IMDb-BEWERTUNG
6,5/10
4938
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuShirin is struggling to become an ideal Persian daughter, politically correct bisexual, and hip young Brooklynite, but fails miserably in her attempt at all identities. Being without a clich... Alles lesenShirin is struggling to become an ideal Persian daughter, politically correct bisexual, and hip young Brooklynite, but fails miserably in her attempt at all identities. Being without a cliché to hold onto can be a lonely experience.Shirin is struggling to become an ideal Persian daughter, politically correct bisexual, and hip young Brooklynite, but fails miserably in her attempt at all identities. Being without a cliché to hold onto can be a lonely experience.
- Auszeichnungen
- 2 Gewinne & 11 Nominierungen insgesamt
Maryann Urbano
- Jackie
- (as Maryan Urbano)
Kyle Ty Lewis
- Kujo
- (as Kyle Lewis)
Empfohlene Bewertungen
Appropriate Behavior (2014) is a self-serving film writing by, directed by, and starring Desiree Akhaven. The movie follows Shirin, a twenty-something woman, who is tall, beautiful, bisexual, and of Iranian heritage. Sounds interesting, right? Wrong.
Shirin doesn't appear to have any connection to anything other than herself and her love life. We never see her display any interest in art, music, or theater. She isn't interested in politics or human rights. She's not particularly interested in her Iranian cultural heritage, except to decry it. She scorns her brother's perfect traditional fiancée, without realizing that this beautiful young woman is a pediatric plastic surgeon, specializing in burns.
OK--What is it that Shirin really likes? Drinking, dancing, and sex. Not too impressive a résumé, in my opinion. So . . . If you think you'll be charmed by a move with Shirin at its center, this is the film for you. If not, make a different choice. If you choose to see it, it will work well on DVD. We saw it at The Little Theatre as part of the fine ImageOut, the Rochester LGBT Film Festival.
Shirin doesn't appear to have any connection to anything other than herself and her love life. We never see her display any interest in art, music, or theater. She isn't interested in politics or human rights. She's not particularly interested in her Iranian cultural heritage, except to decry it. She scorns her brother's perfect traditional fiancée, without realizing that this beautiful young woman is a pediatric plastic surgeon, specializing in burns.
OK--What is it that Shirin really likes? Drinking, dancing, and sex. Not too impressive a résumé, in my opinion. So . . . If you think you'll be charmed by a move with Shirin at its center, this is the film for you. If not, make a different choice. If you choose to see it, it will work well on DVD. We saw it at The Little Theatre as part of the fine ImageOut, the Rochester LGBT Film Festival.
In Brooklyn, Shirin is lost after breaking up with her girlfriend Maxine. She's got a Masters in journalism but no job. Her Persian family doesn't know about her bisexuality. Her brother is annoyingly successful. Her boy-crazy friend Crystal recommends her to Ken (Scott Adsit) for a job teaching movie-making to kids but it turns out to be more like daycare. There are constant flashbacks to her relationship with Maxine as she tries to move on with other people.
At its heart, the movie is the traditional single-gal-in-the-city. Desiree Akhavan infuses it with a little bit of a Persian family and bisexuality which keeps it fresh. Her writing is pretty good especially for her theatrical debut. There are a couple of really good laughs. Buying a bra scene is really funny with Crystal's reactions. I also love her mother's reaction to her coming out. Desiree's acting is pretty good but not great. Overall, this is a nice little angsty indie and hopefully this is the start of an interesting new voice.
At its heart, the movie is the traditional single-gal-in-the-city. Desiree Akhavan infuses it with a little bit of a Persian family and bisexuality which keeps it fresh. Her writing is pretty good especially for her theatrical debut. There are a couple of really good laughs. Buying a bra scene is really funny with Crystal's reactions. I also love her mother's reaction to her coming out. Desiree's acting is pretty good but not great. Overall, this is a nice little angsty indie and hopefully this is the start of an interesting new voice.
I'm not one for lengthy reviews. I thought it was an interesting slice of life. Pretty close to reality for a gal of this age in NYC.
Like the rest of us, this character is just trying to figure it all out. She's flawed in a number of ways and watching her try and just make it through the day is mildly uncomfortable and usually quite funny.
A lot of these reviews are calling this a "hipster" or "shallow" film and I have to disagree. In fact, I don't think these people know what a hipster really is because this movie doesn't depict that at all. If anything, it's more about the lost generation of GEN Y. Those of us who are too old to be hip and too young to have truly lived in the grunge life. The generation that should probably have it figured out by now, but we don't. And that's okay. The title character, Sherin, is exactly that.
It didn't strike me as the kind of movie that was supposed to leave you feeling like a new person with a whole new outlook on life. It was just one girl's well told story.
Like the rest of us, this character is just trying to figure it all out. She's flawed in a number of ways and watching her try and just make it through the day is mildly uncomfortable and usually quite funny.
