Ji zhan

From the director who brought you Beast Stalker and The Stool Pigeon, Unbeatable is an enjoyable, entertaining, heartfelt character-driven action sports drama film about facing fear and conquering one's hardships in life.

While the film offers nothing new for the genre and there's striking similarities here and there with other films such as 'Rocky', 'Never Back Down', 'A Fighter's Blues', it's the overall great cast performances, the very heart and soul of the film that alleviates it from being a mediocre action film. The film emphasized drama over the fight scenes and the occasional humour managed to provide some relief as the film takes time to provide more character development and fight scenes throughout the film.

Both Eddie Peng and Nick Cheung have shown their utmost dedication from their physical and combat training to fit the roles for the fight scenes in the film. Their mentor-student relationship and camaraderie is also clearly depicted throughout the film as well. The training montage shown throughout the film such as tractor tire lifting, numerous locking, striking and grappling techniques, boxing, weight training were all wonderfully shot.

However, the MMA fight scenes were poorly executed as the director used close-up, quick zoom in-out camera techniques to shot them. Moreover, the portrayal of MMA as a brutal and most likely fatal combat sport is very misleading, and the money gambling shown in the film makes it even worst. The belly-to-back suplex move shown in the film is dangerous and would potentially kill your opponent, normally it's considered as an illegal move and shouldn't be used in a tournament. The MMA rules are not properly shown or explained in the film. Some of the plot points are not further clarified and resolved by the end of the film.

Nevertheless, the action does provide some intense moments, some sense of urgency required in an action film to the audience and keeps the film constantly engaging despite a running time of nearly 2 hours. A recommended watch.

More solid than I first thought, but also more sentimental than needed be. But the execution saves it all.

This is a story where 3 sets of lives comes together in Macau: a ex-champ boxer, an aimless young man, and a down and out mother-daughter.

So it goes through the 3 acts: the background, the middle struggles, and the triumphant finish. All predictable, all about redemption (again). The sentiments are just full to the brim. The MMA sequence are good enough to behold. And there are the comic reliefs to breakups the mundaneness. However, the execution, the shots, the editing, the color, the settings, holds the atmosphere, tension together into a nice pace.

You can see how the last fight ends miles away. But no complaints here as it was well done.

If you are an MMA or MA fan, you probably already have a list of favourites. Films like Bloodsport, Kiss of the Dragon, Undefeated 2.

Most well-known films in this category feature an escalating series of fights. The fights are usually the backbone of the film, so to speak.

A few entries try to build a solid backstory, and some even go so far as to make the backstory more important than the fight scenes.

In this last category I would include Blood and Bone, one of my all time faves, and highly recommended.

Unbeatable is in this category. It is mainly backstory with only occasional action. However where it differs from top contenders in this genre is that the fighting and the backstory-arc do not seem connected, they seem at odds. So, no matter how interesting the backstory is (and it is) and no matter how simpatico the characters are (and they are), this film never quite decides just where it is going or just how it is going to get there.

It is nonetheless very well written, very well acted and very well directed. And if you stick it through you will get a "feel good" life lesson as good as any in modern cinema.

Recommended.

Well that was the most pleasant surprise I've had watching a movie in a long time.

I had no idea what to expect in this MMA film. The trailer was fairly terrible but the reviews were great. Who to believe? Usually, it's the other way around - great trailer and terrible reviews. But I have a fascination with anything that sniffs of martial arts and bit the bullet.

Charming, funny, real life situations, nail biting fights (no idea if any of this stuff is actually possible but it looked good,) and a super cast.

The first five minutes had me a bit confused and then the movie became solid and was totally enjoyable.

Few actor-director collaborations in recent years have been as rewarding - and certainly none so in Hong Kong - as that between Nick Cheung and Dante Lam. Arguably one of the finest actors in the industry, Cheung's best roles of late have been as a tortured gun-for-hire in Lam's 'Beast Stalker' and as an equally agonised police detective in Lam's 'The Stool Pigeon'. And in Cheung, Lam has found a dexterous actor capable of portraying the kind of complex roles his male character-driven action dramas needed, fuelling a career resurgence that has cemented his status as one of the foremost directors in the territory.

