A Good Day Will Come

Amir Zargara's A Good Day will Come asks the pertinent question that is at heart over every revolution; do you have what it takes to rebel against the regime? By framing this question within an aspiring wrestler, Amir Zargara shows the audience how even a tiniest act of resistance echoes forever. As Arash, the wrestler, prepares to take centre stage for his home country, a series of events will force him to do something drastic. The dialogue is minimal as Zargara allows the audience to fill in what he refuses to use overt exposition for. With a grim visual aesthetic and nuanced pacing, the film presents an inspiring message about standing up for what is right, and will leave you moved and inspired long after it ends.

A crown jewel in Iranian diaspora cinema, A Good Day will Come manages to impress in more ways than one. What begins as a story of a wrestler competing for Olympic gold turns into an act of resistance that will galvanise an entire nation. Taking inspiration from the real life story of Navid Afkari, the film finds its protagonist rising up against a government that has lost the trust of its people. Writer and director Amir Zargara places the moral dilemma front and centre as he shows how such hard choices affect both those who take them and their loved ones. The dim cinematography amplifies the story and the brisk editing keeps us on our toes. Highly recommended.

Amir Zargara's powerful short is a wonderful piece of cinema. Focusing on a wrestler who has to choose between competing for his country or joining a revolution against government oppression, A Good Day will Come manages to soar far above and beyond its expectations. Zargara expertly showcases the difficult choices facing Arash as he finds himself selecting between ambition and responsibility. Our actions (or inactions) have consequences and this is what director Amir Zargara aims to apprise the audience here. The acting is fantastic, the visuals are potent and A Good Day will Come ends up being a film that not only demands your attention but also manages to move you.

I'm not usually a fan of short films, but A Good Day Will Come is something special. Arash, a wrestler in Iran, is grappling with both his sport and the unrest around him, and the film captures his struggle beautifully. It's dark, moody, and the soundtrack really hits home. Sia Alipour's performance as Arash is moving without being overdone. Director Amir Zargara takes you into this emotional world, and by the end, it leaves you with a sense of quiet hope. The dark visuals and haunting music make every moment feel heavy yet important. It's brief but leaves a lasting impact. Definitely worth your time.

With muted tones and heartfelt depth, A Good Day Will Come examines a wrestler emotionally tied to his people's struggles. The film delicately intertwines sport and social narrative, presenting a solemn tale of resilience and hope. It's a quiet but moving portrait of courage. Ome films take their time to build up emotion, but A Good Day Will Come grabs you right away. Arash is a wrestler in Iran, but life outside the ring is intense, as protests and social unrest grow around him. The film doesn't need long explanations-its visuals and soundtrack say it all. Director Amir Zargara captures Arash's story in a hauntingly beautiful way, with each scene shaded in dark, muted tones that reflect his inner struggle. The music, both melancholic and moving, adds to this feeling. Sia Alipour's performance as Arash is quietly powerful. In the wrestling scenes, you can see the conflict he's dealing with; he's there physically but clearly weighed down by everything happening around him. A Good Day Will Come might be short, but it leaves an impression, reminding us of the resilience people find in hard times. Even if you're not into short films, give this one a shot-it's a thoughtful, visually striking piece that speaks to universal themes of hope and determination.