Die leisen und die großen Töne

Director Emmanuel Courcol masterfully crafts a bittersweet comedy that flows effortlessly, much like the music at its core. The plot is simple: two brothers, separated at birth, reunite as adults. One is a celebrated orchestra conductor, while the other is a chef. For one, music represents a thriving career; for the other, it is a hard-earned passion, kept alive within a scrappy village band in northern France. Despite their contrasting lives, their shared love for music forges an unbreakable bond.

The music, with its universal language, unites and breaks down barriers between individuals. In the same vein, the film conveys a poignant message of empathy, solidarity, and brotherhood-a message that feels more vital than ever today.

It's only the beginning of 2025 and already I feel like I've seen the best movie of the year.

It's one of the best movies I have ever seen.

'En Fanfare' reminds me a bit of 'Brassed Off', also about a brass band but then in a coal mine in The United Kingdom.

The beautiful classic music ties in nicely with the beautiful song 'Emmenez moi' of Charles Aznavour, my favourite French singer. The two leading actors - Benjamin Lavernhe and Pierre Lotin - are excellent in their roles of two brothers who only verly late in live know that they are brothers. It's a drama but with a lot of warmth and some laughs.

One can completely empathize with this realistic and deeply human story.

I highly recommend everyone to watch this beautiful film, but on the big screen in the cinema.

And when the film ended, there was applause from part of the almost full hall. I had never experienced this before in cinema, and I have been going for many years.

I don't have an easy tear, but my eyes were shining as I left the hall.

Masterful performance by Benjamin Lavernhe. The story is very nice, light but not superficial, never dull.

Many melodies run through the film, the comedy, the drama, the 'protest' film (it reminded me of Kean Loach).

The red thread is music, in its purest manifestations from classical to jazz. The popular declination is very successful, making it a film for everyone. I will take my 9- and 12-year-old children to see it.

I think the only "flaw" in the film is the direction. Some parts of the film are not tied together well. But the rendering is still effective and, above all, emotionally impactful.

I was moved by this film in many ways (even though I saw it dubbed over in German in a German cinema), but one quality stood out to me: the care that had been given to really portraying music in the making: The rehearsal scenes of both the orchestras seemed very real to me, no-one was mimicking to play an instrument, they could all really play and apparently seemed to do so. For real! This is quite exceptional, for it isn't easy to find people who can both act and play an instrument.

The composing scene, with the 'composer' working with pencil and paper on the piano, was the only scene that musically struck me as a bit unrealistic, for it would be hard to find a composer under 50 that doesn't use a computer to write the notes.

It was also really moving to see how even the most different styles in music can travel straight to the heart and have an important function in peoples lives.

For the rest I found the story moving, original and well performed.

"Thibaut" (Benjamin Lavernhe) is an accomplished conductor who is now based in the USA but who comes home to France now and again to perform. It's during one such visit that he confides to his sister "Rose" (Mathilde Courcol-Rozés) that he needs a bone-marrow transplant. She readily agrees to help out but when she is found to be incompatible, that news opens quite a can of worms that results in him having to ask "Jimmy" (Pierre Lottin) - a brother he didn't know he had and who lives in a quietly dying town where his workplace is earmarked for closure, to help out. Initially uninterested and disbelieving, the film now illustrates just how the two men come to terms with their past, their present and (hopefully) their future against a backdrop of resentment and privilege as they try to reconcile with the elements of "luck of the draw" that have governed their lives thus far. Fortunately, they have one thing in common. They both love music, and as it transpires that "Jimmy" plays trombone in his local mineworkers band we have a conduit for them to bond - or not! There are shades of "Brassed Off" (1996) as this offers us a social commentary on the decline of traditional rural industries that leave little by way of hope or opportunity in it's wake; a little bit of romance and some seriously horrible uniforms too! Along the way, there is also some fine classical Mozart, some crooning from Charles Aznavour and some enjoyable band rehearsals with an eclectic collection of the townsfolk proving remarkably talented with instrument and voice alike - after a soupçon of guidance. No, there probably isn't so much jeopardy about the denouement, though there is a twist - it's really a story about family and one that's presented without too much sentiment and a bit of enjoyably bloody-minded Gallic humour. I was never quite sure what an orchestral conductor actually did, standing there flailing his baton at a collection of perfectly proficient musicians, but this might just have helped explain a little - and that seating matters too!