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IMDbPro

Advantageous

  • 2015
  • Not Rated
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
6,1/10
6130
IHRE BEWERTUNG
Advantageous (2015)
Trailer for Advantageous
trailer wiedergeben2:29
1 Video
31 Fotos
DramaFamilieScience-Fiction

In einer Stadt der nahen Zukunft, in der aufsteigende Opulenz die wirtschaftliche Not überschattet, tun Gwen und ihre Tochter Jules alles, um ihre Freude gemeinsam festzuhalten.In einer Stadt der nahen Zukunft, in der aufsteigende Opulenz die wirtschaftliche Not überschattet, tun Gwen und ihre Tochter Jules alles, um ihre Freude gemeinsam festzuhalten.In einer Stadt der nahen Zukunft, in der aufsteigende Opulenz die wirtschaftliche Not überschattet, tun Gwen und ihre Tochter Jules alles, um ihre Freude gemeinsam festzuhalten.

  • Regie
    • Jennifer Phang
  • Drehbuch
    • Jacqueline Kim
    • Jennifer Phang
  • Hauptbesetzung
    • Jacqueline Kim
    • James Urbaniak
    • Freya Adams
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    6130
    IHRE BEWERTUNG
    • Regie
      • Jennifer Phang
    • Drehbuch
      • Jacqueline Kim
      • Jennifer Phang
    • Hauptbesetzung
      • Jacqueline Kim
      • James Urbaniak
      • Freya Adams
    • 77Benutzerrezensionen
    • 24Kritische Rezensionen
    • 59Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 7 Gewinne & 3 Nominierungen insgesamt

    Videos1

    Advantageous
    Trailer 2:29
    Advantageous

    Fotos30

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    Topbesetzung52

    Ändern
    Jacqueline Kim
    Jacqueline Kim
    • Gwen
    James Urbaniak
    James Urbaniak
    • Fisher
    Freya Adams
    Freya Adams
    • Gwen 2.0
    Ken Jeong
    Ken Jeong
    • Han
    Jennifer Ehle
    Jennifer Ehle
    • Isa Cryer
    Samantha Kim
    • Jules
    Troi Zee
    Troi Zee
    • Amanda
    Olivia Horton
    Olivia Horton
    • Sarai Malthus
    Jennifer Ikeda
    Jennifer Ikeda
    • Lily
    Mercedes Griffeth
    Mercedes Griffeth
    • Ginger
    Sameerah Luqmaan-Harris
    Sameerah Luqmaan-Harris
    • Winnie Charles
    Theresa Navarro
    • Olivia de Santos
    Rex Lee
    Rex Lee
    • Drake
    • (Synchronisation)
    Jeanne Sakata
    Jeanne Sakata
    • Soon Yang
    • (Synchronisation)
    Joshua Kim
    • Josh
    Matthew Kim
    Matthew Kim
    • Ken
    Rebecca Summers
    • Spokesperson Candidate
    • (as Rebecca Pitkin)
    Olivia Ford
    • Hidden Girl
    • Regie
      • Jennifer Phang
    • Drehbuch
      • Jacqueline Kim
      • Jennifer Phang
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen77

    6,16.1K
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    Empfohlene Bewertungen

    8terran-w

    sleeper

    It starts out as some parallel future where medical advances allow for certain procedures to be done. And marketing. Single moms exist in the future still and so does aging. Real life problems, drama ensues. Of very vanilla variety plus the sprinkles of sci-fi nefarious experimentalism. It just kind of rolled along, unfolding, doing the thing stories do.

    It wasn't until the very last scene that tied it all together for me and then it hit me like a ton of bricks that the whole movie was an elaborate setup of this clincher. And it's not what you think. I burst out in tears as the credits began to roll as I wondered at the brilliance I just witnessed. It was so unexpected. Anyway, I'm probably blowing it out of proportion, but I recommend watching this.
    10omnimog

    Mesmerizing sci-fi portraying real human emotions and interactions

    Wow. I had no idea what to expect when I put this on, but it blew me completely away. I am certain that the pacing may alienate many a viewer expecting every, "good" sci-fi to be filled mainly with spectacular future-tech fighting, and maybe scratch the surface of big questions in a futuristic society.

    Advantageous do approach the latter, although nuanced, and more subtle than most films in this genre do. First and foremost, Advantageous focus on what defines the parent/child-relationship through portrayals of emotions and behavior that feel real. Not overly dramatic, not "scripted" like in most movies, but like the breathing dialectics of how those mechanics do work in real life.

    The stage is set in a dystopian future. There are elements of class conflict, and philosophical approaches to defining the Id and the Ego. But these are still all secondary to the parental element. I didn't feel that the topics were rushed, too complicated, pretentious or superficially presented in any way, but that might be a matter of my approach as a viewer; my focus on the movie while it ran, and my general interest in the subjects in my own life.

    I also found Advantageous to be stylistically excellent. From the general designs, locations, wardrobe, make-up, CGI. The lead actors did a great job, and the directing was superbly executed. Same goes for both editing and the atmospheric soundtrack; technical elements that I find myself often annoyed at in many a modern movie.

