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Dahomey

  • 2024
  • 0
  • 1 Std. 8 Min.
IMDb-BEWERTUNG
6,8/10
2937
IHRE BEWERTUNG
Dahomey (2024)
Trailer ansehen
trailer wiedergeben1:21
2 Videos
99+ Fotos
Dokumentarfilm

Die Reise der geplünderten königlichen Schätze aus dem Königreich Dahomey, die in Paris ausgestellt waren und nun nach Benin zurückgebracht werden. Diop bringt auf künstlerische Weise die Fo... Alles lesenDie Reise der geplünderten königlichen Schätze aus dem Königreich Dahomey, die in Paris ausgestellt waren und nun nach Benin zurückgebracht werden. Diop bringt auf künstlerische Weise die Forderungen einer neuen Generation zum Ausdruck.Die Reise der geplünderten königlichen Schätze aus dem Königreich Dahomey, die in Paris ausgestellt waren und nun nach Benin zurückgebracht werden. Diop bringt auf künstlerische Weise die Forderungen einer neuen Generation zum Ausdruck.

  • Regie
    • Mati Diop
  • Drehbuch
    • Mati Diop
    • Makenzy Orcel
  • Hauptbesetzung
    • Lucrèce Hougbelo
    • Parfait Vaiayinon
    • Didier Sedoha Nassangade
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    2937
    IHRE BEWERTUNG
    • Regie
      • Mati Diop
    • Drehbuch
      • Mati Diop
      • Makenzy Orcel
    • Hauptbesetzung
      • Lucrèce Hougbelo
      • Parfait Vaiayinon
      • Didier Sedoha Nassangade
    • 16Benutzerrezensionen
    • 85Kritische Rezensionen
    • 85Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 13 Gewinne & 50 Nominierungen insgesamt

    Videos2

    Trailer
    Trailer 1:21
    Trailer
    Dahomey: Q&A From NYFF 2024
    Interview 21:37
    Dahomey: Q&A From NYFF 2024
    Dahomey: Q&A From NYFF 2024
    Interview 21:37
    Dahomey: Q&A From NYFF 2024

    Fotos133

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 130
    Poster ansehen

    Topbesetzung48

    Ändern
    Lucrèce Hougbelo
    • Voice
    • (Synchronisation)
    Parfait Vaiayinon
    • Voice
    • (Synchronisation)
    Didier Sedoha Nassangade
    • Voice
    • (Synchronisation)
    Sabine Badjogoumin
    • Voice
    • (Synchronisation)
    Dowoti Desir
    • Self
    Micheline Ayinon
    • Self
    Bicarel Gnikpo
    • Self
    Nadia Vihoutou Kponadou
    • Self
    Carlos Ounsougan
    • Radio Univers
    Saturnin Olou
    • Radio Univers
    Michael Vogbe
    • Radio Univers
    Pricette Zannou
    • Radio Univers
    Armel Anagonou
    • Radio Univers
    Amour Amoussouvikpo
    • Radio Univers
    Alexandre Viakinnou
    • Radio Univers
    Willyam Klikan
    • Radio Univers
    Wilfried Kiatagan
    • Radio Univers
    Sarkis Gounon
    • Radio Univers
    • Regie
      • Mati Diop
    • Drehbuch
      • Mati Diop
      • Makenzy Orcel
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen16

    6,82.9K
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    Empfohlene Bewertungen

    3HK

    A bit overhyped

    Not really all as good as people are making it out to be. Might be just me, but this really isn't the sort of film that I have a, sort of, deep interest in and as such I won't be able to be all that objective here. Point being, this is merely just run of the mill, typical, doesn't offer anything new to the table, which is what I was kind of hoping for judging by what others have been saying about Dahomey. Anyway, yeah, just don't really have anything else to say besides that it doesn't change anything about how I see anything. Which is fine but then also not fine at the same time, but oh well, maybe next time.
    6CinemaSerf

