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Kapkapiii

  • 2025
  • 2 Std. 18 Min.
IMDb-BEWERTUNG
6,4/10
3078
IHRE BEWERTUNG
Kapkapiii (2025)
Trailer [OV] ansehen
trailer wiedergeben2:34
1 Video
8 Fotos
HorrorKomödie

Füge eine Handlung in deiner Sprache hinzuA clique of friends, seeking for a thrill, use an ouija board to connect a ghost for fun. But they soon realized that their house has become haunted by an advent of a female spirit.A clique of friends, seeking for a thrill, use an ouija board to connect a ghost for fun. But they soon realized that their house has become haunted by an advent of a female spirit.A clique of friends, seeking for a thrill, use an ouija board to connect a ghost for fun. But they soon realized that their house has become haunted by an advent of a female spirit.

  • Regie
    • Sangeeth Sivan
  • Drehbuch
    • Saurabh Anand
    • Kumar Priyadarshi
  • Hauptbesetzung
    • Dibyendu Bhattacharya
    • Raghav Binani
    • Shyam Gopal
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    3078
    IHRE BEWERTUNG
    • Regie
      • Sangeeth Sivan
    • Drehbuch
      • Saurabh Anand
      • Kumar Priyadarshi
    • Hauptbesetzung
      • Dibyendu Bhattacharya
      • Raghav Binani
      • Shyam Gopal
    • 10Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer [OV]
    Trailer 2:34
    Trailer [OV]

    Fotos7

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    Topbesetzung25

    Ändern
    Dibyendu Bhattacharya
    Dibyendu Bhattacharya
    Raghav Binani
    • Tushar
    Shyam Gopal
    Shyam Gopal
    • South Indian Father
    Zakir Hussain
    Zakir Hussain
    Siddhi Idnani
    Siddhi Idnani
    Chaitanya Jetly
    • Taantrik
    Akhil Kaimal
    • Sukhi
    Tusshar Kapoor
    Tusshar Kapoor
    Manmeet Kaur
    • Anamika
    Abhishek Kumar
    Vinod Kumar
    • Panipuri wala
    Varun Pande
    Rajiv Kumar Pandey
    • Tertiary
    Siddarth Rajeev
    • Tertiary
    Sonia Rathee
    Sonia Rathee
    Aaeraa Singh Rawat
    • Sulochna
    Aman Sharma
    • Ankit
    Dinker Sharma
    Dinker Sharma
    • Regie
      • Sangeeth Sivan
    • Drehbuch
      • Saurabh Anand
      • Kumar Priyadarshi
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen10

    6,43K
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    Empfohlene Bewertungen

    2muzzamilyousuf

    Not worth it

    Kapkapiii turns out to be a major disappointment despite the hype surrounding it. The storyline lacks depth, creativity, and coherence. It feels like the writers simply threw together a bunch of horror-comedy clichés without any real substance or originality. The plot drags unnecessarily and often leaves the viewer confused rather than entertained.

    The only saving grace of the film is Shreyas Talpade, whose acting is genuinely commendable. He puts in an honest effort and tries to inject life into an otherwise dull script. His comic timing, expressions, and presence offer brief moments of relief. However, even his strong performance cannot carry the weight of a poorly written movie.

    The rest of the cast and direction offer nothing memorable. Weak dialogues, poor editing, and predictable scenes make this film a complete time waste. Even the horror elements fall flat, with unimpressive effects and no real scares.

    In short, Kapkapiii is forgettable and not worth your time. It gets 2 stars only for Shreyas Talpade's performance.
    10kumawatkamal404

    Amazing movie

    One of the best horror comedy I ever witnessed. Tushar Kapoor and Shreyas Talpade at its best. Watched with my friends and loved the whole storytelling. Recommend to not watch alone, make sure to not watch at night, its bit scary at the end. One of the best Bollywood has ever come in recent timesz. Too good 😊
    1ankitajoseph

    Review of Kapkappi: A Derivative Disappointment Lacking the Charm of the Original

    As someone who genuinely appreciates Indian cinema in all its diverse forms, it is disheartening to witness what Bollywood has become in recent years. The film Kapkappi, a remake of the Malayalam hit Romancham, is a prime example of what happens when originality is tossed aside in favor of commercial gimmicks and shallow appeal. What made Romancham such a refreshing watch was its grounded narrative, relatable characters, subtle humor, and an eerie undertone that didn't rely on jump scares or clichés to be effective. It was a film that understood the value of restraint, authenticity, and cultural nuance.

