In einer Stadt der nahen Zukunft, in der aufsteigende Opulenz die wirtschaftliche Not überschattet, tun Gwen und ihre Tochter Jules alles, um ihre Freude gemeinsam festzuhalten.In einer Stadt der nahen Zukunft, in der aufsteigende Opulenz die wirtschaftliche Not überschattet, tun Gwen und ihre Tochter Jules alles, um ihre Freude gemeinsam festzuhalten.In einer Stadt der nahen Zukunft, in der aufsteigende Opulenz die wirtschaftliche Not überschattet, tun Gwen und ihre Tochter Jules alles, um ihre Freude gemeinsam festzuhalten.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 3 Nominierungen insgesamt
- Soon Yang
- (Synchronisation)
- Spokesperson Candidate
- (as Rebecca Pitkin)
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It wasn't until the very last scene that tied it all together for me and then it hit me like a ton of bricks that the whole movie was an elaborate setup of this clincher. And it's not what you think. I burst out in tears as the credits began to roll as I wondered at the brilliance I just witnessed. It was so unexpected. Anyway, I'm probably blowing it out of proportion, but I recommend watching this.
Advantageous do approach the latter, although nuanced, and more subtle than most films in this genre do. First and foremost, Advantageous focus on what defines the parent/child-relationship through portrayals of emotions and behavior that feel real. Not overly dramatic, not "scripted" like in most movies, but like the breathing dialectics of how those mechanics do work in real life.
The stage is set in a dystopian future. There are elements of class conflict, and philosophical approaches to defining the Id and the Ego. But these are still all secondary to the parental element. I didn't feel that the topics were rushed, too complicated, pretentious or superficially presented in any way, but that might be a matter of my approach as a viewer; my focus on the movie while it ran, and my general interest in the subjects in my own life.
I also found Advantageous to be stylistically excellent. From the general designs, locations, wardrobe, make-up, CGI. The lead actors did a great job, and the directing was superbly executed. Same goes for both editing and the atmospheric soundtrack; technical elements that I find myself often annoyed at in many a modern movie.
I'd put Advantageous under the same banner as Her and Ex Machina, for comparison. Although it should be noted that the melancholic joyfulness from Her, and the enigmatic suspense from Ex Machina are both lacking completely here as Advantageous is a lot more of a subtle epic, with a focus on the humane interrelationships much more than what both those movies do. And to me, that was exactly what made Advantageous such a brilliant, unique gem, although I dearly love both Her and Ex Machina as well.
The premise is definitely interesting, and there were parts of the film that I really liked. However, the story continually came back to tedious metaphysical themes that bored me. In the end, I realized that the film was about the metaphysical themes, and this left me feeling a bit unfulfilled. I suppose it was even more so about cultural criticism, especially a feminist critique of how society treats female aging and beauty. But it kept coming back again and again to these questions of "why am I here", "what is my purpose", and "is there something insubstantial, such as love, that science can't replicate in a lab"?
Kim plays a woman who must make a life-changing choice. Unemployment is skyrocketing, men are pressuring women to leave the workforce, and older workers are seen as hopelessly out-of-touch with the modern market. In fact, humans themselves are being rapidly replaced, and the only way to secure any kind of hope for your child's future is for them to attend the most prestigious schools. The alternative seems to be child prostitution. Most of this is established in the background; if you don't pay close attention, you'll miss it. Unexplained explosions rock the sterility and eerie quiet of the world, and news reports hint at terrorist uprisings because of a hopeless, jobless populace.
So, when you lose your job, that basically means that you've lost everything. What if your employer offers to give you your job back if you'll let them control who you are? So, our protagonist becomes desperate to avoid forcing her own daughter to make these same kinds of desperate choices. What can she do but accept? The question becomes what price she has paid. As the film mulls this over, I began to lose interest. Normally, it takes very little for me to become heavily involved in a character's plight, but, in this case, I struggled. Maybe it's because I don't have kids. For a parent, maybe this would be a more harrowing tale.
There are many admirable aspects to this film, chief among them a woman-centric tale that feels genuine. In some science fiction films, the female protagonist seems to have been written as a male who then gets a gender-flip to mix things up. Or she's a sexual object for the viewers to ogle. There's nothing wrong with a bit of exploitative science fiction, but it's nice to see something with higher aspirations every once in a while. This certainly has that, but it goes so far as to seem pretentious at times.
Maybe this was simply too far outside of my demographic. On the surface, it's got a lot of themes and ideas that appeal to me, but the focus seems to be diametrically opposed to how I would have done it. Less metaphysics, more world-building. If you're interested in feminist science fiction, however, this is rare example. You should at least give it a chance if you're interested in such things. Perhaps you'll be more intrigued by the themes than I was.
Wusstest du schon
- WissenswertesWas first released as a 21 minute short, an episode on the PBS show "Futurestates" in 2012.
- Zitate
Gwen 2.0: What's wrong?
Jules: I don't really know why I'm alive.
Gwen 2.0: Doesn't matter. Whatever you do will be wonderful and worthwhile.
Jules: How do you know?
Gwen 2.0: I know because you're kind.
Jules: People say being kind is being weak.
Gwen 2.0: You're alive because of energy, and empathy. Your mother had so much of it inside of her, she needed to get it out. So she made you.
Jules: You're starting to sound like her.
- VerbindungenEdited from Futurestates: Advantageous (2012)
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- Laufzeit1 Stunde 30 Minuten
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