IMDb-BEWERTUNG
5,7/10
12.699
IHRE BEWERTUNG
Ein vom Pech verfolgter Highschool-Basketballtrainer tut alles, um zu gewinnen, was in diesem Fall bedeutet, dass er sein Männerteam dazu bringt, Perücken zu tragen und mehrere Frauensportar... Alles lesenEin vom Pech verfolgter Highschool-Basketballtrainer tut alles, um zu gewinnen, was in diesem Fall bedeutet, dass er sein Männerteam dazu bringt, Perücken zu tragen und mehrere Frauensportarten brutal zu dominieren.Ein vom Pech verfolgter Highschool-Basketballtrainer tut alles, um zu gewinnen, was in diesem Fall bedeutet, dass er sein Männerteam dazu bringt, Perücken zu tragen und mehrere Frauensportarten brutal zu dominieren.
- Regie
- Drehbuch
- Hauptbesetzung
Michael J. Knowles
- Drake Diamond
- (as Michael Knowles)
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I lean conservative, I'd like to think too that I'm a realist. This movie, realistically does not deserve the high ratings.
The acting, on the whole, is just a titch above high school play level. The story was low IQ level. The jokes not fresh or funny. The pace veeeery slow.
Camera and cinematography was perhaps the best part of the movie.
I just did not find this entertaining.
The whole thing kinda reminds me of when a bunch of guys get together and laugh at farts or when one of their buddies accidently hurts themselves.
Moronic. Boring. Idiotic. Slow.
But then again I'm not a guy, or stuck in high school brain zone.
The acting, on the whole, is just a titch above high school play level. The story was low IQ level. The jokes not fresh or funny. The pace veeeery slow.
Camera and cinematography was perhaps the best part of the movie.
I just did not find this entertaining.
The whole thing kinda reminds me of when a bunch of guys get together and laugh at farts or when one of their buddies accidently hurts themselves.
Moronic. Boring. Idiotic. Slow.
But then again I'm not a guy, or stuck in high school brain zone.
I wanted to like it. I get what they were going for, and it's worthy of praise coming from such a small studio with such a low budget. I hope this isn't the last in this genre from DW.
That said - wow. Not up to par of the classics it was marketed as. Airplane, Dodgeball, Blazing Saddles, Topic Thunder: it's none of those things. I think it could've been with some extra elbow grease and less confirmation bias in the studio.
The criticism that many Christian movies get is that they focus too much on the message and not on the core story and quality of the film. Same issue here. I get they had some quality limitations, but I wish they would've waited to really hone in the story and make sure the lines packed a punch.
Best parts are all the cameos. These are genuinely good and appreciated.
Not sure why we needed the subtle dominatrix thing. Just another example of something that made me cock my head sideways and ask, "Really? Necessary?"
Overall, I know I'll make some people mad for not absolutely loving it, but it is what it is. They want quality content? I'm happy to be the critic for the next future success. I'm aware I'm not the man in the arena, but I don't care.
That said - wow. Not up to par of the classics it was marketed as. Airplane, Dodgeball, Blazing Saddles, Topic Thunder: it's none of those things. I think it could've been with some extra elbow grease and less confirmation bias in the studio.
The criticism that many Christian movies get is that they focus too much on the message and not on the core story and quality of the film. Same issue here. I get they had some quality limitations, but I wish they would've waited to really hone in the story and make sure the lines packed a punch.
Best parts are all the cameos. These are genuinely good and appreciated.
Not sure why we needed the subtle dominatrix thing. Just another example of something that made me cock my head sideways and ask, "Really? Necessary?"
Overall, I know I'll make some people mad for not absolutely loving it, but it is what it is. They want quality content? I'm happy to be the critic for the next future success. I'm aware I'm not the man in the arena, but I don't care.
DW promised a goofy, early 2000s comedy with a message and I believe, overall, in landed. I enjoyed it and laughed at the slapstick goofiness and appreciated the meaningful bits. I can see and understand where it fails a little too.
As a stand alone comedy, it's a popcorn movie and doesn't overstay it's welcome with it's pacing, comedy, and plot. The general movie goer (who isn't wildly liberal) would still have a good enough time if one likes movies such as the The Hot Chick, White Chicks, Scary Movie, Wayne's World, and other such on-the-nose, wacky, dumb movies that would have a difficult time being made today. It is true that a DW fan would find the movie more enjoyable due to the cameos - which were extra hysterical if you're "in the know."
If I could only change one thing as someone who loves the idea of this comedy shedding light on an important issue, I would have either removed the ending cameo entirely, or shifted it to after credits.
The general public would also enjoy it even more if they are aware of the western nations' culture war; if the viewer is unaware, the hopeful goal of the movie would be to make people aware of conservative concerns.
