Master of the House

Felt like two different shows almost. The beginning half and the second half were a bit disconnected. The second half especially the last two episodes were confusing. It was using a weird storytelling technique where it was just having the viewer guess at stuff instead of actually explain anything. I liked the initial premise and acting, although the English dub was a bit odd because the voices sounded disembodied.

If you want a quick watch where the story wraps up in one season, enjoy mysteries and stories where about eating the rich than this is definitely a good option. Could've been more stars if they had explained more and not rushed the end.

The universal theme of rich and poor is one that will always intrigue. However, to create intrigue, the plot needs intricacies, peppered with ambiguity, to keep the viewer on the edge of their seat and scrambling for the remote to 'skip intro'. This doesn't have a lot of that. In fact I found myself using the FF button on some episodes to stop the pain of some of the acting.

Then Episode 7 comes along. Beautifully filmed and creates the buzz I'd been waiting for throughout... they should have used some of this to create the intrigue needed in the first episode...

Overall, too obvious, some atrocious acting but enough to keep me watching. I'm glad it's over though... or is it?

Started off with a mystery and the premise makes the viewer root for certain characters. The unravelling of the mystery was entertaining to watch because of all the plot twists.

The social injustice narrative became a bit too heavy with the sadistic abuse of the servants, and there never seemed to be any way out. The social injustice narrative became a bit too heavy with the sadistic abuse of the servants, and the tiresome part of it is the fact that there never seemed to be any way out. They all had to endure it because of the poverty back at home, and the seemingly high wages that "compensated" for the "back-breaking labour." In spite of that explanation, it's hard to believe that money is enough to motivate someone stay at this job when some of the abuse could maim them for life, making it difficult for them to continue earning any income at all.

The acting was quite convincing for the most part, for both sides of villains and protagonists. Thanavate Siriwattanagul, who plays Mawin, stood out for me. The characterization of the servants was quite one-dimensional for all of them, so one cannot say that they had much acting to sell to begin with.

Ending was satisfying, although a bit too fantastical.

A fresh faced young girl works as a maid for a wealthy jewellery empire owners family, at a dinner for his birthday he announces he is formally marrying his personal maid.

His family are incensed at this then he mysteriously dies, the family shun his widow at the funeral and treat her so badly she retreats back to being a servant, after his will is read leaving her nothing this seems a shrewd move.

What follows is the horror of people with too much money and too little sense exploiting those with nothing.

As the untalented and unappetising family unravel, we take a malicious slice of schadenfreude with cream as things take a turn for the worse.

If you like The Glory Korean TV show you will love this, it's themes are universal, use the subtitles it's a blast.

The job market must be really bad to have to work in that house, so that they can then say that unions and workers' rights laws are useless.

The script and the performances make this series, unintentionally, one of the best comedies of the year.

The characters are so basic that they have to resort to illogical decision making in order to surprise you, they are totally flat, without nuances, the good ones are more stupid than good and the bad ones seem like beings from hell, this makes you not care what happens to them, you can't empathize with them.

Anyway, I think I'm spending more time writing this review than it took to write the script.

One and no more Netflix.