Anomaly - Jede Minute zählt

Set in the future, a traumatized ex-soldier discovers that he can only experience life as himself in nine minute bursts every few days or so. Consequently, he has no idea what he has been up to in between times but it appears in his other life he's clearly been up to no good. He tries to piece together what is causing this.

The Anomaly is a really good example of what can be achieved in a science fiction movie on a low budget. Actor/director Noel Clarke and writer Simon Lewis have put together a nicely ambitious genre flick that is structured in a really interesting way. Its technique is not dis-similar to the one used in Memento (2000) where we follow a protagonist who is consistently unsure of how he got where he is. It's a great idea and ensures that the story-line remains intriguing throughout. It also allows for the film to change gears suddenly and for us to be thrown into jarringly different scenarios as well as re-locating locations. The special effects are well used for the latter, where there are nice cityscapes of the likes of London and New York – very well rendered on a tight budget.

Clarke himself makes for a good central character. It's quite a physical role that calls also for a fair amount of action set-pieces, so we have lots of slow-motion fight scenes interspersed amongst the more cerebral sci-fi stuff. Ian Somerhalder makes a mark too as a dapper, enigmatic man who seems to be involved with Clarke in his unknown other life, while the rather gorgeous Alexis Knapp makes an impression as a girl who assists Clarke in finding out the truth. Brian Cox also stars but is restricted to a cameo role unfortunately. Overall, I was very impressed with this flick. While it does go down a sci-fi action route to an extent, and that's okay, it was the more mysterious sci-fi puzzle aspects that really made it tick. It's well worth seeking out and it should be supported simply on the basis that it shows a lot of ambition and good ideas, while never forgetting to remain entertaining.

I like Noel Clarke. His name alone catches my attention to a film, so I watched this one. Without a clue, which is why I could fully appreciate the mystery of the introduction. Clues about the main character's condition come by very slowly, while the story focuses on an ongoing conspiracy, and on fight scenes that do diminish the overall quality and Mr Clarke's credibility as an action hero.

I admit that, at some stage, I am ready to give up. Finally, if clumsily, come some revelations that not only reinvigorate the plot, but bring in an entire new spectrum of possibilities. Only a few will be exploited. The Anomaly will stay way underneath its potential, barely emerging from the colourful Tits & Kicks category it decided to nest into.

As a director, Noel Clarke does have something. Not sure what. As an actor, he is better when directed by someone else. I find obvious that he should stop directing himself. At least not in a main role, like he did in 4.3.2.1.

The Anomaly should have been more character driven and more psychological, with the costly fluff as a bonus instead of being the meat.

Noel Clarke fancied himself as an action star. No worries, he also produces, directs and co-writes The Anomaly as well as starring in it.

This means we see him kick butt in some action scenes as well as showing of his muscular body in the nude.

The Anomaly is a low budget sci-fi action film set in the near future. Ryan Reeve (Noel Clarke) wakes up in a van to find himself trapped with a boy pursued by a man in a tweed suit. It looks like Reeve is the kidnapper.

Reeve is the victim of a mind control plot by a controversial doctor. Reeve has about 10 minutes to put things right. If he dies or goes over that time, the scenario resets.

The film is Jason Bourne meets Memento. It even has a prostitute with a heart.

The film has a confusing and unconvincing first half. It is a derivative movie that gets better in its second half.

As Clarke found fame in the relaunch of Doctor Who, he should had worked more on the sci-fi elements.

After seeing the movie and reading the reviews I can say that some comments are fair to this film. The premise is very much lifted from Total Recall and Memento with an amnesiac finding out who he is and why he's in the locations he wakes up in. The movie really falls apart as it really should have been produced on a much bigger budget. Doing this on a small budget results in little sets, sparse actors & extras plus limited CGI. This results in the audience being constantly underwhelmed by scenarios and situations that should really be a wow factor. Fight scenes for example seem to be there mostly to fill time and are slowed down for supposed effect but really they show just poor choreography.Noel is not actually a very good actor to be fair so this is more a vanity project as another reviewer pointed out. The ending of the movie was very trite and clumsy but to be honest, a lot of the movie was that. To summarise, a big budget movie done on a small budget results in the feeling of being let down.

It's an Anomaly alright. I do like the idea behind this (though it's not entirely new and fresh, it's a nice take), but it gets muddled throughout. The "science" behind it seems to have quite a few gaps (no pun intended). Noel Clarke seems to want to much at once. The almost 10 minutes thing is a nice touch, but it doesn't work out always (not sure if they ever planned on having all the sections running the exact time window they establish, might have been interesting and very challenging).

Whatever the case, a couple of things do not seem to work (like planting and seeding, "What else is there to do? - actually a couple of things, like re-writing the script or at least re-defining it). It works almost as it is, but there could be more, even without explanations (or longer/shorter time frames here and there). Not to mention location findings and such ... Could've been worse, could've been better - coincidences aside