It is with great pride that we proclaim their track record remains - for the lack of a better word - unbeatable with this third collaboration set in the world of competitive Mixed Martial Arts (MMA). On hindsight, the sport does come off as a perfect backdrop for a Dante Lam film - after all, Lam has consistently played with the idea that life in itself is a fatalistic battle, and in 'Unbeatable', he finds a most befitting metaphor in the fighting ring. But to mount a compelling movie, he would have required an actor as convincing in the ring as he would be outside it, neither of which anyone can say otherwise about Cheung, whose strenuous training for the role shows in every bit of his physique and combat skills.

Cheung is without a doubt the very heart and soul of the movie, bringing considerable nuance, complexity and empathy to his portrayal of a flawed, troubled yet determined boxer given his shot at redemption. Through multiple flashbacks in the first half of the movie, Lam paints a sad picture of a broken individual carrying the scars from his past - in particular, as a disgraced fighter who threw his promising career down the drain for taking bribes to rig fights. Nicknamed 'Scumbag', the now middle-aged Ching Fai crosses paths with Si-Qi (Eddie Peng), the son of a now-bankrupt real estate tycoon (Jack Kao) whose lack of academic credentials or work experience means he has no choice but to take up menial jobs to look after his father.

Siqi has enrolled in the Golden Rumble MMA championship despite zero training in a bid to prove to his father, as well as himself, that he can do something well if he sets his mind and heart to it. At a neighbourhood gym, Siqi gets to meet and know Fai's past as a champion boxer, and persuades the latter to be his coach. Whereas Siqi needs Fai to find purpose in life, Fai sees an opportunity to relive his glory days through the raw but promising Siqi, whose willpower Fai recognises as his potential winning edge. They are wounded souls beaten but not defeated, and Lam uses their journey as mentor and protégé to illustrate how both subsequently reclaim their lives.

Besides Siqi, Fai also finds humanity by becoming the de facto guardian of a 10-year-old girl Dani (Crystal Lee) whose mother Gwen (Mei Ting) he rents a room from. In the same prologue that establishes Fai and Siqi's plight, we also glimpse Gwen's tragic circumstance, the drowning of her infant son in the bathtub of their very home while she was passed out drunk on the couch precipitating a bout of mental illness and her current still fragile state. It probably comes as little surprise that Dani turns out to be a precocious kid for her age who ends up looking after her mother, but clichéd though that may be, only the hardest of hearts will not be moved by the tender companionship that develops between Fai, Gwen and Dani through a deft screenplay by Lam, his screen writing muse Jack Ng and first-time writer Fung Chi-fung as well as a sharp, funny and warm performance by Lee.

Indeed, what could easily have been maudlin is in the hands of Lam genuine and affecting, a tearjerker if you will that coaxes rather than wrings its audience's emotions. Lam's emphasis on character is crystal clear from the way he takes his time to develop them as well as their relationships, striving for gritty realism at every turn. Contrary to what some may think, this isn't one of those movies where plot and character are simply afterthoughts; rather, they are here as critical as the action, which we warn will surprise certain audiences looking for blood as soon as the lights dim.

Not to say that the latter instead becomes auxiliary; if there is one thing that Lam has done consistently well throughout his career, it is to deliver intense action when the time comes. Saving the bouts for the latter half of the film, Lam unleashes some truly exhilarating sequences as the MMA championship gets underway. Working with action director Ling Chi-wah and consultants Henry Chan and Dave Lam, he aims for the highest level of authenticity in the filmed bouts, even if it means pushing his actors Cheung, Peng as well as supporting Andy On to punishing limits. Not only are they well-choreographed, they are also beautifully shot, with Kenny Tse's combination of close-ups, quick zooms and medium shots ensuring that we are always in the thick and heat of the action.

Yes, for a film that might be tempted to pummel its audience with numbing action or overwhelm us with melodrama, this does neither. Lam modulates the rhythm of his movie with heartfelt drama, thrilling action and unaffected humour - and unlikely as the last may sound, that is exactly what comes out of the relationship between Cheung and Peng as they cheekily poke fun at the close contact that the sport brings two men together. By once again placing character before action, Lam crafts a captivating portrait of fallen individuals rising to the challenge of life, that is itself brimming with heart and hope.