Pressure - Ohne Ausweg

This movie was part of my B movie genre one afternoon. I usually am not the thriller type, I typically prefer more action adventure oriented (Deep Star 6, The Abyss etc...) There were elements that reminded me of Das Boot. However I was pleasantly surprised and enjoyed it. The Good: The acting was surprisingly good, the script writing was good, the effects were good. The Bad: The plot is a little predictable at times, but this is just an adaptation of Lifeboat. Character development could have been a little better, I didn't feel as invested in any of the characters as I felt I should have. Generally I did enjoy it, I probably will not watch is again, but I would recommend it to anyone

Actually I enjoyed it - it was interesting .. a low budget movie which goes after a major problem with oil industries and problems.. It was well played ...Kinda a unused story after the basic plot.. It's perfectly watchable, if not quite on a nerve-shredding par with lung-busting thrillers like The Poseidon Adventure, The Abyss or Black Sea. You learn plenty watching this film and their job not only is challenging but VERY RISKY!! I commend those men and the divers that do what they do in the military or the civilian sector. We have a group of divers sent 650 feet below the surface to fix an oil pipeline during a storm. While they are underwater they become separated from their ship and they must stick together to figure out how to rejoin the ship and survive. Some will say the film was predictable but I differ. I always kept HOPE. The last 34 minutes were devastating, tense, gripping as I saw these divers doing the impossible to remain alive. If you don't decompress your body will experience horrible pain. I will not reveal anything else but to all my film aficionados, this is a gem and it is available in HD on Netflix instant streaming. What are you waiting for? WATCH IT!!!

"Pressure" concerns a group of men (Danny Huston, Matthew Goode, Joe Cole, and Ian Pirie), who are submerged in the depths of the Indian Ocean in a small submarine to replace an oil pipeline. However, once their submarine malfunctions, the crew are separated from their base and stuck in the deep waters with no connection to their base and oxygen levels running dangerously low. To survive, the men must conserve their energy and their air in hopes that a rescue team hasn't completely abandoned them in the ocean.

"Pressure" is one of the first films in quite sometime to have the gall to take place in one setting, effectively trapping the audience, much like the characters, in a tight, claustrophobic space, giving the audience the feeling of helplessness and peril. The great thing about these films is they open rely on tension and character development being that the setting isn't changing, so new environments and interactions aren't always being set up. The downside to this, however, is that when films to choose to focus on stunted dialog and lax character development, these films generally begin to become uninteresting.

Such a thing happens with "Pressure;" we have four characters, two of which played by veteran actors, and not a shred of human interest to be found. The characters predominately speak in stunted expressions about wanting to be rescued or argue amongst themselves, and when we do begin to learn about their own personal histories, there's little in the way of conversational realism to attach us.

The film does feature some very nice effects work, specifically on the water and the atmosphere engulfing the ship. The waters are a lighter indigo-color, murky and unrelenting, and scenes when some of the men venture out of the submarine in attempt to swim to shore really exploit the capable effects work in this film. Director Ron Scalpello also manages to create some discernible intensity with the film by having medium-length, extreme close-ups on the faces of the trapped men inside the submarine. While "Pressure" make lack narratively, and have little to grip one in terms of human interest, there's at least a commendable focus on the aesthetics in an attempt to try and create a tense setting.

Above all, however, the real bother is a serious lack of any character to root for or invest in, which makes "Pressure"'s slender runtime of eighty-eight minutes rather grueling to sit through. The characters are almost entirely vapid, the tension is sporadic and sometimes wholly ineffective, the pace finds itself simultaneously working in a slowburn and a slam-bang manner, and the overall impact is middling to say the least.

It's not a masterpiece, and it is contrived, but it's a fairly good. Cole is probably the most compelling character, but all the guys are pretty good.

This picture suffers quite a lot by the continual confusion about, well, pressure. Cole's hair gell explodes under increasing pressure, and later he has a dental embolism under increasing pressure... sorry, I thought Lew Grade was long in the box- they're both backward.

I don't know enough about deep-sea diving to comment on the veracity of the portrayal . A lot of it was difficult to believe. As a whole the story was well acted , especially Danny Huston.