops when it's discovered they have been emotionally shattered, but somehow their broken pieces come together and mend their painful past. Then, like getting spit on by a llama, Felix shows up at the mansion for the Residency's annual ball and Agathe finds herself in a love triangle and discovers material for her novel.

Director and Screenplay Writer Laura Piani magnificently created the essence of the 1800's literature of a romantic satirical comedy in Jane Austen Wrecked My Life. The cast are amazing and original. Though, the movie is mostly in French, it is easy to follow with subtitles, which adds authenticity to the story.

• Writer for Countdown City Geeks.

Watched as part of the french film festival, I went into this film relatively blind. The first thing that I'll say is that I don't resonate with the blurb very much, and I spent the entire car ride home puzzling over how Jane Austen wrecked the lives of either of the main characters. Yes, Oliver's backstory included Jane Austen, and he rejected her work in favour of other (male) contemporaries, which seemed to have served him well in his career, but not in love. Agathe was the same, successful at her book selling job which she doesn't seem unhappy with, but waiting for her 'Mr Darcy' for 2 years. That's hardly a lifetime...

In saying that, it was witty, and I liked Agathe's relationship with Felix and her sister. It was nice to get a fresh take on an Austin-like writer, rather than as a retelling of one of her characters. As Agathe observes, Austen was the first writer to write women as humans, and idea which absolutely needs to be revisited in the current media world. This film successfully does that in making Agathe a messy and imperfect human in the best way.

Absolutely resonated with her writer's block trauma and imposter syndrome. The message seemed to get lost a little for me, and I felt that some parts that could have been atmospheric dragged. It's possible that some Jane Austen references went over my head.

Some movies you wish are shorter. Others, longer. This one belongs in the latter category. The characters are introduced, we learn a little about them, and then we move on. Too many conversations start but don't end. And always when they get interesting. We learn about a host who is in decline but still active with gardening and conversation, for example.

The acting works for the screenplay. While short, nothing is forced. Nothing is contrived, either. Everything that happens here doesn't elicit any disbelief.

However, the movie works on light hearted charm. You care about who you learn about. The laughs are all honest. And there's a ball. I hope the director's next film is longer.