That said, the movie does not ride on the backs of DW and conservative cast members; it scratches the old comedy itch millennials have, makes gen x roll their eyes, and can show gen z what comedy used to be.
As a stand alone comedy, it's a popcorn movie and doesn't overstay it's welcome with it's pacing, comedy, and plot. The general movie goer (who isn't wildly liberal) would still have a good enough time if one likes movies such as the The Hot Chick, White Chicks, Scary Movie, Wayne's World, and other such on-the-nose, wacky, dumb movies that would have a difficult time being made today. It is true that a DW fan would find the movie more enjoyable due to the cameos - which were extra hysterical if you're "in the know."
If I could only change one thing as someone who loves the idea of this comedy shedding light on an important issue, I would have either removed the ending cameo entirely, or shifted it to after credits.
The general public would also enjoy it even more if they are aware of the western nations' culture war; if the viewer is unaware, the hopeful goal of the movie would be to make people aware of conservative concerns.
That said, the movie does not ride on the backs of DW and conservative cast members; it scratches the old comedy itch millennials have, makes gen x roll their eyes, and can show gen z what comedy used to be.
Watched this and was entertained, but it's not great movie by any means. I do not think that the Daily Wire has hit the mark with this film. They're always talking about Politics being downstream of Culture and that their hoping to get involved with the culture and change it. This film has too much over politicization to be smartly funny and effect the Culture.
I enjoyed it once and will probably never watch it again. I would not say it was especially funny and I think this movie is really just for conservatives.
Like Matt Walsh's "kids" book I think it overall is a missed opportunity of doing something that could have wider cultural weight.
I enjoyed it once and will probably never watch it again. I would not say it was especially funny and I think this movie is really just for conservatives.
Like Matt Walsh's "kids" book I think it overall is a missed opportunity of doing something that could have wider cultural weight.
Watched Lady Ballers this morning. It's available only on Daily Wire+. The movie reminds me of comedies from the 80's or 90's; silly and irreverent. No nudity, but there are some racy jokes about body parts and bedroom acts.
Jeremy Boreing plays the head coach of a men's basketball team who all decide to identify as female to win a women's tournament. The jokes practically write themselves. To be honest, some land and some don't. Enough land, however, to rank LB at 7/10.
Matt Walsh playing against type as "Kris" the hippie was delightful. Couldn't stop laughing whenever he was on screen. And, the actress who plays coach's daughter is very sweet. She steals the opening scene.
What I didn't expect to be so wow-ed by was the musical score and beautiful drone shots of Nashville. The opening theme song is earnest and oh-so cheesy; a la American Flyers. Love it! There were lots of musical changes of pace, too, like the switch to an old-worldy accordion tune for the scene where coach is getting roughly handled by the dominatrix reporter. "Furnace burn!"
I've also got some quibbles. For example, the final, fade-to-black image was totally unrelated to the rest the movie. Just oddly edited. Also, the players were too often either fighting or high fiving. That got old quick; as if dudes can't just sit and chill without punching each other.
Overall, it was fun.
Jeremy Boreing plays the head coach of a men's basketball team who all decide to identify as female to win a women's tournament. The jokes practically write themselves. To be honest, some land and some don't. Enough land, however, to rank LB at 7/10.
Matt Walsh playing against type as "Kris" the hippie was delightful. Couldn't stop laughing whenever he was on screen. And, the actress who plays coach's daughter is very sweet. She steals the opening scene.
What I didn't expect to be so wow-ed by was the musical score and beautiful drone shots of Nashville. The opening theme song is earnest and oh-so cheesy; a la American Flyers. Love it! There were lots of musical changes of pace, too, like the switch to an old-worldy accordion tune for the scene where coach is getting roughly handled by the dominatrix reporter. "Furnace burn!"
I've also got some quibbles. For example, the final, fade-to-black image was totally unrelated to the rest the movie. Just oddly edited. Also, the players were too often either fighting or high fiving. That got old quick; as if dudes can't just sit and chill without punching each other.
Overall, it was fun.
Wusstest du schon
- WissenswertesThis is the first "comedy" made and produced by the Daily Wire.
- PatzerCoach Bob Gibson enters his home at night only to be surprised by the journalist, Billie Rae Brandt, who broke into Bob's home. She is sitting in a chair waiting for him. As they talk, a small sign hangs on the wall next to the front door, behind the coach's head. When the scene transitions away from the front door to the room's interior, the sign disappears.
- Zitate
Gwen Wilde: I'm a journalist. I literally can't be shamed.
- SoundtracksIt Ain't Over
Written by Will Boreing & Lindsay Boreing
Performed by Will Boreing
By arrangement with William Boreing
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Coach Miracle
- Drehorte
- Nashville, Tennessee, USA(Nashville Municipal Auditorium)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Seitenverhältnis
- 2:1
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