    I'd put Advantageous under the same banner as Her and Ex Machina, for comparison. Although it should be noted that the melancholic joyfulness from Her, and the enigmatic suspense from Ex Machina are both lacking completely here as Advantageous is a lot more of a subtle epic, with a focus on the humane interrelationships much more than what both those movies do. And to me, that was exactly what made Advantageous such a brilliant, unique gem, although I dearly love both Her and Ex Machina as well.
    6vovers1

    Excellent view of a dystopian future

    I can't stop thinking how realistic is this view of the future of a trickle down world, hiding behind the cloaks of computerised and anonymous social systems. Well worth watching, a social commentary wrapped up in a scifi blanket. With humanity struggling and failing to define itself.
    6krachtm

    Feminist science fiction that focuses too much on metaphysical questions

    The plot: In a dystopian future, an Asian woman approaching middle age is fired from her job at a creepy multinational corporation because they want a younger, more racially ambiguous spokesperson. How far will she go to regain her job?

    The premise is definitely interesting, and there were parts of the film that I really liked. However, the story continually came back to tedious metaphysical themes that bored me. In the end, I realized that the film was about the metaphysical themes, and this left me feeling a bit unfulfilled. I suppose it was even more so about cultural criticism, especially a feminist critique of how society treats female aging and beauty. But it kept coming back again and again to these questions of "why am I here", "what is my purpose", and "is there something insubstantial, such as love, that science can't replicate in a lab"?

    Kim plays a woman who must make a life-changing choice. Unemployment is skyrocketing, men are pressuring women to leave the workforce, and older workers are seen as hopelessly out-of-touch with the modern market. In fact, humans themselves are being rapidly replaced, and the only way to secure any kind of hope for your child's future is for them to attend the most prestigious schools. The alternative seems to be child prostitution. Most of this is established in the background; if you don't pay close attention, you'll miss it. Unexplained explosions rock the sterility and eerie quiet of the world, and news reports hint at terrorist uprisings because of a hopeless, jobless populace.

    So, when you lose your job, that basically means that you've lost everything. What if your employer offers to give you your job back if you'll let them control who you are? So, our protagonist becomes desperate to avoid forcing her own daughter to make these same kinds of desperate choices. What can she do but accept? The question becomes what price she has paid. As the film mulls this over, I began to lose interest. Normally, it takes very little for me to become heavily involved in a character's plight, but, in this case, I struggled. Maybe it's because I don't have kids. For a parent, maybe this would be a more harrowing tale.

    There are many admirable aspects to this film, chief among them a woman-centric tale that feels genuine. In some science fiction films, the female protagonist seems to have been written as a male who then gets a gender-flip to mix things up. Or she's a sexual object for the viewers to ogle. There's nothing wrong with a bit of exploitative science fiction, but it's nice to see something with higher aspirations every once in a while. This certainly has that, but it goes so far as to seem pretentious at times.

    Maybe this was simply too far outside of my demographic. On the surface, it's got a lot of themes and ideas that appeal to me, but the focus seems to be diametrically opposed to how I would have done it. Less metaphysics, more world-building. If you're interested in feminist science fiction, however, this is rare example. You should at least give it a chance if you're interested in such things. Perhaps you'll be more intrigued by the themes than I was.
    8nibelungen-79-160855

    uploading 1.0

    This is quite an intriguing take on the theme of the singluarity. What happens during uploading (transferring the consciousness to a new vessel)? In terms of the cognition, this work seems to reflect the latest advances in terms of the scientific work that has been done the last years. One of the key one of the findings being that the consciousness that we experience is tied to the body and their intertwined growing process. Studies of evolution, robotics and neuroscientists seem to converge on this idea. Enough of guessing the scientific Zeitgeist... What is astonishing about the movie is the fundamental level the theme is approached. Dance is important. It shows from the beginning to the end. And through the very nature of movement, the archaic, the everyday-things, those striving for that higher purpose will probably halt and think (if they see, and not just watch). This work puts great and visionary ideas in a very human context. This review is written with the movie still undigested, so it might sound a bit raw and weird. In any case it made quite an impression on me.

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    Handlung

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    • Wissenswertes
      Was first released as a 21 minute short, an episode on the PBS show "Futurestates" in 2012.
    • Zitate

      Gwen 2.0: What's wrong?

      Jules: I don't really know why I'm alive.

      Gwen 2.0: Doesn't matter. Whatever you do will be wonderful and worthwhile.

      Jules: How do you know?

      Gwen 2.0: I know because you're kind.

      Jules: People say being kind is being weak.

      Gwen 2.0: You're alive because of energy, and empathy. Your mother had so much of it inside of her, she needed to get it out. So she made you.

      Jules: You're starting to sound like her.

    • Verbindungen
      Edited from Futurestates: Advantageous (2012)
    • Soundtracks
      Improvisations in C minor
      Written by Richard Inkyu Kim

      Performed by Richard Inkyu Kim

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    • Erscheinungsdatum
      • 23. Juni 2015 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Official Facebook
      • Official Facebook
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • 2Q41:茱兒的禮物
    • Drehorte
      • New York City, New York, USA
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      1 Stunde 30 Minuten
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