The Program - Um jeden Preis

We pretty much know the story of the biggest con in sports history.

A 7-time Tour De France winner after recovering from quite severe level of testicular cancer, to be then stripped of everything he had ever achieved in the sport of cycling due to the use of performance- enhancing drugs.

With all that being said, what could this movie do to give us something different to be excited about?

We have director Stephen Frears (Philomena, Dirty Pretty Things, The Queen) exploring the biggest rise and fall probably by anyone in the history of the world.

I'm afraid that despite the solid pace to it, good performances and pleasing visuals, this only really skimmed the surface of the entire story.

Ben Foster plays Armstrong and it is quite un-nerving how much his likeness is uncanny to the man himself. He was a strong lead and definitely made this film watchable and interesting. Chris O'Dowd as hounding sports journalist David Walsh was solid. But I felt he was massively under-used. I think the makers of the film could have better by going down the route 'Rush' did by having two big characters facing-off throughout the feature. All the performances were fine and noticeable in terms of down- grading the film. The only stand-out worth mentioning was Jesse Plemon's portrayal of Armstrong's main team- mate Floyd Landis. He had moments that got me engaged and made it interesting viewing. One casting choice that I was confused about, was the addition of Dustin Hoffman as we see very little of him. Someone that big in the film industry should not be part of a film if he is going to be in there for very short amounts.

The race scenes look well made. Cinematography is a big high point in the film, especially in the opening scene. And finally, the soundtrack fits in the well with the story despite not being quite a captivating one for re-listening.

However, I cannot ignore the safe route this film went. It always went over the important issues quite casually and quickly went on the next one. It seems Frears wanted to throw too much into film and forgot to focus on keeping one angle to the story. I really felt we should have seen more of the journalist pursuing the star type of film which would have made it a great and enjoyable watch.

Connecting to the film was hard as well. It reminded me of The Wolf Of Wall Street as we are trying to connect with a guy we know has bone really bad things. But unlike the Martin Scorsese flick, the style of film-making is nothing remarkable, just passable.

It is still a well-acted drama flick. For those people that don't know a lot about the story, they will get the most enjoyment out of it. But if you want to a good film about Lance Armstrong and how he became the man he is today, watch the two film documentaries 'The Armstrong Lie' and 'Stop At Nothing: The Lance Armstrong Story'. They both go into much more detail on how big of an idiot Armstrong is.

Cyclist Lance Armstrong is a liar. An egomaniac. A delusional celebrity. A jerk. But he's also a cancer survivor and was an inspiration to thousands before the house of cards eventually came tumbling down. In The Program, director Stephen Fears (The Queen, Philomena) explores Armstrong's rise to fame through his historic seven Tour de France victories and the investigation into doping that eventually lead to his downfall. Ben Foster (Lone Survivor, The Mechanic) plays Armstrong. The likeness is a bit uncanny. We watch as a young Armstrong heads to France for the first time as a young cycler who couldn't keep up with the European teams that were eventually caught doping. Armstrong is so determined to become the best in the sport that he solicits the help of known dope doctor Michele Ferrari (Guillaume Canet). But when Armstrong is diagnosed with testicular cancer, the career takes a small backstep during his recovery. The sidelines made Armstrong even more determined and within a year he and Ferrari were testing new drugs and new methods of cheating which including blood doping – the injection of oxygenated blood into an athlete before an event in an attempt to enhance athletic performance. The results were outstanding and Armstrong was not only beating the competition but destroying them. This catches the eye of sports reporter David Walsh (Chris O'Dowd) who is convinced that Armstrong is less the Superman that people make him out to be and more the product of good chemistry and science. But Walsh is alone in his pursuit of the truth. His publisher is skeptical and his peers alienate Walsh after Armstrong uses his celebrity power to sue and alienate all those associated with a reveal of the truth. Enter one, Floyd Landis (Jesse Plemons of Breaking Bad fame). Floyd is a wide-eyed teammate of Armstrong who immediately tows the line and dopes in an effort to maintain his place within the team. But when Floyd is revealed to have doped after a failed drug test, the wheels begin to come off the Armstrong entourage. Floyd is conflicted with his past and eventually comes clean with the media which only further drops Armstrong's star. The film ends with Armstrong's famous Oprah Winfrey interview where he reveals that he lied and cheated during all 7 Tour wins. The Program is a showcase for Foster who is spectacular in the lead role. O'Dowd too is impressive as the hounding reporter. But the film as a whole fails to do much else than skim the surface. The documentary The Armstrong Lie goes into detail on just how big of an asshole Armstrong was. He threatened wives of teammates calling them 'whores' and 'drunks' on record. He threatened and sued newspapers, lied while being a guest speaker at many black tie events and misrepresented his own charity. The Program only slightly details these facts. It casually brings them up or has quick scenes showing the depth of Armstrong's depravity. But Fears throws too much into the film without focusing on one story. He could have focused on Armstrong's deplorable character. Or made the film a reporters pursuit of the truth. Instead the kitchen sink of a very detailed story is thrown at viewers and it fails to resonate in a way that it should. Armstrong was a fraud. The entire world was duped and we should be angry and reminded of that anger during this biopic. Instead we get more of a movie-of-the-week style of film that fails to dive deep into the conspiracy and show all the scars left in its wake. Still, for those not fully up-to-date in the Armstrong story, The Program is a well-acted entry into the rise and fall. It's just a very involving one.

