The Surface

I was starting to watch Martin Scorsese's star-studded Hollywood blockbuster_The Departed_, and I turned it off after about 30 minutes. I was sick of all the tough guy talk and violence. I just can't relate to mafia gangsters, never have, never will. Sorry, Marty.

I was in mood for a simple, straightforward movie about real, relatable people. I found that in _The Surface_, a hidden gem of a movie that undoubtedly made no money.

It's a low budget indie film, and it's certainly not perfect. Some of the dialog is stilted, the acting is sometimes uneven, and the camera work is not particularly creative. But it tells a good story, partly through flashbacks, but mostly through the dialog of two men stranded in a small boat miles offshore from Milwaukee in Lake Michigan.

Mitch (Sean Astin) is a nerdy type who has suffered so much loss in his life that he decides to take his late father's boat out on the lake and commit suicide. The boat runs into some debris from a crashed small plane, whose pilot, Kelly (Chris Mulkey), is desperately hanging on to the wing. Mitch rescues him, but his boat has been damaged, and the two men are adrift. Kelly is badly injured. There is no cell phone service, and Mitch has not bothered to bring a ship to shore radio since he never intends to return home.

This not a _Perfect Storm_ / man vs. nature action film. The majority of the scenes consist of the two men conversing, and in those conversations, along with a few flashbacks, we learn their backstories. Mitch is young; Kelly is older and wiser, which makes for an interesting dynamic.

Sounds simple, and it is--sometimes bordering on simplistic. There are some implausibilities: As far as I know, you can't slam around a jar of nitroglycerin around without it blowing up. Mitch's backstory is so tragic, it's a bit over the top. And why is there suddenly a cell phone signal at a critical moment toward the end? But aside from that, there is something about the stories of the two men that's keeps us watching--and, of course wondering if they will be rescued.

Some indie films try to impress us with weirdness or jarring camera work. This one eschews all of that and just tells a straightforward story.

No spoilers here concerning the ending, but the simple message of this movie is that if you can't control fate, you can at least control what you choose to do with your life.

It's worth a watch if you're in a thoughtful frame of mind. Not a colossal, mind-blowing film, but it suited my rather introspective mood, and it might suit yours.

Sean Astin and Chris Mukley provide fine performances in director Gil Cates Jr. suspenseful film centered on two desperate men who have a chance meeting in the middle of Lake Michigan. Mitch (Astin) is determined to kill himself because he blames himself for his father's death in a factory accident. Kelly Enright (Mulkey) crashes his plane into the Lake while on a delivery of a backpack with $125,000 for either drugs or black market human body parts. Both men are desperately searching for hope and identity in their lives. The videography is stunning, and the writing creates a realistic give and take of hostility until each man realizes he must depend upon the other for survival. The film begins with a dream-like sequence of Mitch preparing for his trip out onto Lake Michigan (and his eventual suicide). He meticulously preps for his day, fills a bird feeder with enough seed to last several weeks, then visits his mother (who is suffering from Alzheimer's disease) in a nursing home. After making certain that everything he is leaving behind is in order, Mitch motors his father's small fishing boat out into the lake. Soon Mitch discovers the wreckage of a small plane and pulls the pilot (Kelly), who had been clinging to part of one of the wings, into his craft. The remainder of the film entails Mitch and Kelly discussing bleaker anecdotes of life that all of us experience and, often, keep to ourselves. Mitch has suffered the loss of his girlfriend through a skate boarding accident, the death of his father through the warehouse accident, and his mother to Alzheimer's. Through a chance cell phone call from the men who are awaiting Kelly's arrival with the money, Mitch is able to contact 911 and both men are rescued by the Coast Guard stationed in Milwaukee, Wisconsin. By the time of the rescue both men have helped each discover that hope survives. As Kelly said to Mitch during one of Mitch's self-indulgent diatribes, "...don't do that to yourself [...] people have choices...". This is a must see Indy film. The acting is sound, the writing is crisp and honest, the directing is insightful, and the videography is stunning and haunting.

Being an older person, I remember when serious acting was still the expectation of good movies, before special effects were given the priorities. This film is a very good and believable study of how two very different men might be brought together in very fantastically different circumstances. The fact that in the ending credits the note is made that the events of the film are based on actual happenings does much to explain and reinforce some of my personal beliefs about "pre-destination" and possibly "Divine" intervention. The main actors did an excellent job, considering the limitations of being pretty much a two actor film for most of the movie, and how the chance meeting of the two would change their lives forever.

I strongly suggest you might overlook some of the films negative ratings and see it for the very good film it is.

I just discovered this film on Amazon Prime and saw that it had Sean Astin in it. I have liked Seans parts in every film I've seen him in so I figured I'd like this one. It's a slow paced film that mostly takes place on a boat, but the depth of the characters and the meaning behind the story carries the film through. Just a good solid film without out the bells and whistles.

A very quiet character study. Down and out Mitch (Sean Astin) rescues a downed pilot in Lake Michigan and so rescues himself.

This is not action movie but a quiet movie.

Loved the lake boating scenes. Captures the everyday dangers that boaters have to overcome. Mitch rescuing the pilot is really just him rescuing his father.

Very moving . Give the movie a chance.