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The Terror Live (2013) : Brief Review -

The Terror Live is misfired at occasions but throws its big bombs perfectly at corrupt system and disloyal media. I am not a big fan of Korean cinema but i have loved watching major classics made there. Maybe that's why i expect every acclaimed/known Korean film to be damn sensible and intellectual and may be that's why The Terror Live seemed like a gun, misfired at some places. The film is close to 'real time thriller' term but as we progress with the characters, we start getting those regular vibes. A newsman discovers he's been rigged with a bomb after he has an exclusive interview with a terrorist who blew up a bridge. The story has a simple demand that the audience should stick to it for 95 minutes and if that's okay for you then this one is not a waste of time at all. I tried to think about the motive of the film and i realised that it was very important. But then i see what changes have we seen after that in system, politicians and media who are still walking corrupted with no fear of any sort? Then did the film really succeed to send a message? It has.. but i guess people are not interested about it after finishing those 90 minutes of viewing. So all that important topic and stuff I was talking about goes in vain. The film fails to match its own intelligence by making false promises at the beginning, however, i liked the point when it tries to find a new motive after losing that promised one. The performances and technical aspects are excellent. It keeps you on edge of your seats and it's quite possible that you might just end up bitting nails by the time it ends. It's true that a better writing would have made it a classic thriller and i had to say that it misses the tag by some noticeable distance. Nevertheless, it still worths every second of your watch time so don't miss it. I'm going with half-a-star extra only for attempting to do something different from mainstream filmmaking.

RATING - 7/10*

By - #samthebestest.

I definitely did not expect to like this as much as I do. It was an act of terrorism but it was also the result of many things. I really liked the nuances in morality in this one and how there was no "happy" ending.

I have been waiting for this movie for sometime now,and my expectations were high.They were almost satisfied.

This is another one of the movies that everything happens in a small room/location and the film rarely leaves out of that.

Still the suspense is enough to keep you going.

Yeong-hwa Yoon, played beautifully by Jung-woo Ha, is a radio producer demoted(in lack of a better word) from national news anchorman.During his early show in radio he receives a call from a man , that claims he will bomb a nearby bridge.When the bridge explodes and everyone understands there was no prank call the wheels get in motion and what follows is a nice thriller.

Whereas the above plot is good,I would call for some changes during the middle of the film where you might get slightly bored.But the end will definitely make up for it.I promise you that!

The acting is very good and made me feel it was all happening in reality.

You will see few CG generated animations but this movie needs no more.

An excellent film overall,and I rated this so high due to the ending which I loved.If you like this genre then definitely watch this.Even if you don't, watch it,and you might get surprised.

The Terror Live is not a film Hollywood is capable of making these days. It is the type of introspective, awe inspiring work that was plentiful in the 70's, but with the control from corporate executives now, it no longer exists there. The movie doesn't follow a politically correct or stereotypical path that they find necessary for deep themes. And, it is a real shame that this class of film is absent in LA, because most Americans don't watch many foreign movies, plus the country has struggled with understanding certain important issues, like the one this film has.

The incredible picture will move an audience with the terror, but it is the dialogue that makes the insides jump. Quentin Tarantino would be envious of its quality. The terrorist, who begins by blowing up a bridge, speaks in short, simple bursts. His anger is palpable, as is his singular focus. The news personality, who tries to take advantage of the opportunity to speak to him, has ambitions that cloud his mind, but his strong will gains one's sympathies. Ha Jung-woo, known for his work in The Chaser and The Yellow Sea, as this radio talk show host, is able to show us the character's great difficulties in his bout to maintain his professionalism while he and his love are in danger. He provides a window into seeing that these media folk are real people whose emotions are forced to be controlled in the name of journalism or impartiality subtly with great skill. The terrorist desperately wants the former anchor to show that he doesn't share everyone else's apathy, as well as expose the corruption in the media and government. Their battle mainly takes place in words, which are the real ultimate weapon.

Kim Byeong-woo's direction is almost on par with his writing. That the cuts come quickly in some moments and don't make the viewer dizzy, is a testament to his discipline. He uses it to heighten the suspense, choosing precise times and interesting angles. His take with news footage and shots of TV's gives the spectator the feel of what this aspect of the world is really like; and, even more compellingly, his selection of the look behind cameras at a couple turning points is inspired.

The film starts out fast, making it captivating right away, but it is the second and ultimately the third act, that makes this movie so special. The places that it manages to go is amazing, and the ending will leave one breathless.

9.5/10

A pretty entertaining, tense thriller. My favorite thing about it was how the main character was sleazy and pretty unlikeable, though you still sympathized with his predicament. It started to get a bit silly and over-the-top by the end unfortunately. Korean films continue to be hard hitting and brutal in execution and style compared to American films, and this is most effective in movies like these.