This is a pretty interesting biopic, with strong performances across the board and a pretty engaging story. However, it's nothing particularly outstanding, due to its evident holding back against really going after Armstrong. Yes, this is still a pretty scathing story, but it still all feels far too plain and simple, and there's never any real gusto in the writing to make you passionately dislike Armstrong, which the movie is trying to do.

But before we get into that, let's look at the most impressive part of this film, which are the performances. Ben Foster, as Lance Armstrong, is brilliant, and often terrifying and hateful to the extent that you really want the movie to show you, and without him doing such a good job in the role, this film would have been at a loss, given his incredible acting.

In the side role as the journalist determined to take Armstrong down, Chris O'Dowd is also pretty good. It's not a world-beating performance that makes you want to whole-heartedly will the man onto revealing Armstrong's lies, but he is a likable character, and one of the only ones that can firmly support in the whole film.

The way that this film tells the history of Armstrong's deception is also very interesting. Although it's all in recent memory for most of us, there's still a lot of information here that you didn't know about, particularly revolving around the inner workings of Armstrong's United States Postal Service team and how he was the ring leader in the world of doping in cycling.

However, that's about it. This film is definitely interesting and well-acted, but it's not an outstanding, memorable biopic. It feels more like reading a very interesting textbook cover-to-cover, full of fascinating information, but with no real high drama or emotion to fully show the significance of what's going on, and to really pull you into the story rather than just observing it.

This is the story of Lance Armstrong and is based on the book by journalist David Walsh called "Seven Deadly Sins: My Pursuit of Lance Armstrong". Walsh worked for The Sunday Times and is played by the brilliant Chris O'Dowd in the film. Walsh was one of the few who questioned the phenomenal rise of Armstrong from mediocre hill climber to King of the mountains and unbeatable in The Tour de France.

Now the story is full of lies and deceit and evil doings and as such you would think it was full of Machiavellian twists – but no; it seems a bit flat to be honest. The story is interesting but seems to lack the oomph moments to bring it to anything approaching a dramatic crescendo.

I think half the problem is that we all know the story by now and so there is not that much to reveal and we have already gotten truly over our initial shock and disgust at what was a crime the perpetuated for years and corrupted so many – so called- athletes. Having said all that I really enjoyed it. Ben Foster puts in an excellent performance as the duplicitous Armstrong and was even convincing in the cancer bits and the double dealing lies. So one that rises from being above 'ok' but do not expect to be blown away.

'Champion. Hero. Legend. Cheat.' reads the tagline for The Program, Stephen Frears' film about the controversial and illegal route Lance Armstrong took to winning seven Tour de France titles between 1999-2005. It sure is simple yet delivers a powerful message about one of the once most iconic heroes in sport.

David Walsh (Chris O'Dowd), an Irish journalist for The Sunday Times, first meets Lance Armstrong (Ben Foster) before his Tour de France debut in 1993. Impressed with his enthusiasm yet wary of his chances, Walsh predicts Armstrong will only make a minor impact in the world of cycling.

Fast forward to 1999, Armstrong has beaten testicular cancer and won the first of his seven consecutive Tour de France titles, as well as launching Livestrong, a charity to help those affected by cancer. Walsh, curious of Armstrong's miraculous recovery and performances, begins to doubt the champion and embarks on a journey to uncover the truth in regards to whether Armstrong was using banned substances to enhance his performance.

With the whole world seeming to side with Armstrong, Walsh faces a lonely battle to unearth the truth and bring both justice and respect back to the sport he loves.

What struck me most about The Program was the extent of Armstrong's deception and the program he and his team imposed to both use and hide the use of performance enhancing drugs. Being a true story, I knew that he had confessed to the use of these substances, I just didn't know how he went about it. The Program was a real eye-opener for me, that's for sure.

Frears' film is precise and wastes no time in trying to paint Armstrong in any good light, in fact the film paints Armstrong in the style of Picasso, his character becoming distorted to the point where he becomes almost unrecognisable. There is no time wasting here and with Walsh's brilliantly titled book, Seven Deadly Sins, being the inspiration for the film, Frears has plenty of ammunition to play with.

The performance of Ben Foster as Lance Armstrong has to go down as one of the best of this year. For a long time, Foster has been impressing in supporting roles, even if the films aren't that good however, The Program marks the first time where Foster gets to take centre stage and he well and truly knocks it out of the park as Armstrong, very much portraying him as the villain of the piece.

There is good support from O'Dowd as the persistent Walsh, taking a step away from the comedy roles you would normally associate him with, and Jesse Plemons as Floyd Landis, a member of Armstrong's team who saw both the good and bad in what Armstrong was doing.

The editing by Valerio Bonelli and Danny Cohen's cinematography of the race sequences perfectly capture just how much of an advantage the drugs gave Armstrong and his team, a task made even more achievable with the fact that Foster was taking performance enhancing drugs while shooting the film.

Armstrong may have been shamed and stripped of his seven Tour de France titles but The Program will bring the story to a whole new audience who may know nothing about his deception. Everything he has ever achieved in sports and with his charity is all based on a lie and Frears' film really powers this home.