Nach einer Trennung zieht die New Yorker Workaholic Jessica nach London, um dort allein zu sein. Sie lernt Felix kennen, der sie dazu bringt, die Liebe neu zu überdenken.Nach einer Trennung zieht die New Yorker Workaholic Jessica nach London, um dort allein zu sein. Sie lernt Felix kennen, der sie dazu bringt, die Liebe neu zu überdenken.Nach einer Trennung zieht die New Yorker Workaholic Jessica nach London, um dort allein zu sein. Sie lernt Felix kennen, der sie dazu bringt, die Liebe neu zu überdenken.
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Empfohlene Bewertungen
I was waiting for this, hoping it would be as fresh as Girls used to be, but instead, it's surprisingly boring, dreadfully boring.
Surprisingly unfunny or trying too hard to be funny.
Those office characters-we've see them in every Netflix show that has an office.
There's nothing fresh about the show.
The Girls had such brilliant dialogue that if you missed any part of it, you were losing something; here, the conversations mean nothing to the viewer-they're empty, just private babble that makes you feel like you're wasting your time watching it.
Oh, and the main character feels like an extension of her character from Hacks - is that intentional?
Surprisingly unfunny or trying too hard to be funny.
Those office characters-we've see them in every Netflix show that has an office.
There's nothing fresh about the show.
The Girls had such brilliant dialogue that if you missed any part of it, you were losing something; here, the conversations mean nothing to the viewer-they're empty, just private babble that makes you feel like you're wasting your time watching it.
Oh, and the main character feels like an extension of her character from Hacks - is that intentional?
So many wasted talents in this yawn of a comedy. Will Sharp is the reason for two of the three stars, hopefully this will lead to bigger and better things.
The ensemble characters are a bunch of stereotypes, choosen to complete a checklist of visibility.
The biggest problem is the total unlikeability of the main character. You really stop caring about her crash life in London very quickly. The "funny" social situations are so contrived they become just silly. The written tries too hard to cover issues, emotions etc.
A special mention for Jennifer Saunders playing an unfunny version of Abfab Eddie
It tries to too hard and fails dramatically, if you want to see a well written female lead comedy watch Fleabag (or even Miranda)
The ensemble characters are a bunch of stereotypes, choosen to complete a checklist of visibility.
The biggest problem is the total unlikeability of the main character. You really stop caring about her crash life in London very quickly. The "funny" social situations are so contrived they become just silly. The written tries too hard to cover issues, emotions etc.
A special mention for Jennifer Saunders playing an unfunny version of Abfab Eddie
It tries to too hard and fails dramatically, if you want to see a well written female lead comedy watch Fleabag (or even Miranda)
There are some really beautiful scenes in the show, but there's also lot of other things that get in the way of the good parts. For example, there are way too many musical "filler" scenes, sex scenes, main character being intentionally awkward and whiny scenes. When she's not acting like a child, she's outstanding, but most of the time, she's a little annoying. Thankfully, the rest of the characters are interesting and give exactly what they are supposed to for their parts. Overall, I like the show, just wish it weren't so chaotic, but maybe that's the point of it all. Obviously she feels out of control of her life and everything that happens to her is a reflection of that.
Overall, a good storyline and premise but there are so many unfortunate issues with everything.
1. The way the lead female has been written as an insufferable, overly dramatic, whiny "quirky" girl is frustrating to say the least. It unfortunately leans into so many damaging stereotypes of women.
2. Costumes for lead female - what were they thinking?? Not justice for her at all.
3. Generally not the lived experience of "chubby" girls. I hate that it insinuates this is the lived experience of a confident woman who feels sexy and pulls men instantly. This is NOT the experience for 99% of larger women, and it's ridiculous to suggest so. I am so glad there is space for stories like this, where larger women get the man & enjoy sex and are confident in themselves. But I think this is overdone and almost offensive.
4. The script. Just frustrating and annoying. Tries too hard to be whimsical, quirky and candid but again, comes across as trying to hard and it's so obvious.
