Verfilmung des Kriminalromans von Akira Kurosawa aus dem Jahr 1963.Verfilmung des Kriminalromans von Akira Kurosawa aus dem Jahr 1963.Verfilmung des Kriminalromans von Akira Kurosawa aus dem Jahr 1963.
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Wird am 5. September 2025 veröffentlicht
A$AP Rocky
- Yung Felon
- (as A$AP Rocky a.k.a. Rakim Mayers)
Ice Spice
- Marisol Cepeda
- (as Isis 'Ice Spice' Gaston)
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Expected more from Spike Lee. Very misfitting score that belonged in a Star Wars type film. We don't need loud distracting music over every scene. The double edited shots were also distracting and over done. Bad acting from many of the supporting cast. Slow start, could have easily tightened the edit. This film didn't seem to know what it was. No clear vision. A little preachy. And a kind of dull story line with no twist!
This was a "we made it" film. Spike Lee, Denzel Washington and Jeffrey Wright are far from needing to prove their filmmaking and acting chops, so this was a love letter to New York, Brooklyn and Black art. It's a timely representation of Black men building from the ground up, growing together and being a bridge to the young men (A$AP Rocky) who aspire to become them. The plot fell flat for me, because more could've been done with the characters, especially Jeffrey Wright's role. I watched and became more engrossed in the art collection than the story itself.
I loved seeing Spike Lee and Denzel Washington teaming up again for a new film. From start to finish, though, the movie felt scattered-jumping around with no clear plot or objective. As expected, Denzel did his thing and really carried it. A$AP Rocky wasn't bad, and Ilfenesh Hadera held her own, but overall the film was just... okay. At times, it definitely gave off Godfather of Harlem vibes, and it was New York through and through from beginning to end.
Movie Grade:C-/C.
Movie Grade:C-/C.
I feel like the only reason Denzel accepted this script is because it's a Spike Lee joint. I felt like the soundtrack was unused/left over music from one of Spikes unreleased films from the 90's. The cuts are messy. Not the worst film but I always debate my cousin about who has the better filmography Denzel or Will Smith...he finally has a poor film to use against me.
Spike Lee movies are always a hit or miss with me. Loved his first, She's gotta have it, Malcolm X (too long), Do the Right Thing (too long), but I never got past the few other movies I saw. IMO the scoring of his movies is atrocious. And he seems to stretch out the scenes filled with dialog too long to the point you want to say "cut" or edit. And that's what I felt watching this "Apple Studio" movie. Spike in an interview said Apple was the only studio that would finance it. It's going straight to stream in about two weeks.
The acting is subpar and his close-ups of Denzel pondering decisions are laughable. Most of the actors are TV actors so that explains it the subpar-ness.
The movie perks up when the ransom drop takes place, but even then you wonder - WHAT the H? The money bag is passed from moto biker to moto biker and the police lose the actual money bag. From my understanding when there's a kidnapping and ransom of a high-powered executive like David King, the FBI takes the lead. Did Spike NOT do his home work?
Denzel is in every scene and that can be a bit too much. I wished to see more of the police work to find the kidnapper, but that falls to Denzel and his chauffeur. Which wouldn't happen in real life. An executive of a record company wouldn't go on the hunt himself. IMO. He would have security do it. Which was also a head-scratcher. The music executive did not have a bodyguard. Even JayZ has a bodyguard.
If you have Apple TV, I would recommend you wait for Highest2Lowest, it will be streaming in a week.
The acting is subpar and his close-ups of Denzel pondering decisions are laughable. Most of the actors are TV actors so that explains it the subpar-ness.
The movie perks up when the ransom drop takes place, but even then you wonder - WHAT the H? The money bag is passed from moto biker to moto biker and the police lose the actual money bag. From my understanding when there's a kidnapping and ransom of a high-powered executive like David King, the FBI takes the lead. Did Spike NOT do his home work?
Denzel is in every scene and that can be a bit too much. I wished to see more of the police work to find the kidnapper, but that falls to Denzel and his chauffeur. Which wouldn't happen in real life. An executive of a record company wouldn't go on the hunt himself. IMO. He would have security do it. Which was also a head-scratcher. The music executive did not have a bodyguard. Even JayZ has a bodyguard.
If you have Apple TV, I would recommend you wait for Highest2Lowest, it will be streaming in a week.
Wusstest du schon
- WissenswertesThe film is a reinterpretation of Akira Kurosawa's Zwischen Himmel und Hölle (1963), which was in turn based on the novel "King's Ransom" by Evan Hunter, published in 1959 under his pen name "Ed McBain."
- PatzerIn a studio, like the one shown in the film, if the person in the recording booth takes off their headphones they would not be able to hear the person in the other room who is speaking through the "talk back" mic.
- Zitate
Paul Christopher: I ain't gonna lie. I wanna hurt this boy.
- VerbindungenReferenced in Radio Dolin: Best Movies of the 2025 Cannes Film Festival (2025)
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Before They Were Famous: Actors' Early Roles
Before They Were Famous: Actors' Early Roles
See these famous faces in some of their first breakout roles in Hollywood.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- 上流× 下流
- Drehorte
- Brooklyn, New York, USA(on location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 2 Std. 13 Min.(133 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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