A lot of these reviews are calling this a "hipster" or "shallow" film and I have to disagree. In fact, I don't think these people know what a hipster really is because this movie doesn't depict that at all. If anything, it's more about the lost generation of GEN Y. Those of us who are too old to be hip and too young to have truly lived in the grunge life. The generation that should probably have it figured out by now, but we don't. And that's okay. The title character, Sherin, is exactly that.
It didn't strike me as the kind of movie that was supposed to leave you feeling like a new person with a whole new outlook on life. It was just one girl's well told story.
I saw this film at Frameline 38 on June 27, 2014 at 7 pm in San Francisco at the amazing Castro Theater. Writer, director and lead actress Desiree Akhavan shows us the story of Shirin who is a wonderful, loving, flawed, fragile, F**ked up human being just like the rest of us. She will not get over her ex-girlfriend, she looks for love in all the wrong places (with hilarious results) and has very limited success when trying to come out to her family who have a selective hearing problem. The Q & A after the film was wonderful and Ms. Akhavan is clearly the Queer, Persian equivalent of Sandra Bullock - funny, talented, charming, intelligent, beautiful and very comfortable with her awkwardness. Absolutely delightful - go see this film.
I make an effort not to know too much about a film before I see it. That helps me have an experience less tainted by expectations, but it can also lead me to silly snap judgments that are dead wrong.
After a few minutes I'd decided that Desiree Akhavan's Appropriate Behavior was just another in a long string of low budget 20- something self-involved dramedies I've seen in the last couple of years. But by the end I realized that Akhavan had taken that trope, and run her own unique and very funny spin on it. And the humor was a big part of what made it special. This movie was flat out funny. It wasn't afraid of being absurd or larger than life, or actively witty. It was intensely human and touching at times, but it also had great comic timing. In that respect Ahkavan's cinematic view of life and relationships in New York has more in common with Woody Allen circa Annie Hall and Manhattan than most mumblecore we've grown used to. She also created a unusually lovable (if self-sabotaging) main character for herself in Shirin; a bi-sexual young Iranian woman still in the closet to her parents, and attempting to recover from a painful breakup.
Shirin doesn't really fit in anywhere. Because she's bi, lesbians (including the woman who broke her heart) view her with suspicion, assuming she's 'just visiting' relationships with women. Her parents keep waiting for her to meet a nice boy. She feels estranged from the Iranian-American culture she grew up with, but she's not as self-consciously hip and cool as the hipster poseurs she's surrounded by. And she has a knack for making some comic but awful life decisions, from a painfully failed threesome, to a gig teaching film-making to disinterested 5 year olds.
This is a rueful and smart film about how screwed up and alone we all are and yet how sweet life is in it's sad and silly way. It's an impressive calling card for Akhavan, and I'm looking forward to seeing what she does next.
Follow up -- I saw this again, sharing it with some friends, and found it only grew on me. I was even more touched by the sweet heart at the middle of the comedy.
After a few minutes I'd decided that Desiree Akhavan's Appropriate Behavior was just another in a long string of low budget 20- something self-involved dramedies I've seen in the last couple of years. But by the end I realized that Akhavan had taken that trope, and run her own unique and very funny spin on it. And the humor was a big part of what made it special. This movie was flat out funny. It wasn't afraid of being absurd or larger than life, or actively witty. It was intensely human and touching at times, but it also had great comic timing. In that respect Ahkavan's cinematic view of life and relationships in New York has more in common with Woody Allen circa Annie Hall and Manhattan than most mumblecore we've grown used to. She also created a unusually lovable (if self-sabotaging) main character for herself in Shirin; a bi-sexual young Iranian woman still in the closet to her parents, and attempting to recover from a painful breakup.
Shirin doesn't really fit in anywhere. Because she's bi, lesbians (including the woman who broke her heart) view her with suspicion, assuming she's 'just visiting' relationships with women. Her parents keep waiting for her to meet a nice boy. She feels estranged from the Iranian-American culture she grew up with, but she's not as self-consciously hip and cool as the hipster poseurs she's surrounded by. And she has a knack for making some comic but awful life decisions, from a painfully failed threesome, to a gig teaching film-making to disinterested 5 year olds.
This is a rueful and smart film about how screwed up and alone we all are and yet how sweet life is in it's sad and silly way. It's an impressive calling card for Akhavan, and I'm looking forward to seeing what she does next.
Follow up -- I saw this again, sharing it with some friends, and found it only grew on me. I was even more touched by the sweet heart at the middle of the comedy.
Wusstest du schon
- WissenswertesDesiree Akhavan's directorial film debut. It was also her debut as an actress and writer.
- VerbindungenFeatured in Women Make Film: A New Road Movie Through Cinema (2018)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 46.912 $
- Eröffnungswochenende in den USA und in Kanada
- 19.114 $
- 18. Jan. 2015
- Weltweiter Bruttoertrag
- 123.699 $
- Laufzeit
- 1 Std. 26 Min.(86 min)
- Farbe
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