1. The way the lead female has been written as an insufferable, overly dramatic, whiny "quirky" girl is frustrating to say the least. It unfortunately leans into so many damaging stereotypes of women.
2. Costumes for lead female - what were they thinking?? Not justice for her at all.
3. Generally not the lived experience of "chubby" girls. I hate that it insinuates this is the lived experience of a confident woman who feels sexy and pulls men instantly. This is NOT the experience for 99% of larger women, and it's ridiculous to suggest so. I am so glad there is space for stories like this, where larger women get the man & enjoy sex and are confident in themselves. But I think this is overdone and almost offensive.
4. The script. Just frustrating and annoying. Tries too hard to be whimsical, quirky and candid but again, comes across as trying to hard and it's so obvious.
I really wanted to love this. I loved Girls. I really felt Lena Dunham was the voice of a generation and I wanted this to be every bit as good. But it wasn't. In fact it was bad, REALLY BAD. Like student film or GCSE drama devised piece bad.
Firstly, Dunham can't write British dialogue at all, or British characters. All the British characters lacked well, character, and they also lacked nuance, originality and believability. They were all tired tropes. Some of their dialogue was just awful. Especially in the work scenes. Poor Richard E Grant did his best with terrible dialogue but he had nothing to work with. None of the work team characters came across like any real British person or spoke like any real British person. You could see they knew the show was going to flop.
Add to that the two leads were just unlikeable (and I've never disliked Will Sharpe in anything but this loser musician character is just plain unlikeable and you could see Sharpe's heart wasn't;t really in it) and the female lead character is both unlikeable and irritating in the extreme. It was hard to care about them, their romance or anything really. They also had zero chemistry which didn't help.
The show is also unbelievably slow and devoid of any plot. So no character, no plot, no originality and absolutely no Com in the Rom. I didn't laugh once. Didn't even crack a smile.
The whole thing felt off, like a mish mash of Baby Reindeer, Notting Hill and wanting to be but totally failing to be the brilliant Shrill. But Shrill had charm, nuance, actual comedy and pulled the heart strings. And a lead actress who was incredibly watchable. This does nothing. Didn't make me feel anything except infuriated about wasting my time watching it!
I'm sure off the back of the success of Girls Netflix just said off you go Lena, make whatever you want to make and never gave a single note. They must be regretting that now.
Netflix have had a string of British hits lately but this sadly is not one of them.
Firstly, Dunham can't write British dialogue at all, or British characters. All the British characters lacked well, character, and they also lacked nuance, originality and believability. They were all tired tropes. Some of their dialogue was just awful. Especially in the work scenes. Poor Richard E Grant did his best with terrible dialogue but he had nothing to work with. None of the work team characters came across like any real British person or spoke like any real British person. You could see they knew the show was going to flop.
Add to that the two leads were just unlikeable (and I've never disliked Will Sharpe in anything but this loser musician character is just plain unlikeable and you could see Sharpe's heart wasn't;t really in it) and the female lead character is both unlikeable and irritating in the extreme. It was hard to care about them, their romance or anything really. They also had zero chemistry which didn't help.
The show is also unbelievably slow and devoid of any plot. So no character, no plot, no originality and absolutely no Com in the Rom. I didn't laugh once. Didn't even crack a smile.
The whole thing felt off, like a mish mash of Baby Reindeer, Notting Hill and wanting to be but totally failing to be the brilliant Shrill. But Shrill had charm, nuance, actual comedy and pulled the heart strings. And a lead actress who was incredibly watchable. This does nothing. Didn't make me feel anything except infuriated about wasting my time watching it!
I'm sure off the back of the success of Girls Netflix just said off you go Lena, make whatever you want to make and never gave a single note. They must be regretting that now.
Netflix have had a string of British hits lately but this sadly is not one of them.
Wusstest du schon
- WissenswertesDunham confirmed that "Too Much" was inspired in part by her own relationship with Felber, whom she met and married in the U.K. in 2021.
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