Nach einem unvorstellbaren Verlust verlässt der 25-jährige Theodore Roosevelt die New Yorker Politik und reist in die gesetzlosen Dakota BadlandsNach einem unvorstellbaren Verlust verlässt der 25-jährige Theodore Roosevelt die New Yorker Politik und reist in die gesetzlosen Dakota BadlandsNach einem unvorstellbaren Verlust verlässt der 25-jährige Theodore Roosevelt die New Yorker Politik und reist in die gesetzlosen Dakota Badlands
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I am a huge fan of westerns and for me the jury is still out on this one. Mr. Roosevelt rides off to a destination with the only directions being, "ride 40 miles due north" and miraculously rides right to it. All the provisions for this 3 day trip are in one small bag hanging from his saddle. The firewood he uses is perfectly cut with a saw. After riding for some time, he dismounts from his horse and walks away, (not tying the horse up) apparently trusting the horse not to run off and leave him stranded in middle of nowhere.
Three other riders make the same trip, and they too carry nothing with them. When the cattle arrive, the actors close to the camera are dressed to look the part, but the riders in the distance, working the cattle clearly are wearing modern clothing and hats. At the beginning of the show, guns are fired, and no one even flinches at the sound. In one episode, a single cowboy has a red-hot branding iron and is interrupted as he's about to brand a cow, who is standing up! That wouldn't end well! Roosevelt enters two fist fights without even taking off his glasses. Really?
It's the director's job to pay attention to details like these that can make a show believable. (or unbelievable.) I would think there must be someone on the set who would point these things out and try and make it a little more authentic.
Hard to understand how some reviewers rate is show a 10 !
Three other riders make the same trip, and they too carry nothing with them. When the cattle arrive, the actors close to the camera are dressed to look the part, but the riders in the distance, working the cattle clearly are wearing modern clothing and hats. At the beginning of the show, guns are fired, and no one even flinches at the sound. In one episode, a single cowboy has a red-hot branding iron and is interrupted as he's about to brand a cow, who is standing up! That wouldn't end well! Roosevelt enters two fist fights without even taking off his glasses. Really?
It's the director's job to pay attention to details like these that can make a show believable. (or unbelievable.) I would think there must be someone on the set who would point these things out and try and make it a little more authentic.
Hard to understand how some reviewers rate is show a 10 !
Here's a fleshed-out review for the western about Teddy Roosevelt's early years:
The latest Western series chronicling Teddy Roosevelt's formative years in the Dakota Territory is as riveting as it is enlightening. Set against the rugged backdrop of the American West, the show does a commendable job of weaving historical accuracy with dramatized narrative, giving us a glimpse into the life of one of America's most dynamic presidents before he entered public service.
The series opens with a young Teddy, portrayed with a compelling mix of vivacity and resolve, arriving in the Badlands to overcome personal tragedies through a life intertwined with nature and ranching. This setting not only provides a visual treat but also serves as a crucible for his character development. The stark and sweeping landscapes are captured with an artful eye, and the cinematography consistently impresses, complementing the narrative's expansive feel.
A standout aspect of the show is the character of Medora, who steals the scene every time she appears. She is depicted not just as a love interest or side character but as a formidable presence in her own right. Her interactions with Teddy are layered, hinting at a mutual respect and a shared rugged individualism that is both refreshing and compelling.
The attention to detail in the costumes and sets deserves a special mention. Each piece seems carefully chosen to reflect the period's aesthetic and the characters' personalities, from the rough-spun fabrics of the ranch hands to the more refined attire of the visiting Easterners.
However, one of the series' strengths-its leisurely pace and in-depth character exploration-might be its weakness for those looking for more conventional Western action. But for those willing to immerse themselves in the slower, introspective journey of Roosevelt's transformation from a city dweller to a cowboy, it's a rewarding experience.
Overall, this series is a must-watch for anyone interested in American history or the Western genre, offering a unique look at Teddy Roosevelt's lesser-known young adult years, filled with challenges that shaped his later life. It's a show that leaves you wanting more, and I, too, wish I could binge it all in one go!
The latest Western series chronicling Teddy Roosevelt's formative years in the Dakota Territory is as riveting as it is enlightening. Set against the rugged backdrop of the American West, the show does a commendable job of weaving historical accuracy with dramatized narrative, giving us a glimpse into the life of one of America's most dynamic presidents before he entered public service.
