IMDb-BEWERTUNG
7,5/10
5781
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuMickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
- Für 1 Oscar nominiert
- 2 Gewinne & 2 Nominierungen insgesamt
Walt Disney
- Mickey Mouse
- (Archivtonaufnahmen)
- (Synchronisation)
Marcellite Garner
- Minnie Mouse
- (Archivtonaufnahmen)
- (Synchronisation)
Russi Taylor
- Minnie Mouse
- (Synchronisation)
Billy Bletcher
- Peg-Leg Pete
- (Archivtonaufnahmen)
- (Synchronisation)
Will Ryan
- Peg-Leg Pete
- (Synchronisation)
Bob Bergen
- Additional Voices
- (Synchronisation)
Paul Briggs
- Additional Voices
- (Synchronisation)
Terri Douglas
- Additional Voices
- (Synchronisation)
Jess Harnell
- Additional Voices
- (Synchronisation)
Danya Joseph
- Additional Voices
- (Synchronisation)
Mona Marshall
- Additional Voices
- (Synchronisation)
Nicole Mitchell
- Additional Voices
- (Synchronisation)
Raymond S. Persi
- Pete's Car Horn
- (Synchronisation)
Empfohlene Bewertungen
As a huge fan of classic Disney and as someone who likes a lot of their modern stuff(though there have been a fair share of misfires), Get a Horse was really delightful and while Frozen is a great film and one of their best since the Renaissance this short that preceded it was even better. The animation mixes black and white classic animation and colour CGI, with the crisp and fluid black and white and the colourful and vibrant CGI that moves more naturally than that on Mickey Mouse Clubhouse it not only looks great but it is very cleverly used as well. The soundtrack is lively and with beautiful orchestration and themes that you'll recognise immediately. The sound effects are well-incorporated, some from the very early stuff that are preserved quite well, and are not misplaced or bizarre-sounding. Get a Horse has humorous dialogue and a story that is from start-to-finish boundless fun and energy and it's as clever as the animation too. Just as good are the gags, they're reminiscent of classic Disney but there is also a very modern Disney vibe, so it will appeal to anybody, child and adult, regardless of where abouts they were born. All the characters engage, with a delicious villain in Pete and Mickey who has the kindly quality he has now and also the heroic character in the old classic Disney. Minnie is sweet as well, and it was great to see Horace and Clarabelle, two characters often neglected(or they were for a long time before House of Mouse came on the scene). The voices are fine too, though it was initially a tad odd hearing (modern) Pete voiced by someone other than Jim Cummings, like the sound the original voices are well-preserved. All in all, delightful and recommended without any hint of hesitation. 10/10 Bethany Cox
9tavm
When me and my movie theatre-working friend went to watch Frozen at the place he works at, this cartoon short was attached to it. Begun in the old school black-and-white drawn phase with the original screen dimensions, when Mickey is thrown off the screen, he becomes a 3-D computer-generated color character filling the rest of the current outlines of the frame. And with that, the real fun begins as many tricks suddenly become possible with various ways of turning the screen-or frames-whichever way one wants it to go! I also was surprised that Walt Disney himself was credited with the voice of his famous mouse before finding out here that the studio not only used vintage tracks of his from previous cartoons but also those of Marcellite Garner for Minnie and Billy Bletcher for Peg-Leg Pete. I found most of the thing quite creatively funny so on that note, I highly recommend Get a Horse!
I am very much in support of short films getting into cinemas, even if it mostly occurs either as part of festivals, or as large studio projects which accompany a main feature film; so it is cheering how many people would have seen this short film ahead of the film Frozen – albeit as they would have seen it as a free cartoon rather than having their eyes opened to the world of short film as a form. Anyway, this short opens in the frame size and animation style of the 1930's cartoons, with a simple scene of Mickey and Minnie Mouse heading out on their wagon, only for the "wave of the future" to come up behind them in the form of Peg-Leg Pete in his motor car, and start to make trouble.
Watching this short without any knowledge of what it does is quite a lovely experience, because just as you start to accept the rather small square image in the middle of this larger screen, suddenly the 4th wall gets broken and we have action occurring within the theatre itself as well as back inside the 1930's cartoon. It is cleverly done so that the animation transitions between modern CGI style, and black & white drawings, as the characters move between the sides of the screen. I also enjoyed the way the screen itself moved and was affected by the action – I really am not interested in watching films in 3D, but it would have been fun to see what this played like if you were not expecting it.
The action itself is a good lot of slapstick and, while I wasn't roaring with laughter throughout, I found it consistently amusing and fun, which is all I was really looking for. Perhaps understandably it won the Best Animated Short and, as much as I prefer that the big players do not dominate these smaller categories, I don't begrudge Get a Horse! because it is cleverly done, and delivered with a lot of energy and cheer.
Watching this short without any knowledge of what it does is quite a lovely experience, because just as you start to accept the rather small square image in the middle of this larger screen, suddenly the 4th wall gets broken and we have action occurring within the theatre itself as well as back inside the 1930's cartoon. It is cleverly done so that the animation transitions between modern CGI style, and black & white drawings, as the characters move between the sides of the screen. I also enjoyed the way the screen itself moved and was affected by the action – I really am not interested in watching films in 3D, but it would have been fun to see what this played like if you were not expecting it.
