Verjährung

Debut project from the director/writer, another in the long line of Korean 'new wave' crime dramas.

Film opens with the premise that an unsolved murder case is about to be closed after 15 years without progress -- reaching a 'statue of limitations'. Two police detectives are forced to notify the mother they will be ceasing the investigation of her young daughter. With a few days to investigate, the detectives uncover some potential last- minute leads and rush to track down the killer. Meanwhile, the still- distraught, but resourceful, mother discovers some clues of her own. Do either routes succeed, before time runs out?

This all then leads into the bulk of the film, an investigation into the kidnapping of another child. As the story progresses, themes of guilt and redemption emerge, mixed in with complications that impede the investigation. Slowly and suspensefully, details emerge during present day alongside flash-back revelations.

Solid acting all around, albeit some overwrought melodrama intermittently spliced in.

Most of the movie felt relatively fresh, despite borrowing from familiar Western crime dramas from over the decades.

Recommended

This is my first review after rating thousands of movies. I'm very found of Korean movies after watching Oldboy several years ago. However, this is not a mainstream Korean movie, at least not in countries like Greece. Mont-ta-joo is a surprise for me since it is not as popular as other Korean movies (oldboy, memories of a murder, madeo etc.) but it is a great movie!

The plot of the movie is ingenious with several upsets and with great acting (and not overacting). During the whole movie I could not take my eyes from the TV, trying to realize who could the kidnapper be. This is not just another kidnapping movie; it presents the drama of the victim and her agony, while it reveals slowly evidence about the conclusion of the case keeping tension at high levels during the whole movie. It also presents the investigators of the case as real people making mistakes and being affected by the victims.

So, here we go: another great thriller coming (not surprisingly) for South Korea. Wonderfully written and well directed by Jeong, Montage is hands-down one of the best South Korean movies of 2013 (on par with features like Miracle in Cell No. 7, The Berlin File, New World etc.).

Montage presents a well-rounded script that triggers a mesmerizing narrative mechanism, full of almost unbearable suspense (especially in the last half-hour). We are in the presence of an excellent movie that will leave you on the edge of your seat and will definitely immerse you in its narrative till the very end (and the totally unpredictable final plot twist of a long series of them)

The effectiveness of the plot is due to its clever way of twisting viewers' expectations by playing with the "montage of the timeline", that always comes back and forth between the present and the past... I cannot say more to avoid spoil anything to you.

I'll just say that you should not let yourself be lead astray by the seemingly conventional beginning 'cause as it goes on the movie becomes more and more interesting and gripping and starts to pack some real plot twists that'll almost ever leave you astonished. Montage is the work of a clever screenwriter that knows how to masterfully play with a lot of genre tropes just to, as I already said, deceive the viewer.

And, even though its main purpose may very well be pure entertainment, it anyways somehow manages to convey some interesting points of social critique in the way it portraits the lengths we are disposed to go (or, sometimes, forced to go) as to try to survive in a ruthless world where, when there is a crisis, the ones paying the highest toll are always the weakest and the poorest. And, apart from direction and screenwriting, Montage is also well-served by a gloomy cinematography and a perfect acting ensemble.

So, to sum it all up: if you're in for a masterful thriller that will leave you constantly guessing and will amaze you over and over till a final plot twist that it's totally unexpected well, hurry up and give Montage a try.

Child kidnap genre has been the most sought after in South Korean cinema, however, Korean writer director Jung Geun Sub makes his debut with "Montage", adding one more thriller orbiting around the child kidnap.

It has Uhm Jung Hwa ("Bestseller 2010") in the lead, playing a mother trying to solve the mystery of her daughter's murder before the statute of limitations expires, Kim Sang Kyung ("The Tower", "Memories of Murder") and Song Young Chang ("Nameless Gangster") play detectives. Ha Kyung (Uhm Jung Hwa) whose young daughter is kidnapped and killed, the perpetrator never being caught in the face of the best efforts of detective Chung Ho (Kim Sang Kyung. After 15 years, just five days before the statute of limitations and the case is about to be closed, Chung Ho finds a recently placed white flower at the crime scene, a location known only to Ha Kyung, the police and the killer. As the two of them race against time to revisit the case and follow the new clues, another girl is snatched under very similar circumstances under the nose of her grandfather Han Chul (Song Young Chang), making the search for the murderer even more desperate.

We have recently seen the statute of limitations' portrayal in Confession of Murder 2012 with some high octane action and utmost thrilling elements. However, "Montage" takes an entirely diverse screenplay which distinguishes it from an occasional thriller. Director, Jung Geun Sub keeps the action tone to a low level and weaves the suspense and hard hitting emotional drama. Story is real strength of movies, which is presented proficiently and characters' graphs have been crafted carefully, all the revelations are perfectly timed with weaving in different character perspectives and their investigations, showing a nicely judged use of flashbacks. The statute of limitations has been used immaculately with deeper and more satisfying frames, the film building up to a powerful twist that a lot of viewers won't see coming.

The narrative and main characters are quite conclusive with dramatic and emotional weight. As a débutante, Jung holds viewers' nerves and keeps the stress construction on a high level throughout the film minutes also it makes us sympathize with each and every character. Though the film has a distinct lack of action or violence, it's far more gripping than many other outings which substitute pointless set pieces for substance. Great performances from the leads also help, in particular the excellent Uhm Jung Hwa, as does the general lack of melodrama and pointless tears, the film coming to a rewarding and mature yet quiet conclusion that hits hard and true.

"Montage" ultimately translates itself into a surprising and different kind of thriller which keeps itself apart from recent clichéd thrillers. It perfectly delivers 120 minutes of enthralling and moving cinema.

A fantastic thriller for lovers of mystery & suspense with a convincing plot, grounded elements of suspense and some great performances. 7.6/10….

Nobody does thrillers like the Korean, nobody. If there is a god (it doesn't) he gave a full list of plot twists to Korean people to use it fo 400 years.