Ein Hologramm für den König

I found this movie on Netflix and came to it without any expectations, having read no reviews beforehand. I wondered what Tom Hanks was up to now. Unlike many viewers, I don't see why every TH movie has to be a "hit". I found the Saudi Arabian locale and characters fascinating, wondering how they manage to build such opulent structures in a desert. To continue the holographic metaphor, the projected new-city-in-the-desert was more of a mirage than a reality.

I understand why critics at Rotten Tomatoes give it a 73% fresh rating: it is different and critics like that. Only 55% of the audience at RT enjoyed it because they were expecting something different, and audiences don't like that. As other reviewers have mentioned, the plot meanders and goes in odd directions. But that is part of the quirky attraction for me, at least. While the story ends a bit abruptly (too nicely/neatly?), Tom Hank's character is a sympathetic one that the audience willingly roots for.

Not every comedy is for everyone (at least I think this was supposed to be a comedy). Last week I saw The Big Lebowski (1998) at the local movie theater. Packed. People in Lebowski t-shirts, people who raised hands to show they'd seen the movie five, ten, twenty times, people anticipating the laugh lines. Eighteen years from now, nothing like that will happen with this film from German director Tom Twyker. Tom Hanks is American businessman Alan Clay, whose marriage is over and whose career as a salesman is on the skids. In what appears to be a last chance at success, he's sent to Saudi Arabia to sell the king on a costly holographic teleconferencing system for a new city being built in the desert. He encounters bureaucratic delays, clandestine alcohol consumption, confounding cultural gaps, and unexpected romance. Where I messed up was in thinking, "Oh, Tom Hanks. He's always great." Someone so talented just wouldn't be in a mediocre film. Why would he? And, I thought, "Oh, Dave Eggers wrote the book it's based on. Got lots of praise for it too." For example, New York Times reviewer Pico Iyer called the book "an anguished investigation into how and where American self-confidence got lost and — in the central word another lonely expat uses for Alan— 'defeated.'" And the Boston Globe: "True genius." Someplace along the way, the promise of the book and Hanks got lost, and a more disjointed and implausible narrative is hard to imagine. When we're told that the crowds Hanks saw at a mosque were there because "that's where the executions are," it's hard to believe that a Saudi woman would take the very great risk of being alone with him, an American infidel. Hanks does get to drive a very sexy 2015 Audi R8, briefly. But even that isn't worth the ticket price.

It is a movie that you will forget very soon. There is nothing new and it made me fell that I was waiting all the time for something to happen. Also, there is a strange atmosphere in the movie, like everyone is plotting against Tom Hanks.

BUT, once you understand that that is the goal of the movie (lack of plot twist, the strange atmosphere, etc.), it becomes kinda enjoyable (I wish I had understood that sooner to better enjoy the history). And I think the "strange atmosphere" is done due the big different of culture in Saudi Arabia, so that is a big pro. It have a nice photography and good acting, and they show a lot of culture of Saudi Arabia (I think that is one of the best in this movie. It's similar to a documentary, in that aspect).

There is no strong comedy or drama, although they should cut some of the drama there, but, If you don't expect too much and want to watch something unpretentiously you can watch this film.

The name Tom Hanks is synonymous with big budget non-CGI films with good acting. "A Hologram for the King" from 2016 stars Hanks, has some beautiful scenery, but really no point that I could see. It was based on a successful novel, and I suppose someone thought it would make a good movie.

Hanks is divorced businessman Alan Clay, who goes to Saudi Arabia to seal a deal - the company he works for wants to sell a holographic teleconferencing system for a new city being built in the desert, and he is to give a demonstration to the King. He's in a financial crunch; his daughter hasn't been able to attend college, though she doesn't mind delaying it.

When he arrives in Saudi Arabia, he runs into delays - the King isn't in town, and no one knows when he's supposed to show up. Clay's team is housed in a tent with poor wi-fi and has to bring food from the hotel. He can't get any answers from anybody about anything.

During the time he is there, he connects with his driver Yousef (Alexander Black) and also meets a female doctor (Sarita Choudhury), who treats a large cyst in his back.

The rest of the time he drinks like a fish, almost becomes involved with a Danish contractor named Hanne (Sidse Babett Knudsen), and goes on a hunt for wolves disturbing a flock of sheep with Yousef.

Finally, he does meet with his point person there, and his team has food, air conditioning, and wi-fi. But there is so little time spent on the reason he's there in the film, it doesn't matter to the viewer.

I guess this was supposed to be a story of Americans doing business or being in another culture, but this culture isn't even correctly represented. His involvement with a married female doctor is impossible, as is her presence alone with him in his hotel room.

The story has some holes, including that the Hanks character is staying in Jeddah, but is told that the person he wants to see isn't in town -he's in Jeddah. Hello?

This is a script that forgot what it was about, whatever it was about. For some reason the book was well-received. Didn't make a good film, even if it did star Tom Hanks.

"I think we should expect the unexpected." Alan (Hanks) is a businessman who is struggling and who's life is falling apart. He is sent to Saudi Arabia in order to convince the king to use his company's technology. When he gets there it is not at all what he expected, and in the middle of the desert Alan begins to really discover who he is. This is a movie that isn't bad but really comes down to the fact that Tom Hanks is such a great actor that he carries the movie on his own. By that I mean that this movie isn't all that exciting and may not have been made if not for Hanks. He can turn a barely watchable movie into something much better than it should be just by his skills alone. Essentially his character spends his time waking up late and riding in a taxi only to be told that the king isn't here today. Over and over. The caliber of Hanks really adds depth and emotion to this character and makes the movie worth seeing. Very few actors can do that. Overall, an OK movie at best but Hanks makes this watchable and he is the real reason to watch this. I give it a B-.