The action itself is a good lot of slapstick and, while I wasn't roaring with laughter throughout, I found it consistently amusing and fun, which is all I was really looking for. Perhaps understandably it won the Best Animated Short and, as much as I prefer that the big players do not dominate these smaller categories, I don't begrudge Get a Horse! because it is cleverly done, and delivered with a lot of energy and cheer.
When the film begins, you don't think it's a CGI or 3-D film. It looks like a Mickey Mouse film circa 1929--complete with scratchy film stock! However, when the baddie, Pete, tosses Mickey THROUGH the screen and he becomes a full-color 3-D character, you know you are in for something unique! What's next? See the film--it's well worth it.
This is an interesting case where it turns out that I liked the short more than the feature film it accompanied. In the case of "Get a Horse!", it was shown before the Disney CGI film "Frozen"--a moderately enjoyable full-length film. However, the short was indeed magical and appeared to be a real work of love. I say this because the folks who made the film did a great job of trying to replicate the exact look and sound of the very early Mickey Mouse cartoons--something that is no small feat! Unlike most 3-D films I've seen, I think it's very important you try to see "Get a Horse!" in 3-D. This is because rarely has another 3-D film tried so hard to incorporate this sort of camera-work into the film (another exception being the underrated "How to Train Your Dragon"). Most 3-D films, to me, seem as if they just tacked on the 3-D at the end and didn't plan for the use of 3-D all along (this is especially true of the live action 3-D films).
Overall, a wonderful little film that no doubt will get nominated for Best Animated Short for the Oscars. If it doesn't, I'll be incredibly surprised as the film isn't just fun but an amazing film technically.
UPDATE: I just saw this short again as part of the Oscar-nominated Animated Shorts show in selected theaters. Although it was NOT shown in 3-D this time, it didn't really seem to matter. Why I am doing this update is that in comparison to all the other nominees, "Get a Horse!" is light-years better. And, because it's so far superior I am changing my original score from 9 to 10. What a wonderful film and I like the rather playful and fun nature of the short.
This is an interesting case where it turns out that I liked the short more than the feature film it accompanied. In the case of "Get a Horse!", it was shown before the Disney CGI film "Frozen"--a moderately enjoyable full-length film. However, the short was indeed magical and appeared to be a real work of love. I say this because the folks who made the film did a great job of trying to replicate the exact look and sound of the very early Mickey Mouse cartoons--something that is no small feat! Unlike most 3-D films I've seen, I think it's very important you try to see "Get a Horse!" in 3-D. This is because rarely has another 3-D film tried so hard to incorporate this sort of camera-work into the film (another exception being the underrated "How to Train Your Dragon"). Most 3-D films, to me, seem as if they just tacked on the 3-D at the end and didn't plan for the use of 3-D all along (this is especially true of the live action 3-D films).
Overall, a wonderful little film that no doubt will get nominated for Best Animated Short for the Oscars. If it doesn't, I'll be incredibly surprised as the film isn't just fun but an amazing film technically.
UPDATE: I just saw this short again as part of the Oscar-nominated Animated Shorts show in selected theaters. Although it was NOT shown in 3-D this time, it didn't really seem to matter. Why I am doing this update is that in comparison to all the other nominees, "Get a Horse!" is light-years better. And, because it's so far superior I am changing my original score from 9 to 10. What a wonderful film and I like the rather playful and fun nature of the short.
Get a Horse! is a fantastic short film with a quick but very enjoyable storyline filled lots of fun and colourful characters.I really enjoyed the mix of the old fashioned black and white animation and the CGI animation that is used in every animated film that's made today.The film showed before Frozen,and it really got me in to the Disney spirit and got me excited for the feature film.Ir was great seeing the very lovable Mickey Mouse for the first time in years on the big screen once again,and this was a very interesting way of bringing him back.All in all,Get a Horse is a great short film that Disney fans will love.
Mickey and Minnie Mouse go on a wagon ride,but Pete gets in the way when he tries to once again kidnap Minnie.
Mickey and Minnie Mouse go on a wagon ride,but Pete gets in the way when he tries to once again kidnap Minnie.
Wusstest du schon
- WissenswertesIt took two weeks to assemble Walt Disney's voice tracks to make Mickey exclaim "Red!" and make it sound surprised.
- Zitate
Mickey Mouse: [Mickey has been knocked out of the theater screen and notices us in front of him] Hello.
[notices he's now computer generated]
Mickey Mouse: Oh my gosh!
[looks down at his now red shorts]
Mickey Mouse: Red!
- Crazy CreditsThe Disney logo at the end is in black and white, with "Disney" written in an older script font and the arc above the castle is replaced by Clarabelle Cow jumping over it leaving behind a sparkly trail.
- VerbindungenEdited from Micky, der Bauarbeiter (1933)
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- Laufzeit6 Minuten
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