Zwei Zwillingsbrüder ziehen mit ihrer Mutter, die sich einer plastischen Gesichtschirurgie unterzieht, in ein neues Zuhause. Doch unter den Verbänden der Frau ist jemand, den die Kinder nich... Alles lesenZwei Zwillingsbrüder ziehen mit ihrer Mutter, die sich einer plastischen Gesichtschirurgie unterzieht, in ein neues Zuhause. Doch unter den Verbänden der Frau ist jemand, den die Kinder nicht erkennen.Zwei Zwillingsbrüder ziehen mit ihrer Mutter, die sich einer plastischen Gesichtschirurgie unterzieht, in ein neues Zuhause. Doch unter den Verbänden der Frau ist jemand, den die Kinder nicht erkennen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 23 Gewinne & 36 Nominierungen insgesamt
Michael Ande
- Werner von Trapp
- (Archivfilmmaterial)
- (Nicht genannt)
Ruth Leuwerik
- Baronin von Trapp
- (Archivfilmmaterial)
- (Nicht genannt)
Empfohlene Bewertungen
Like others, I expected something very different based on the movie trailer. What I saw however, was much better. Goodnight mommy is a moody psychological thriller that shifts between phases of innocence, love, anger and betrayal with an ongoing feeling of dread throughout the movie. I wouldn't classify it as a "horror" film, as it feels more like a thriller. There are moments that are very tense and somewhat hard to watch. The characters are well developed and portrayed well by the actors, especially the brothers. There are a few moments that didn't fit in well with the plot and may have slowed the progression of the movie. Other that that, I enjoyed Goodnight Mother and recommend it to fans of any movie that scares, thrills, or makes you think. Not for lovers of quick-paced, cheap horror.
This is an absolute gem of a movie. It is a foreign film, so subtitles are a must if you're not Austrian. It starts out a little slow, but somehow keeps the viewer intrigued by the boys odd disposition. The film is filled with great scenery and the character development is done with a somewhat artistic taste showing what young boys get into. There are some great uses of cinematography especially during dream sequences. I would once again, reiterate that the movie is a little slow paced, but don't let that discourage you...You are in for a real treat. The film possesses one of the best endings I have seen in a long time. It a unique movie, and I absolutely loved it. I think a 7 is a fair assessment. Once again, hang in there. WATCH THIS MOVIE.
I ended up liking this movie more than I thought I was going to from what I was feeling about halfway through.
It started off as a spooky/creepy horror/thriller, then not a whole lot happened... then moved into body horror. If they had shaved off about 20 minutes of what was, to me, kinda superfluous filler... I think this would have been much more successful. I get building tension and being atmospheric however there were times it dragged a bit.
It was shot beautifully and the acting was good all around. The "twist" was so obvious from about ten minutes in that I feel like it must have been purposeful (?) and almost the director/writers basically saying "that's not the point", or that's what I hope at least because a twist it was not.
This is a really cool concept to take and do a full blown horror with. This almost felt a bit like "introductory horror". Regardless I still think it was successful for what it was and I would recommend as long as you are patient with slow burns.
It started off as a spooky/creepy horror/thriller, then not a whole lot happened... then moved into body horror. If they had shaved off about 20 minutes of what was, to me, kinda superfluous filler... I think this would have been much more successful. I get building tension and being atmospheric however there were times it dragged a bit.
It was shot beautifully and the acting was good all around. The "twist" was so obvious from about ten minutes in that I feel like it must have been purposeful (?) and almost the director/writers basically saying "that's not the point", or that's what I hope at least because a twist it was not.
This is a really cool concept to take and do a full blown horror with. This almost felt a bit like "introductory horror". Regardless I still think it was successful for what it was and I would recommend as long as you are patient with slow burns.
I went into Goodnight Mommy without knowing anything about this movie except that it's around 100-minutes long and that I had 100 minutes to spare. And it ended up being a very decent and enjoyable movie.
Co-directed by Severin Fiala and Veronika Franz, Goodnight Mommy follows a very horror-esque approach to match its growingly eerie tone. The movie tells the story of a pair of twin brothers who suspect their mother who just underwent a face-altering Costmetic surgery, of being a doppleganger. With incidents that end up making the boys grow more and more suspicious, they eventually default to having no other choice but to protest their mother through growingly violent means.
The success of Goodnight Mommy is that it's written in a way that makes you sympathetic to why the boys feel and react the way they do, even though you know it's the adult who's in the right. You feel like the violence against her is justified and then you realize that from an objective point of view, there's no reason for us to be rooting for the twins.
It's enjoyable in a very engaging way, and even the twist ending (yes, it's a twist ending movie) landed effectively. The movie, from a technical standpoint, is beautiful... with the overall imagery and the isolating production design adding to the charm of the movie. There's nothing too brilliant about it, but there's nothing to compain about either. It was a decent way to spend the 100 minutes I had without any regrets.
Co-directed by Severin Fiala and Veronika Franz, Goodnight Mommy follows a very horror-esque approach to match its growingly eerie tone. The movie tells the story of a pair of twin brothers who suspect their mother who just underwent a face-altering Costmetic surgery, of being a doppleganger. With incidents that end up making the boys grow more and more suspicious, they eventually default to having no other choice but to protest their mother through growingly violent means.
The success of Goodnight Mommy is that it's written in a way that makes you sympathetic to why the boys feel and react the way they do, even though you know it's the adult who's in the right. You feel like the violence against her is justified and then you realize that from an objective point of view, there's no reason for us to be rooting for the twins.
It's enjoyable in a very engaging way, and even the twist ending (yes, it's a twist ending movie) landed effectively. The movie, from a technical standpoint, is beautiful... with the overall imagery and the isolating production design adding to the charm of the movie. There's nothing too brilliant about it, but there's nothing to compain about either. It was a decent way to spend the 100 minutes I had without any regrets.
Twin boys move to a new home with their mother after she has face changing cosmetic surgery, but under her bandages is someone the children don't recognize.
If you enter in to this film after seeing the trailer, you might be disappointed or at least mislead. Whoever edited that thing make the music scarier, the action more intense, and that is just simply not what the film is about.
Instead, we get a slow burn that is on some levels a horror film, but on other levels a sad story that has far too much grounding in reality. The true scariness of the film is not the mask, as you might think from the trailer, but rather the interactions of a family that is unable to completely build trust.
If you enter in to this film after seeing the trailer, you might be disappointed or at least mislead. Whoever edited that thing make the music scarier, the action more intense, and that is just simply not what the film is about.
Instead, we get a slow burn that is on some levels a horror film, but on other levels a sad story that has far too much grounding in reality. The true scariness of the film is not the mask, as you might think from the trailer, but rather the interactions of a family that is unable to completely build trust.
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Kevin Smith chats with Riley Keough at Sundance 2019, and she shares why she was fully unprepared for her first meeting with The Lodge directors Severin Fiala and Veronika Franz.
Wusstest du schon
- WissenswertesThe actors were not given the script, and the movie was filmed chronologically.
- PatzerAlle Einträge enthalten Spoiler
- Crazy CreditsThe Cat (Katze) = Leo
- VerbindungenFeatured in FoundFlix: Goodnight Mommy (2015) Ending Explained + Analysis (2017)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Dulces sueños, mamá
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.178.196 $
- Eröffnungswochenende in den USA und in Kanada
- 63.641 $
- 13. Sept. 2015
- Weltweiter Bruttoertrag
- 2.193.474 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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