The Masked Saint

All the negative reviews didn't dampen my heartfelt love for this film! Besides, I recognized Roddy Piper in the cast -- surely just before his untimely death. Although it was so good to see Rowdie Roddy again, the story has warmth, heart, and all sorts of Good Stuff. So when you get tired of the nonsense that Hollywood typically wants to fill you with, tired of ray guns, monsters, and the like, give this film a look -- you won't be disappointed.

I wasn't sure when I first started this one. A pastor who wrestles at night? It's a little strange upon first glimpse, but after beginning to watch it, I was pleasantly surprised. It's a good reminder that God reigns over every square inch, even professional wrestling. Any Reformed Christian would appreciate this one.

Don't pay much attention to the reviews from the atheist cheap seats. They don't get it or never will (Emjay 61066) . The movie is very inspirational at A time when we need such things. You must take it for what it's worth a true story of a great man doing great things. Sorry there is not enough sex or violence or big named stars. The true star of this movie is Dr. Chris Whaley who gives of his time freely and ministers now to hundreds of firefighters in need of his spiritual guidance. The is a great movie go see it. If you like the movie Courageous or Fireproof then you will like Mask Saint Sorry Emjay I will pray for you

Ever since the huge success of God's Not Dead, the staunchly evangelical film that coincidentally stole a great deal of buzz away from Noah, another film with a faith-based background, studios like Pure Flix Entertainment and Freestyle Releasing have been finding more and more Christian titles to pick up for a theatrical release. Even Hollywood has recognized that a large part of the Christian market as ostensibly been disenfranchised with a lack of titles that appeal or pertain the faith of their audience, and with that, has even looked to make movies like Heaven is for Real and Son of God.

To put it boldly, The Masked Saint is another mediocre link in the chain, poorly conceived and unable to function as a story without making bombastic, theatrical displays of situational drama and conflict. It makes the same mistake most of its brother and sister films make because it doesn't know how to function as a film without sermonizing or blowing each event that tests its characters and their faith out of proportion. Being that this film focuses largely on the world of wrestling and the dualities of character, you can also expect the entire project to be just as phony and overblown as anything you'll see on Monday Night Raw.

The film revolves around the true story of Chris Samuels (Brett Granstaff), a former professional wrestler who retires from the ring to settle down and become the pastor of a failing church in a small town. While he is supported unconditionally by his wife Michelle (Lara Jean Chorostecki) and daughter, he is met with opposition from the church's main financial backer Judd (Patrick McKenna), who believes the church is entirely his. In addition, Chris sees the brokenness of his community, as crime, prostitution, and rampant godlessness prevails every day, right down to his next-door neighbors, the husband a boorish alcoholic and the wife a victim of his violent rampages.

While the core of the story is about Chris getting people back into the church and welcoming people with open arms - even a prostitute who is looking for redemption - it's also about Chris finding a way to combat the violence by putting on part of his wrestler costume in order to take the city's problems into his own hands. This involves rescuing the aforementioned prostitute, in addition to stopping a robbery in a local diner. Then, at the end of it all, there's Nicky (Roddy Piper in his final role), Chris's old wrestling manager and promoter hellbent on getting him to come back into the ring.

At one moment, The Masked Saint is content on being a drama about a man's determination to get a ramshackle eyesore of a church back to being a well-respected community staple of salvation and redemption. The next, it's trying to excite by showing Chris beat up bad guys like Spider-Man and spout unbelievably contrived and poorly delivered responses like "I'm a man" when somebody tells him, "you're a saint." The Masked Saint cannot operate on the basis of a simple drama and has to occupy its more climactic sequences with incredulous action or cloying sermonizing that sounds like a pedestrian's summation of the good parts of the Bible.

As far as emotional manipulation goes, screenwriter Scott Crowell keeps things to a respectable minimum, as he's clearly more concerned with respecting the real-life Samuels and his family by giving them a story rooted in plot and character rather than emotions. However, relationships and events that initially appear as if they'll have a significant pull on the film wind up either getting permanently placed on the backburner or hamfisted in the screenplay in a last-ditch effort to evoke some kind of tension or conflict. For one, the emotionally and physically abusive husband only punctuates the script, when he initially seems like he'll be an integral part of Chris's plan to save the people of his community. After one tense confrontation between him and Chris, an event that mirrors anything but what would happen in reality, the husband is all of a sudden transformed in looks and attitude the next time he crosses paths with the pastor he formerly loathed.

The other element is Chris's stress level with going back to wrestling whilst trying to run the church. In one scene, he is lectured by Ms. Edna (Diahann Carroll - because every Christian film needs that stereotypical, warm black lady who allows anyone and everyone in her home to coddle), a supportive resident of the community, for being too strict and self-indulgent, behavior he hasn't really exhibited up until the following scene where he snaps at his wife and daughter out of nowhere. These kinds of disjointed elements only make the other issues of sensationalism embedded in The Masked Saint's screenplay rise to the surface much quicker and in a more evident fashion.

Last year's faith-based football drama Woodlawn showed us that an approach to a film that highlights faith and devout religious beliefs can, in turn, derail or further cripple an otherwise true story that already feels too good to be true. The Masked Saint tries to do something out of left-field with a different sport and an unlikely hero, but quickly falls prey to the worst conventions of the genre and the material. It's a noble effort but a result that's just about entirely unmemorable.

The wrestler Chris "The Saint" Samuels (Brett Granstaff) has his leg broken in his final game against The Reaper (James Preston Rogers). The result was arranged by his manager Nicky Stone (Roddy Piper) since The Saint will retire to dedicate to be the pastor of the Baptist Church in a small town in Michigan. He moves with his wife Michelle Samuels (Lara Jean Chorostecki) and their daughter Carrie Samuels (T. J. McGibbon) to a decadent church in an awful neighborhood in Michigan. When they miss their arrogant sponsor Judd Lumpkin (Patrick McKenna), Chris realizes that he needs to return to the ring to get money to support his church and his house. Meanwhile he helps his outcast neighborhood of prostitutes and drug addicted people nad gives their dignity back.

"The Masked Saint" is a religious film with some attractions. Maybe, the first one is that is based on a true story of a wrestler that turned into pastor of the Baptist Church that has returned to the ring to help his church. The second is that is the farewell of Roddy Piper, an average actor that has been brought to the spots with his lead in the cult "They Live". Lara Jean Chorostecki and T. J. McGibbon are excellent in their roles. "The Masked Saint" is enjoyable since the cast is very charismatic and provides good messages. My vote is six.

Title (Brazil): "O Vigilante Mascarado" ("The Masked Vigilante")