Kan Khajura
- Fernsehserie
- 2025–
- 35 Min.
Füge eine Handlung in deiner Sprache hinzuA man serving a murder sentence who gets released early from prison on the condition that he cooperates with the police as their informant - a role (known as a magpie) that he also had in ja... Alles lesenA man serving a murder sentence who gets released early from prison on the condition that he cooperates with the police as their informant - a role (known as a magpie) that he also had in jail.A man serving a murder sentence who gets released early from prison on the condition that he cooperates with the police as their informant - a role (known as a magpie) that he also had in jail.
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'Kankhajura' as the name suggests the series gets all the way up to your brain makes you think about it in various aspects of life around you. A unique storyline is intersting to follow though not orignal, but I have to admit I haven't watched a better series in this genre for a long time, the story is captivating, binge watched the whole series. The casting is done awesomely well. Be it Mohit Raina, His partner Sarah Jane and all others have done a good justice to their character. But notable performance that stands out is indeed of the main protagonist Roshan Mathew, he has done a great job and is exceptional with his acting loved it completely. A must watch if you like Drama and thriller
Acting 9.5/10 Story 8/10 (Not original so 2 marks for that) + Has a retention power to it.
Everything is upto the mark and to my expectation after watching the trailer and promotion. I just found one thing odd with Sony Liv, I had access to the whole series a day before, I condemn them for that, not encouraging for the markers at all.
Though not a original story but adaptation has been done brilliantly. I would encourage people who follow this genre must give it a go, you won't regret.
Acting 9.5/10 Story 8/10 (Not original so 2 marks for that) + Has a retention power to it.
Everything is upto the mark and to my expectation after watching the trailer and promotion. I just found one thing odd with Sony Liv, I had access to the whole series a day before, I condemn them for that, not encouraging for the markers at all.
Though not a original story but adaptation has been done brilliantly. I would encourage people who follow this genre must give it a go, you won't regret.
10DebaliB
I started watching this series solely for Mohit Raina, but it quickly won me over in every possible way. It delivers a perfect blend of sibling obsession, love, family, passion, and so much more. Mohit flawlessly portrays the negative character, bringing depth and intensity to the role. But Roshan, who played Ashu, absolutely stole the show-his brilliant performance was mesmerizing, making every emotional moment hit even harder.
Overall, this is a compelling series with a powerful message: 'fun' bullying can have lifelong consequences. It serves as a strong reminder that individuals with disabilities or any differences deserve love, care, and respect-not ridicule.
Overall, this is a compelling series with a powerful message: 'fun' bullying can have lifelong consequences. It serves as a strong reminder that individuals with disabilities or any differences deserve love, care, and respect-not ridicule.
This series is a masterclass in depicting the power of non-violence. Through its quiet intensity, it portrays how true strength lies not in brute force, but in unwavering conviction. The innocence of the protagonist will leave the viewer in disbelief that he is capable of doing such a massive devastation to the expectations of many. He wages the war, but on minds, unsettling the very fabric of belief systems. Not much drama, no extreme scenes too, balanced violence and adult scenes. Pure content, packed with suspense and thrill. Okay to watch with family around 13+. Roshan Mathew's acting is a perfect escape from boredom.
The storyline is definitely unique n different. Plot revolves around 2 brothers where the younger is excessively obsessed for getting his brother's love n attention n gets ready to do anything n everything for him while the elder literally hates his own brother n treats him like a joker taking undue advantage of him. Story follows post younger returns from jail for his brother post 14 years. Thrill element in the series is very good but intensity of the plot could have been even better n emotional tension could have been more robust. Roshan Mathew as younger one is mind blowing, his acting overshadows everyone else. A web series of 8 episodes with each of 30 mins average time. Originally a Hindi series dubbed in most of the South Indian languages. Available in Netflix, my ratings 7.5/10!
So, I accidentally stumbled upon *Kankhajura* while looking for another show (*Ayyana Mane*, which everyone was buzzing about on Instagram), and let me just say-this wasn't a detour, it was a freaking descent. Into the mind. Into trauma. Into moral chaos. And honestly? I kinda loved it.
Based loosely on the Israeli series *Magpie (2019)*, *Kankhajura* tells the story of Ashu, played by Roshan Mathew, who has just gotten out of jail after serving 14 years for a childhood crime. He shows up in his younger brother Max's life with a suitcase full of apologies and a whole lot of psychological baggage. But here's the twist: Ashu is not here for a basic redemption arc. He's manipulative, vulnerable, brilliant, and dangerous-all at once. And it's terrifyingly beautiful.
Roshan Mathew's performance is honestly one of the most spellbinding I've seen in a long time. Like, you cannot look away. He plays Ashu as someone constantly walking the line between tragic and terrifying. There's a quiet fragility to him that masks this insidious ability to control people, and just when you feel bad for him, he'll do something so psychotic you literally whisper "No..." to your screen. It's that kind of show.
What made this even more layered was the presence of Trinetra's character-a trans woman portrayed with nuance, grace, and without falling into the usual stereotypes. Her scenes weren't just fillers; they added emotional gravity and perspective. And Sarah Jane Dias? Stunning. Real. Every frame she was in felt textured and grounded.
