Im Mittelpunkt steht Nessa Stein, eine Frau, die das Waffengeschäft ihres Vaters erbt und in einen internationalen Strudel gerät, während sie sich weiterhin für die Versöhnung zwischen Israe... Alles lesenIm Mittelpunkt steht Nessa Stein, eine Frau, die das Waffengeschäft ihres Vaters erbt und in einen internationalen Strudel gerät, während sie sich weiterhin für die Versöhnung zwischen Israelis und Palästinensern einsetzt.Im Mittelpunkt steht Nessa Stein, eine Frau, die das Waffengeschäft ihres Vaters erbt und in einen internationalen Strudel gerät, während sie sich weiterhin für die Versöhnung zwischen Israelis und Palästinensern einsetzt.
- Für 4 Primetime Emmys nominiert
- 9 Gewinne & 34 Nominierungen insgesamt
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Set in the middle of one of our era's most tragic and polarizing conflicts, it is perhaps understandable that reviewers here jump to the conclusion that it's propaganda for one side or the other. But it isn't. Using a family's internal struggle with the background being the Israeli-Palestinian conflict the writers almost can't win. But the preposterous claim that the series is justification for the current conflict when the shooting schedule began in July 2013...to say nothing of script writing, finding producers, and casting which would reach back into 2012 if not longer, demonstrates how explosive the setting is. As Nessa says, "It's the Middle East. Enemies is what you make." Therefore, it was brave of the project to chose that setting, but it shouldn't be seen as taking a stand for one side or the other.
The pace may be slow, but it's dreamlike point of view, for me, made it all the more transfixing. The cast, particularly Gyllenhaal's performance, is splendid, and the trap of being a mediator, whether is World politics or family dynamics demonstrates that hazard. ("You're either for me or against me.") This may be a series to watch all in one sitting, void of weekly waits and commercials. For me, it's the years best television series.
The pace may be slow, but it's dreamlike point of view, for me, made it all the more transfixing. The cast, particularly Gyllenhaal's performance, is splendid, and the trap of being a mediator, whether is World politics or family dynamics demonstrates that hazard. ("You're either for me or against me.") This may be a series to watch all in one sitting, void of weekly waits and commercials. For me, it's the years best television series.
Nessa Stein (Maggie Gyllenhaal) is trying to use her family's business to construct a telecommunication connection to the Palestinian territories. She has high ideals promoting a policy of reconciliation between Israelis and Palestinians. Part of that is to seek out a Palestinian partner for the venture. Her father's killing in front of her is still a major pain for her and her brother. However, she is hiding a secret from 8 years ago when she ventured into the Gaza Strip. It is secrets upon secrets as world politics and personal struggles collide.
The first thing about this series is that it is well written. It is not just what's on the surface. Everybody has a secret. It is an intricate web of lies and double-cross. There is no need to spoil anything. Gyllenhaal gives a very solid performance as do so many of the actors. This is simply smart television. I'm fine with a limited series because it allows for more intense storytelling.
The first thing about this series is that it is well written. It is not just what's on the surface. Everybody has a secret. It is an intricate web of lies and double-cross. There is no need to spoil anything. Gyllenhaal gives a very solid performance as do so many of the actors. This is simply smart television. I'm fine with a limited series because it allows for more intense storytelling.
Firstly let me say that " The Honourable Woman" is fiction, just as say a film like " A Few Good Men" was. Once you view it like this and NOT as it some reflection what is going on in Gaza and Israel right now. I am a Zionist but I watched this masterpiece and was able to have empathy with not only the Israeli characters but with the Palestinians also. The cast is magnificent and I expect that it will win all the major awards at the BAFTAS. I am not sure how our American cousins will take it, because you will have never had seen anything like it. I reiterate we see a tour de force of acting, with several major parts for the girls. However if I were to pick out for me who is numero uno it would be Stephen Rea as a John Le Carre, George Smiley kind of intelligence officer Hugh Hayden-Hoyle. Maggie Gyllenhaal with a perfect English accent plays the major part of Nessa Stein a newly ennobled Anglo-Israeli businesswoman. BUT is she the Honourable Woman? I will let you decide when you see it!
Other reviewers have commented - often derogatorily - on the slowness of Hugo Blick's production. However this is a deliberate technique that not only builds up tension - nothing is quite what it seems in the Steins' world - but also indicates the complexity of the issues tackled in this series. While Nessa Stein (Maggie Gyllenhaal) and her brother Ephra (Andrew Buchan) appear philanthropic on the surface, using their wealth to foster better relationships between the Israelis and the Palestinians - they are also involved in underhand schemes, none of which are overtly revealed in the opening episodes. Instead director Blick uses a montage technique comprised of short scenes which might appear meaningless in themselves, but which cumulatively build up a picture of the Stein family's way of life in the present as well as the past. It is the viewers' responsibility to put these pieces of information together and try and work out what is going on. This task is often difficult, as Blick brings in characters who superficially seem to have nothing to do with the main plot-lines. It is only later on - in subsequent episodes - that we discover what their role in the overall story actually is. This technique draws attention to the complexities of the Israeli-Palestinian conflict, where it is often very difficult to identify who one's allies or one's enemies actually are. People have to be taken at face value, until one gets to know them. THE HONOURABLE WOMAN takes a bit of time to get going, but by the fourth episode it has gained in momentum, not only explaining the Stein family's shady past, but showing how the British security forces, led by Julia Walsh (Janet McTeer) and Hugo Hayden-Hoyle (Stephen Rea) have to get their hands morally dirty in order to make sense of what they are doing. There are no heroes or villains in this world; the most successful people are those who know how to play the system by forging and re-forging alliances, as well as exploiting others for personal gain. Viewers need to be a little patient with this series; if they do so, they will be amply rewarded.
well i had originally planed to watch it in a day after 4 episodes i got caught up in other things and later I just did not care very much for the show.Because for me the show was going no where and early 4 episodes were too slow paced.But after 2 months i thought of giving it another chance.And I have to say if you can get past the slow paced beginning the later episodes are wonder treats.This is one of the best modern spy thriller in years. best thing about the series is,it knows what it's doing and takes us in the territory of modern political spy thriller with some strong writing and directing.it gives us every angle of it's story.Apart from being a well written spy thriller it's also human drama with unbiased storytelling which has no theatrical heroes and villain.We see from different angles that,every character have their own faults and virtue,every side have there own story which leads to a gripping but very humane conclusion that makes this show a worthwhile.
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- WissenswertesMaggie Gyllenhaal has cited Emma Thompson as being a huge influence on how she came to her British accent.
- Alternative VersionenIn some countries such as France, Germany and Colombia, the series is presented in nine, slightly shorter episodes, instead of eight.
- VerbindungenFeatured in The 21st Annual Screen Actors Guild Awards (2015)
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