Die Unfassbaren 2

"Now You See Me 2" rides the wave of its predecessor's success, bringing back the charismatic crew of illusionists known as the Four Horsemen for another round of thrilling heists and magical escapades. With a fresh take on the premise, this sequel dives deeper into the world of magic while introducing new challenges and compelling characters.

The film's ensemble cast, including Jesse Eisenberg, Woody Harrelson, and Lizzy Caplan, along with the addition of Daniel Radcliffe, brings a lively energy to the screen. Each performer showcases not only their magical talents but also their comedic chops, resulting in several humorous moments amidst the tension. The visuals are once again a standout feature, with impressive tricks and elaborate setups that keep the audience on the edge of their seats.

"Now You See Me 2" does face some challenges. While the complexity of the plot can be intriguing, it sometimes feels overwhelming and convoluted, making it difficult for viewers to fully engage with the story. Certain twists may come across as forced or predictable, detracting from the overall suspense that the film aims to build.

While the film excels in spectacle, it occasionally neglects character development, making it harder for audiences to connect with some of the newer additions to the cast. The first film's charm and camaraderie among the Four Horsemen feel somewhat diluted this time around.

"Now You See Me 2" offers an entertaining blend of magic, humor, and heist thrills that will satisfy fans of the original. While it may stumble in narrative coherence and character depth, the film remains a visually captivating experience that delivers enough fun to make it worth a watch. Just prepare to suspend some disbelief for the best enjoyment!

The 1980s-inspired sequel reimagines the original blockbuster by emphasizing the individuals and their distinctive features. Both new converts and admirers of the original should find the revisit enjoyable.

The grand illusion thriller "Now You See Me" borrowed ideas from Soderbergh's "Ocean's" series and Christopher Nolan's "The Prestige". With a convoluted plot and a chatty, fiercely competitive group of renegade magician heroes, the film was both witty and bordering on ridiculous.

The movie features a number of jaw-dropping moments, fake-outs, and teases. The film's denouement is always focused on the audience, with the Horsemen-a troupe of illusionists-stranded on a private jet. The movie is an exhilarating and suspenseful roller coaster since it never stops winking.

Among the other movies in the theaters this week, this is a good choice to spend your two hours..

I think the age warning of above 13 for this movie is actually right. My advice is that if you're above 40, it may not entertain you because this film doesn't include much logic among some events that follow one another.

Another thing is that this is also a movie about a struggle of saving the world from the bad guys. There many movies like that but this movie saves itself from being boring with the humor & sarcasm of the characters. Magics which we cannot come across in real life help a lot to take the movie to a higher position in the audience's point of view.

Best parts of the film:

1. The voyage of the horsemen after they jump through the tunnel.

2. When four of the horsemen are together in a room where they are being searched for a possible theft.

3. The magical performances of the horsemen in a city center at a special day of the year.

4. The audience may not guess how the film will end, will the horsemen succeed or not?

5. There may be a 3rd film of this series.

I could have written this review for 'Now You See Me I', as my appreciation for Tyler's work started there, but I thought I'd skip it, as he outdid himself in the second part. Yes, the NYSM films are arguably one of the most plot hole ridden franchises in Hollywood (not speaking about the non-decision if magic now is actually an existing thing or not), but strangely I found that after watching the first one and simply accepting the aforementioned fact I was able to really enjoy the second one. And I will re-view the first one as well with this attitude. Those are simply enjoyable films with good actors, nice scenery and lighthearted stories. But I want to direct your focus on something else I rarely read about here: The music by Brian Tyler. You may say about him what you want, but he really created an exception here. In our times, real pop-rock drums (I am not talking programmed drums and loops) as addition to orchestral music have fallen out of grace - Tyler was one of the first to bring them back. And boy, he knows how. In my world, the NYSM score is one of the most inventive soundtracks of our time. Not only does Tyler create a really powerful combination of orchestral and pop/rock music, he also manages to deliver a theme (or leitmotif) one is able to whistle after leaving the theater - also something that is not standard anymore, as soundtracks have become more like acoustic wallpaper these days. The music is really versatile in the most profound way. Just listen to 'The Setup' as a prime example. He morphs through all kinds of style from pop, rock, soul, swing and jazz in one single piece. And his real drums lend a power to the music that is unprecedented. Others have also started to incorporate this style of drumming in their music, but never as virtuosic as Tyler does here. If you like popcorn flicks, give the NYSMs try, and if you're into movie scores, keep your ears open. An oh, by the way: Listen to 'Can you dig it', his end title version of 'Iron Man 3' - it's right up there on the same level.

I really enjoyed the first NOW YOU SEE ME film. I thought that film's premise "magicians robbing a bank" was original and the execution of the unique script by Ed Solomon and Boaz Yakin by director Louis Leterrier was strong. Add to that the casting - Jesse Eisenberg, Woody Harrelson, Isla Fisher and Dave Franco as "The Four Horseman", Melanie Laurent, Common and (especially) Mark Ruffalo as the cops who were chasing them and sprinkle in good ol' Michael Caine and Morgan Freeman into a plot that kept you guessing to the end and you had a fun ride.

My only question was, could the sequel capture the...wait for it...MAGIC (yes I went there) of the original?

And my answer is...sort of.

Kind of like seeing a magic show for the 2nd time, the spark of originality and wonderment was mostly missing this time around, consequently NOW YOU SEE ME 2 turned into a fairly standard crime/action caper - but with magic instead of guns, cars or fights.

All that said, I was still entertained by this film, but that enjoyment was filled with an undercurrent of disappointment as I wanted to by "wowed" like I was with the first film.

The script - written by Ed Solomon, one of the writers of the original, struck me as a "job script", that is, a script written for money from the studio vs. a "passion script" where the author has an idea they are passionate about and that passion is shown on the screen. Add to that the fact that Jon M.Chu - director of GI JOE: RETALIATION (not exactly CITIZEN KANE) - helmed this film and you have a movie that feels professional, competent and workman-like.

What saves this movie is the performances. Three of the horsemen are back (Isla Fisher had to bow out due to a pregnancy) and the bi- play and the interaction between Eisenberg, Harrelson and Franco fits like an old glove. They get to interact with Ruffalo more in this film and that's a plus. Freeman and Caine return and are as dependable as ever and newcomers Daniel Radcliffe, Tsai Chin and (especially) Jay Chou were fun. Only Lizzy Caplan's Lula didn't really work for me - I thought she was trying to hard to fill in for Fisher.

Interestingly enough, I could shake the feeling, as I was watching this film, that I was watching the 2nd chapter in a trilogy, even though this one did NOT end in a cliffhanger. Sure enough, upon further review, NOW YOU SEE ME 3 is currently filming.

All in all, I enjoyed this film, I just wish I could have been surprised more, like I was in the first film.

7 (out of 10) stars and you can take that to the Bank (of Marquis)