The series opens with a young Teddy, portrayed with a compelling mix of vivacity and resolve, arriving in the Badlands to overcome personal tragedies through a life intertwined with nature and ranching. This setting not only provides a visual treat but also serves as a crucible for his character development. The stark and sweeping landscapes are captured with an artful eye, and the cinematography consistently impresses, complementing the narrative's expansive feel.
A standout aspect of the show is the character of Medora, who steals the scene every time she appears. She is depicted not just as a love interest or side character but as a formidable presence in her own right. Her interactions with Teddy are layered, hinting at a mutual respect and a shared rugged individualism that is both refreshing and compelling.
The attention to detail in the costumes and sets deserves a special mention. Each piece seems carefully chosen to reflect the period's aesthetic and the characters' personalities, from the rough-spun fabrics of the ranch hands to the more refined attire of the visiting Easterners.
However, one of the series' strengths-its leisurely pace and in-depth character exploration-might be its weakness for those looking for more conventional Western action. But for those willing to immerse themselves in the slower, introspective journey of Roosevelt's transformation from a city dweller to a cowboy, it's a rewarding experience.
Overall, this series is a must-watch for anyone interested in American history or the Western genre, offering a unique look at Teddy Roosevelt's lesser-known young adult years, filled with challenges that shaped his later life. It's a show that leaves you wanting more, and I, too, wish I could binge it all in one go!
Elkhorn gets 4 stars for the scenery. As for the actors, none of whom I'll admit I ever heard of, they all seem more suited to community theater than television series or movies. I've watched four episodes and the more I see, the less I like it. The actor playing Paddock, I think his first name is Nate, may be the most annoying of the bunch. I refuse to believe he actually sounds like that! It feels like he made a conscious decision to sound and look like some new version of Sam Elliott! Every time he smirks and starts speaking in that Sam Elliott drawl, I have to laugh. Not sure I can finish watching the entire series. Honestly, I'd rather watch reruns of the old T. V. westerns from the 1960's. If you want to see a new Western series with great acting and writing, you should watch 'Billy the Kid' on MGM+ It's a hundred times better than Elkhorn.
A riveting storyline with a charismatic villain. I love the Western genre and lore, as well. Not sure how historically accurate it all is, but that's mostly on me and the American public school system for getting a D in American history. Despite any artistic liberties, I'm at least being made aware of numerous historical figures, places and events that I otherwise might have never been made aware of. And on a pure entertainment level, there's plenty of conflict and great acting to keep me coming back for more. I hope this gets renewed for another season so I'm not left hanging. More like this, please!
As a recent visitor to Medora, North Dakota, I couldn't help but feel a special connection to Elkhorn, INSP's frontier drama set in the late 1800s. Walking through the town, I had the chance to see the real Joe Ferris General Store-still standing today-where Joe Ferris, the character portrayed by Travis Lee Eller, once ran a thriving business. The store, now a historic site, offers a tangible glimpse into the past and made me appreciate the character in Elkhorn even more. The show's portrayal of life on the frontier, with its stunning landscapes and intense human drama, feels all the more authentic knowing that Joe Ferris was a real figure whose legacy endures in Medora.
Travis Lee Eller's performance as Joe Ferris is one of the highlights of the show for me, and it's a role that felt ripe for deeper exploration. His portrayal of the town's quiet but vital shopkeeper is understated yet compelling. However, I couldn't help but wish the show had featured him more. Given that the real Joe Ferris General Store is still a key landmark in Medora, it seems like a missed opportunity to delve further into Joe's backstory and his importance to the community. Despite this, the series offers a gripping, well-crafted look at frontier life, and the connection to Medora's real-life history makes it even more special for fans who have walked the same streets as Joe Ferris.
Travis Lee Eller's performance as Joe Ferris is one of the highlights of the show for me, and it's a role that felt ripe for deeper exploration. His portrayal of the town's quiet but vital shopkeeper is understated yet compelling. However, I couldn't help but wish the show had featured him more. Given that the real Joe Ferris General Store is still a key landmark in Medora, it seems like a missed opportunity to delve further into Joe's backstory and his importance to the community. Despite this, the series offers a gripping, well-crafted look at frontier life, and the connection to Medora's real-life history makes it even more special for fans who have walked the same streets as Joe Ferris.
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