    Kapkappi, on the other hand, feels like a mockery of that very essence. Instead of trying to retain the soul of the original or at least adapt it thoughtfully to a new audience, the Bollywood version does what it often does-inject unnecessary item songs, over-the-top dramatics, and a forced horror element that includes actual ghosts. The original never needed real ghosts to be spooky. It played with the power of suggestion, uncertainty, and the dynamics between housemates to create tension. But Kapkappi takes that quiet brilliance and replaces it with tacky special effects and gimmicky scares that serve no real purpose.

    One of the most jarring changes is the inclusion of item numbers and Bollywood-style glamour in a story that was inherently raw and rooted in reality. The charm of Romancham lay in its simplicity-the dusty rented house, the imperfect yet endearing characters, and the slice-of-life storytelling. Bollywood, in its attempt to commercialize the narrative, strips away that simplicity and instead layers the film with glitz, glamour, and artificial emotional beats that simply don't land.

    It begs the question-how did Bollywood, once the face of powerful, original storytelling, become a derivative industry that feeds off the creativity of regional cinema? Time and again, we see brilliant stories emerging from Malayalam, Tamil, Marathi, Bengali, and Kannada industries. These films bring fresh perspectives, bold narratives, and an honesty that Bollywood seems to have abandoned in its race for box-office numbers. Rather than taking inspiration and elevating these stories with nuance, Bollywood often chooses to water them down, wrap them in loud packaging, and serve them to a wider audience without acknowledging the depth of the original work.

    The fact that Kapkappi fails to even reach the emotional or narrative complexity of Romancham is disappointing, but sadly, not surprising. It follows a growing trend of remakes that lack the cultural context, sincerity, and creativity of the original films. What's even more troubling is the lack of accountability. In any other industry, blatant copying would be considered plagiarism and subject to legal scrutiny. Why is cinema allowed to get away with this so frequently? A film is not just a script-it's a creative vision shaped by its creators, rooted in a particular language, culture, and emotional space. Simply translating it and reshooting it with bigger stars and higher budgets does not make it new. It makes it exploitative.

    There needs to be a conversation about artistic integrity in Indian cinema. It's high time Bollywood stops this culture of lazy remakes and starts investing in original ideas or, at the very least, acknowledges and collaborates respectfully with the creators of regional cinema. A remake should be a tribute, not a mockery. Unfortunately, Kapkappi feels more like the latter.

    To those who haven't watched Romancham yet-I urge you to experience it before watching this Bollywood version. The original captures a unique blend of humor, fear, and friendship that Kapkappi simply fails to replicate. Don't let this remake define your impression of the story. Bollywood may have the reach, but regional cinema still holds the heart.

    In conclusion, Kapkappi is not just a missed opportunity; it is a reflection of the current state of Bollywood-a once-glorious industry now leaning too heavily on formulas and borrowed stories, forgetting what made it magical in the first place. Let's hope for a future where originality is celebrated and not replaced with flashy imitations.
    1VinayS-613

    Chimese Media trying to promote sick bollywood

    Watch out these sick promoters are using Chinese media to buy high promotions to get a pathetic movie to get a sick movie promoted. There is absolutely no story but paid promotion to promote this to high ratings. Feel free to watch it, the sick story and all will make you understand how desperate they are. The actors are good, but the story is so stale and I am amazed the high ratings for this movie. This is a classic example when bollywood hires Chinese social media to promote i am sure paid by sick bollywood media to fool people..what they dont realize is that people are matured and educated, yet they try lol.
    9Anurag_Anand

    This is called Cinema!

    What a great story. Really awesome. I loved it. The charm of storytelling is fabulus.

    Full marks to the Director. 10/10.

    No nudity or vulgurity. Pure Drama. Awesome.

    Remember my words in future this movie will get the "cult" title. Remarkable.

    The thing that impressed me most was "Innocence".

    Each and every character had it's own charm. It's hard to imagine this movie without any of them. This movie is one step ahead of Fukey.

    And Story. What a story. This movie has it's own essence. Easy going, soft, grip you to your seat and you completely get lost in the scene that what would come next.

    I'm waiting for part 2.

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    • Wissenswertes
      While filming one of the candle-lit scenes, actor Varun Pande's hair accidentally caught fire. Then an AD, Rajiv responded immediately, extinguishing the flames with his bare hands before the fire could spread or cause severe injury. As a result, he suffered minor burns to his hand but prevented any catastrophe.
    • Verbindungen
      Remake of Romancham (2023)

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    Details

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    • Erscheinungsdatum
      • 23. Mai 2025 (Indien)
    • Herkunftsland
      • Indien
    • Sprache
      • Hindi
    • Auch bekannt als
      • कपकपी
    • Produktionsfirmen
      • Bravo Entertainment
      • Zee Studios
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    Box Office

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    • Weltweiter Bruttoertrag
      • 20.152 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 2 Std. 18 Min.(138 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Surround 7.1
      • Dolby Atmos

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