    Dahomey

    With over 7,000 pieces taken by the colonising French from their homes in the ancient African kingdom of Dahomey (now Benin), there is much celebration amongst the population at the return of 26 artefacts. These range from statues of their legendary Kings Ghezo and Béhanzin to objects of religious significance and items of such an intricate design that their condition will require perpetual care in a new, purpose-built, home near the Presidential Palace. Sadly, we just don't spend enough time with these beautifully crafted sculptures, nor do we really learn very much about the history of them, their historical provenance nor really anything much about the colonial "treaties" that facilitated their move in the first place. It lacks a narration. Not often that bothers me, but at times this whole thing reminded me of one of those films you'd watch for ten minutes if you were visiting a museum before you moved on. It's presented as if it were the introductory edition of a multi-part documentary that was going to explore more and fill in many of the gaps left unexplained in this hour long preview. Too much of it is spent following a group of young people in a forum arguing about the relative merits (or demerits) of this gesture from the French, and though it can be interesting at times to listen to the differing views in this "what's past is prologue" type debate, it wasn't what I wanted to see. I wanted much more about the fascinating mythology that attributed animal features to human beings in the way the Egyptians did two thousand years earlier. What was their significance? How were they to be conserved, preserved, exhibited - and, quite importantly, to whom. None of that was really gone into and I found that all a little disappointing. It may stimulate further reading but as it stands, it's not great.
    8peter0969

    Poetic Heritage

    Highlighting the narrative of historical artifacts returning to the original country, Mati Diop's documentary about artifacts, history, and culture is a slow, meditative, and poetic documentary that does offer an interesting observation of it's main subject.

    Diop's approach is interesting as it felt like a real-life poetry being at displayed. Filled with gorgeous sound designs, music, and interesting imagery choices to present, it's definitely a documentary that sheds a good light on it's way. Interconnected with poetic dialogue, it's slow and meditative approach creates an interesting experience.

    It isn't a standard documentary as it's more of an experimental art piece of a movie at times. But it's definitely an interesting experience.
    8OhmSpectator

    Echoes of Heritage: A Poetic Journey of Artifacts from France to Benin

    The documentary, elevated by poetic undertones, narrates the journey of historical artifacts returning from France to Benin. It highlights the debates among the Beninese about the significance of this event, showcasing a broad spectrum of perspectives. Particularly captivating is the technique of narrating from the artifact's point of view, adding depth and complexity to the audience's understanding. From a technical standpoint, the project is exceptionally well-crafted, impressing with its image quality, thoughtful pacing, and mesmerizing sound.

    As a viewer from Europe, I felt a slight lack of explanation about what modern Benin is like beyond its capital, which would have helped form an opinion on the discussions presented by the Beninese in the film. However, it's clear that the filmmaker did not set out to provide a comprehensive overview of the country's current state.
    6mckraut13

    Mostly missed opportunity

    Even though this is a short film it seemed to me to contain a lot of filler. It gained some interest about halfway through with in the public forum segments. With such an interesting subject matter, I felt myself wanting to learn more about the artifacts, the process that got them back to Benin, how and why they were stolen. I found myself annoyed with so many lengthy shots of security cameras, hallways, airports, and moving equipment.

    Listening to Beninese talk about the significance of gaining these pieces back and all of the relics still in France was the meatiest part of this film and the most engaging for me. Often, I feel that a unsubstantial film could be edited for improvement. In this case, I feel that a lot of substance could have been added.

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      Official submission of Senegal for the 'Best International Feature Film' category of the 97th Academy Awards in 2025.
    • Zitate

      [first lines]

      Voice of Artifact #26: As far back as I can go, there has never been a night so deep and opaque. Here, it is the only possible reality. The beginning and the end. I journeyed so long in my mind but it was so dark in this foreign place that I lost myself in my dreams, becoming one with these walls. Cut off from the land of my birth as if I were dead. There are thousands of us in this night. We all bear the same scars. Uprooted. Ripped out. The spoils of massive plundering. Today, it's me they have chosen like their finest and most legitimate victim! They have named me 26. Not 24. Not 25. Not 30. Just 26.

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    Details

    Ändern
    • Erscheinungsdatum
      • 24. Oktober 2024 (Deutschland)
    • Herkunftsländer
      • Frankreich
      • Senegal
      • Benin
      • Singapur
    • Sprachen
      • Englisch
      • Französisch
      • Fon
    • Auch bekannt als
      • Дагомея
    • Drehorte
      • Abomey, Benin
    • Produktionsfirmen
      • Les Films du Bal
      • Fanta Sy
      • Arte France Cinéma
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 100.959 $
    • Eröffnungswochenende in den USA und in Kanada
      • 25.960 $
      • 27. Okt. 2024
    • Weltweiter Bruttoertrag
      • 593.052 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 8 Min.(68 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Surround 5.1
    • Seitenverhältnis
      • 1.78 : 1

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