Let's talk direction and aesthetics. First of all-thank you, creators, for showing Goa like an actual place where people live and hustle, not just a postcard of beaches and beer. The show dives into the working-class life, the crime, the domesticity, and the real social fabric of the city. No party shots. No slow-mo sunset clichés. Just grit, steel, and dust-and it works.
The plot takes a little time to build, but once it hits episode three, you are not moving. It's not about traditional twists or jump scares. It's about slow, creeping unease. The kind where someone says something too calmly and your brain screams. And it just gets more twisted the deeper you go. Everything revolves around Ashu-almost too much. Other characters do feel like they orbit his darkness without much independent gravity, but you don't really mind because his presence is that magnetic.
There's very little romance in the conventional sense, but the emotional intimacy between Max and Ashu is so intense it feels borderline romantic at times-which is not creepy, just an indication of how psychologically tangled their relationship is. Max is torn between guilt, obligation, and growing fear. Watching that unravel is half the show's power.
Also, can we give a round of applause for the writing? It's subtle. Thoughtful. Haunting. The show doesn't yell its themes at you-it whispers them. About bullying. About disability. About the long shadows of childhood trauma. About what happens when the person you love is the one slowly ruining your life.
Of course, it's not perfect. Some pacing issues in the first episode. Some characters could've been fleshed out more. And the metaphor of the "kankhajura" is hammered a bit hard in the dialogue at times. But honestly, who cares? When the rest is this good, a few bumps feel like texture.
Final thoughts: *Kankhajura* is not just a show-it's a psychological earworm. It burrows in, feeds off your discomfort, and leaves you questioning the way you see mental illness, redemption, and familial bonds. It doesn't want you to relax. It wants you to *feel*. If you're looking for comfort TV-run. But if you want a slow-burning, character-driven, emotionally disturbing masterclass in acting and atmosphere, then pull up a chair and let Ashu crawl right in.
7/10. But honestly? Ashu alone is a 10.
Based loosely on the Israeli series *Magpie (2019)*, *Kankhajura* tells the story of Ashu, played by Roshan Mathew, who has just gotten out of jail after serving 14 years for a childhood crime. He shows up in his younger brother Max's life with a suitcase full of apologies and a whole lot of psychological baggage. But here's the twist: Ashu is not here for a basic redemption arc. He's manipulative, vulnerable, brilliant, and dangerous-all at once. And it's terrifyingly beautiful.
Roshan Mathew's performance is honestly one of the most spellbinding I've seen in a long time. Like, you cannot look away. He plays Ashu as someone constantly walking the line between tragic and terrifying. There's a quiet fragility to him that masks this insidious ability to control people, and just when you feel bad for him, he'll do something so psychotic you literally whisper "No..." to your screen. It's that kind of show.
What made this even more layered was the presence of Trinetra's character-a trans woman portrayed with nuance, grace, and without falling into the usual stereotypes. Her scenes weren't just fillers; they added emotional gravity and perspective. And Sarah Jane Dias? Stunning. Real. Every frame she was in felt textured and grounded.
Let's talk direction and aesthetics. First of all-thank you, creators, for showing Goa like an actual place where people live and hustle, not just a postcard of beaches and beer. The show dives into the working-class life, the crime, the domesticity, and the real social fabric of the city. No party shots. No slow-mo sunset clichés. Just grit, steel, and dust-and it works.
The plot takes a little time to build, but once it hits episode three, you are not moving. It's not about traditional twists or jump scares. It's about slow, creeping unease. The kind where someone says something too calmly and your brain screams. And it just gets more twisted the deeper you go. Everything revolves around Ashu-almost too much. Other characters do feel like they orbit his darkness without much independent gravity, but you don't really mind because his presence is that magnetic.
There's very little romance in the conventional sense, but the emotional intimacy between Max and Ashu is so intense it feels borderline romantic at times-which is not creepy, just an indication of how psychologically tangled their relationship is. Max is torn between guilt, obligation, and growing fear. Watching that unravel is half the show's power.
Also, can we give a round of applause for the writing? It's subtle. Thoughtful. Haunting. The show doesn't yell its themes at you-it whispers them. About bullying. About disability. About the long shadows of childhood trauma. About what happens when the person you love is the one slowly ruining your life.
Of course, it's not perfect. Some pacing issues in the first episode. Some characters could've been fleshed out more. And the metaphor of the "kankhajura" is hammered a bit hard in the dialogue at times. But honestly, who cares? When the rest is this good, a few bumps feel like texture.
Final thoughts: *Kankhajura* is not just a show-it's a psychological earworm. It burrows in, feeds off your discomfort, and leaves you questioning the way you see mental illness, redemption, and familial bonds. It doesn't want you to relax. It wants you to *feel*. If you're looking for comfort TV-run. But if you want a slow-burning, character-driven, emotionally disturbing masterclass in acting and atmosphere, then pull up a chair and let Ashu crawl right in.
7/10. But honestly? Ashu alone is a 10.
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Details
- Laufzeit35 Minuten
- Seitenverhältnis
- 1.90:1
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