Istanbul-Enzyklopädie

It felt like leafing through an old book where each page was scented with memory - textured, intimate, and quietly alive. The city wasn't just a backdrop; it was a breathing character, shifting with time, watching silently as lives unfolded within its veins. Every episode was like wandering through a different street at dusk - where laughter echoed off the walls of the past, and shadows whispered stories you almost remember. What moved me most was the tenderness in its gaze - it didn't try to impress, it invited. It let the city's poetry speak in gestures, glances, and shared silences. Watching it felt like returning somewhere you've never been, but somehow missed. And when it ended, I didn't feel like it was over - I felt like I had been entrusted with a secret, one only the heart could translate.

This movie is not really about Istanbul per say, except as a metaphor, as many big cities are, for escaping to the masses.

Meaning away from the fishbowl of where you came from, and the limiting borders of your previous existence, and to the generic mass of humanity, where you either lose yourself or find yourself. Or possibly both.

The premise is interesting, if not fully fleshed out. Students of architecture are asked to share the impact the city has had on them.

Our two leads, both female, have come to the city from a smaller city many hours away. One came a long time ago, and one just recently. You see the before and after effects. The seasoned, hardened mature woman, and the fresh-faced acolyte.

You never see any of the students sketching things. Yet you would think that architecture majors would be constantly drafting. There is very little discussion about buildings or urban planning.

But there is plenty of narration about the neighborhoods of the city as experienced by the young lead. The mature woman is done with this city and the country. That's an important part of the story.

The combined forces of a complex and perhaps suffocating culture, and her personal baggage have beat her down.

There is no action in this movie whatsoever, nor sex. It is strictly discussions, arguments, crying, and philosophical observations.

The main characters feel torn between obligation, and the yearning to be free. People who make movies are generally liberal and sometimes free spirits.

So don't be surprised that this film presents traditional religion as burdensome to women. Some may find it offensive. There is some graphic symbolization.

Casting was impressive. The mature lead has a gravitas about her that draws you in. The young one is radiant.

The cinematography is excellent. There are interesting shots of the city and creative angles.

But be ready for potential boredom too. Because there is an enormous amount of talking, shots of people listening or thinking, and crying.

Turkey is an ancient place. Let's hear more about what exactly plagues the city and country, that is driving out one lead and baffling the other.

Were well played by all actors. Interesting plot about coming snd leaving places. This film is about finding your identity in a new place surrounded by new people, making new friends and how to get to know a big city. It is also about Cultural and religious clashes about growing up and about letting go of people you love. It taked up serous topics like how our past affects us and how we all are full of judgement. If you are looking for a film with scenic Istanbul views, this might not be a film for you. This film is about conflicts in life, the thing that makes a person grow and how problems never leave.

Istanbul has been at the crossroads of humanity since the human story began. However, this is not a story about Istanbul. Neither Istanbul's history, nor its beauty, nor its complexities are addressed in this series, but they are always there, always pressing against the lens. Istanbul is the backdrop for a well acted, well told tale of two women struggling to define themselves in a city that has witnessed entire civilizations come and go, a city of ancient lore and modern rhythms, and like most huge cities, a place of abundant indifference.

This is the story of a young, bright eyed Zehra, off to the big city to start her life. Zehra quickly takes refuge with Nesrin, the estranged cousin, and once best friend of Zehra's mother. Nesrin, who came to this city as a young girl herself, is now a middle aged doctor, hardened by her time here, and desperate to escape.

The title of this movie is taken from "Istanbul Encyclopedia", an incomplete guidebook that was first published in 1944. It is a guidebook that our young protagonist Zehra is using to learn about her new environment. It is through select points of interest in this book that Zehra tells us what she learns from her experience in Istanbul.

Both my wife and I enjoyed this series very much, partly because we have been to Istanbul and fell in love with it, but mostly because this series was well made. The casting of actors were excellent choices, and those actors did an excellent job of bringing their characters to life and making them believable. The direction, the cinematography, and the writing were also very well done. Our only disappointment was that it didn't show off more of that magnificent city. But, Istanbul is always there, always leaning in.

This isn't a film you watch-it's a city remembering itself. Slowly. Softly. With no urgency to explain, only the desire to be seen. There's no plot to follow, no voice to guide you. Just corners. Sounds. Faded textures of life once lived.

It feels like drifting through the soul of a place that's always been too loud to truly hear. But now, in stillness, it speaks. Cracked walls, forgotten courtyards, distant echoes of laughter. It's not nostalgia-it's presence. Unadorned and intimate.

The camera doesn't rush. It lingers, invites, and quietly asks: Do you remember this? Did you ever look?

By the end, I wasn't moved in the usual way. I felt quieter. Slower. Like something old and tender had brushed against me and left a trace.