Füge eine Handlung in deiner Sprache hinzuMonsters disguised as humans slowly take over the world. A student film crew discovers their existence and captures the terrifying transformation of society through their cameras while on a ... Alles lesenMonsters disguised as humans slowly take over the world. A student film crew discovers their existence and captures the terrifying transformation of society through their cameras while on a road trip.Monsters disguised as humans slowly take over the world. A student film crew discovers their existence and captures the terrifying transformation of society through their cameras while on a road trip.
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First, I like the idea of body snatcher monsters and it was executed very effective in this movie.
The characters, tension building, subtle effects, it all works here... but... what on Earth happened with camera?!
Such a good movie completely ruined by what I can only call amateurish shaky blurry camera work. It's not only irritating, as the story/writing is actually engaging, but also quite uncomfortable to watch. Why oh why, you had it and you blew it completely!
Ay you know that actually scared me wow, when their faces moved it actually sent me under the covers. My 25 year old brother was holding on to me for dear life at different parts during the film. I didn't like when he did that but fully understand why.
There Are Monsters is basically found footage meets Invasion Of The Body Snatchers - and that's no bad thing.
Four friends are filming a documentary about school children (or something like that) when during their filming they begin to notice odd, subtle behaviours in people. The subtle gradually becomes more in your face and outlandish as it becomes apparent that these people aren't actually people at all - they used to be - but now they have been taken over by forces unknown. The four friends eventually become convinced something is very wrong; and as society crumbles around them they end up fighting for their very survival.
There Are Monsters is an above average found footage horror. The acting, plot and pacing of the film are all very good. And the spin on the well worn found footage path that people are gradually being taken over by something unknown brings a freshness to this often stale sub genre.
The one flaw that's apparent throughout is the overuse of shakey cam. At times it's really difficult to actually know what's going on due to the camera flying all over the place, and there are one or two blackout scenes too when you can't see anything. I know this adds to the realism, but at times the shakey cam is so rough it's difficult to watch.
In the main though this is a very good example of how to produce a good found footage film, and with so many bad examples out there, this is a definite diamond in the rough.
Four friends are filming a documentary about school children (or something like that) when during their filming they begin to notice odd, subtle behaviours in people. The subtle gradually becomes more in your face and outlandish as it becomes apparent that these people aren't actually people at all - they used to be - but now they have been taken over by forces unknown. The four friends eventually become convinced something is very wrong; and as society crumbles around them they end up fighting for their very survival.
There Are Monsters is an above average found footage horror. The acting, plot and pacing of the film are all very good. And the spin on the well worn found footage path that people are gradually being taken over by something unknown brings a freshness to this often stale sub genre.
The one flaw that's apparent throughout is the overuse of shakey cam. At times it's really difficult to actually know what's going on due to the camera flying all over the place, and there are one or two blackout scenes too when you can't see anything. I know this adds to the realism, but at times the shakey cam is so rough it's difficult to watch.
In the main though this is a very good example of how to produce a good found footage film, and with so many bad examples out there, this is a definite diamond in the rough.
The plot and the acting were both adequate, and even very good in places. It had intermittent "Us" vibes here and there which were creepy enough. But what really drags my rating for this down is the camerawork.
"There Are Monsters" is what I call "quasi-found footage" - some scenes are supposed to be seen as if through the lens of one of the characters' camera, and for some scenes, it's obvious that no characters are recording it. If it were intended to be a bunch of amateurs, or kids, or anyone else who didn't know what they were doing, the camerawork might be somewhat excusable. But even in the "found" footage, the characters operating the cameras were supposed to be professional cameramen.
My ass they were. The movie was so shaky and blurry in so many places, it really took away from the decent work of the actors. No professional cameraman would produce work like that, even on a job they weren't taking all that seriously. As if that weren't bad enough, they continued the horrible camerawork even in scenes that weren't intended to be "found footage". For instance, the main female protagonist entered a bathroom stall at one point. She was completely alone, no other characters were in the booth to film her. It was a steady picture at some points, but a jumbled, chaotic slurry of motion and digital myopia for the most part. There was no excuse for that.
The only other thing I didn't like about it was the jump scares, but they didn't have more than maybe 5 of those. I just hate jump scares in their entirety, so that might be more of a "me" thing.
Over all, if extremely shaky camerawork doesn't bother you, then I would definitely recommend this for you. Otherwise, I'd give it a pass.
"There Are Monsters" is what I call "quasi-found footage" - some scenes are supposed to be seen as if through the lens of one of the characters' camera, and for some scenes, it's obvious that no characters are recording it. If it were intended to be a bunch of amateurs, or kids, or anyone else who didn't know what they were doing, the camerawork might be somewhat excusable. But even in the "found" footage, the characters operating the cameras were supposed to be professional cameramen.
My ass they were. The movie was so shaky and blurry in so many places, it really took away from the decent work of the actors. No professional cameraman would produce work like that, even on a job they weren't taking all that seriously. As if that weren't bad enough, they continued the horrible camerawork even in scenes that weren't intended to be "found footage". For instance, the main female protagonist entered a bathroom stall at one point. She was completely alone, no other characters were in the booth to film her. It was a steady picture at some points, but a jumbled, chaotic slurry of motion and digital myopia for the most part. There was no excuse for that.
The only other thing I didn't like about it was the jump scares, but they didn't have more than maybe 5 of those. I just hate jump scares in their entirety, so that might be more of a "me" thing.
Over all, if extremely shaky camerawork doesn't bother you, then I would definitely recommend this for you. Otherwise, I'd give it a pass.
...but the overdone shaky and out of focus cam makes it pretty much unwatchable at times.
Other than that, this is a very decent "Invasion of the Bodysnatchers"-type remake with a lot going for it. It's a shame someone didn't point out that the shaky cam was just absurdly over-the-top and get the camera operator to hold it a bit steadier - like virtually anybody else using a hand-held video camera would.
Other than that, this is a very decent "Invasion of the Bodysnatchers"-type remake with a lot going for it. It's a shame someone didn't point out that the shaky cam was just absurdly over-the-top and get the camera operator to hold it a bit steadier - like virtually anybody else using a hand-held video camera would.
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- Wissenswertes"There Are Monsters" earned awards at the Atlantic Film Festival for Best Director (Jay Dahl), Best Atlantic Feature, Best Cinematography (Kyle Cameron), and Best Actor (Kristin Langille).
- VerbindungenReferences Armageddon - Das jüngste Gericht (1998)
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- Laufzeit1 Stunde 30 Minuten
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