Povodyr

This movie is one of the few that impartially present the difficult times Ukraine found itself in during the 1930's. The times of massive repressions and executions of the civilian population, murder by forced starvation, and persecution of anyone who disagreed with the Soviet government in Moscow.

Basic knowledge of Eastern European history of the early 20th century would greatly help to see what links certain events together.

I suggest you read the synopsis before watching the movie to have a better understanding of the events that take place. Their true historical weight is what really gives them a deeper meaning.

The director is tremendously talented. The style is reminiscent of Andrei Tarkovsky's Stalker. Despite the sadness of some of the events, you are immersed in a world of supernatural beauty. The journeys through nature have a ethereal transcendent quality to them. The blindness of a leading character adds to this. The death toll of Stalin's famine was estimated at 7-10 million. This was one of the worst cases of genocide in human history. In this movie your soul feels the weight of this tragedy, but the movie does not dwell on this. It is setting, not the main narrative thrust. Hope and tender moments of compassion fill the screen. When this movie shows tragedy it is ultimately contrasted with a resistance of a human spirit that refuses to die. This movie is also a powerful reminder. The false promises of communism, which merely pretends to be a collectivist philosophy while actually operating more like a mafia, are juxtaposed with the real promises of compassion and love for ones neighbor. We are also shown communist propaganda tactics that mask true intentions and create confusion. Similar spin tactics accompany the war today. This is the film that Ukraine needed to make in response to what is happening to it right now. But it is so much more than that.

The Guide is a nice Ukranian historical drama from 2014 directed by Oles Sanin. It is really well made and has some good performances. Cinematography is quite overexposed on many scenes, making the actual look of the movie kind of artificial with overly dramatic lights or forced lack of colors, specially on the first half. When it explores the rural landscapes, the heavy snow, fog and the open air scenes, the results is far more effective. Anton Sviatoslav Greene was a good cast for the little Ukranian-American boy character, the same for Aleksandr Kobzar as Comrade Vladimir. These are my favorite performances on The Guide. The Kobzar universe is quite interesting and the music they play and sing is really stunning, but the whole "fight" thing was completely unnecessary - despite that it was factual, the results on screen vary from bad to worst, and doesn't add anything to the plot, neither help them to avoid their fate. All this together with a script that is sometimes a bit confusing, specially for non Ukranian audiences, I rate it 7 out of 10. Worth watching anyway!

When I heard about this movie in the first time, sincerely, I was intrigued. Ukrainian film production is surviving sphere, but indeed it can produce GOOD movies, with unexpected, not trivial plot, strong and mysterious characters, dramatic end.

This film has it's soul too. Minstrel's songs, chaotic escaping and changing of epochs in totalitarian empire via pure eyes of ten-year boy...

This film deserves to be watched. Definitely.

P.S. Maybe You don't know, but in real life NKVD chief's surname is Kobzar (minstrel). And. I await the next generation of Ukrainian films: about Kyiv Rus, Zaporozhian Host, epic and big-budget. Soon.

A testimony. this is the basic meaning of this admirable film. a blind man. a boy. Ukraine in the "30's. the geography of a world under dictatorship. and great cinematography. it is enough for describe a film escaping from the circle of worlds. because it is not exactly the film of a story. but a bitter remember. about a society. about a gray past. about a blind man. and a boy. in middle of embroidery of symbols.