Verjährung

This is my first review after rating thousands of movies. I'm very found of Korean movies after watching Oldboy several years ago. However, this is not a mainstream Korean movie, at least not in countries like Greece. Mont-ta-joo is a surprise for me since it is not as popular as other Korean movies (oldboy, memories of a murder, madeo etc.) but it is a great movie!

The plot of the movie is ingenious with several upsets and with great acting (and not overacting). During the whole movie I could not take my eyes from the TV, trying to realize who could the kidnapper be. This is not just another kidnapping movie; it presents the drama of the victim and her agony, while it reveals slowly evidence about the conclusion of the case keeping tension at high levels during the whole movie. It also presents the investigators of the case as real people making mistakes and being affected by the victims.

If you have seen a lot of kidnapping movies (The Man from Nowhere, Mercy, Taken), Montage is just about the same.

BUT, the story is well-presented and answers all the questions. It kind of refreshing to have such a clear ending.

The story tells us how a mother of a lost child is dealing with her lost and never lose hope to look for justice. And also the detective who's having a hard time accepting the fact that the criminal slipped of his hand.

Eom Jeong-hwa and Kim Sang-kyung performance were unquestionably good. Eom had played the same role before and so did Kim.

Overall, I give a 9 because it's been a while since I saw a kidnapping movie and I'm glad that it doesn't make me stop midway and start thinking "Where have I seen this before?".

Totally worth your time.

It had been a long time since I have seen such a well rounded thriller, where motives are not cliché and predictive. The acting jives extremely well with the dialog (albeit I watched with sub-titles) and the actors were awesome.

The mother's acting was so realistic that in empathizing with her, a layer of understanding is added to the storyline. The story neatly makes a subtle point about the similarity in human motives, and how where you stand in relation to it, determines your perception.

The use of time is very interesting in this movie, like an origami. It starts as a plain paper (linear), but takes on elaborate form. There are a couple of movies where this technique has been used, but in this case, the time/origami texture is seamless.

I am sure the above description might sound abstract and arcane, but if you watch the movie, you will understand what I mean. :)

A gripping and intelligent thriller, a must see.

So, here we go: another great thriller coming (not surprisingly) for South Korea. Wonderfully written and well directed by Jeong, Montage is hands-down one of the best South Korean movies of 2013 (on par with features like Miracle in Cell No. 7, The Berlin File, New World etc.).

Montage presents a well-rounded script that triggers a mesmerizing narrative mechanism, full of almost unbearable suspense (especially in the last half-hour). We are in the presence of an excellent movie that will leave you on the edge of your seat and will definitely immerse you in its narrative till the very end (and the totally unpredictable final plot twist of a long series of them)

The effectiveness of the plot is due to its clever way of twisting viewers' expectations by playing with the "montage of the timeline", that always comes back and forth between the present and the past... I cannot say more to avoid spoil anything to you.

I'll just say that you should not let yourself be lead astray by the seemingly conventional beginning 'cause as it goes on the movie becomes more and more interesting and gripping and starts to pack some real plot twists that'll almost ever leave you astonished. Montage is the work of a clever screenwriter that knows how to masterfully play with a lot of genre tropes just to, as I already said, deceive the viewer.

And, even though its main purpose may very well be pure entertainment, it anyways somehow manages to convey some interesting points of social critique in the way it portraits the lengths we are disposed to go (or, sometimes, forced to go) as to try to survive in a ruthless world where, when there is a crisis, the ones paying the highest toll are always the weakest and the poorest. And, apart from direction and screenwriting, Montage is also well-served by a gloomy cinematography and a perfect acting ensemble.

So, to sum it all up: if you're in for a masterful thriller that will leave you constantly guessing and will amaze you over and over till a final plot twist that it's totally unexpected well, hurry up and give Montage a try.

Debut project from the director/writer, another in the long line of Korean 'new wave' crime dramas.

Film opens with the premise that an unsolved murder case is about to be closed after 15 years without progress -- reaching a 'statue of limitations'. Two police detectives are forced to notify the mother they will be ceasing the investigation of her young daughter. With a few days to investigate, the detectives uncover some potential last- minute leads and rush to track down the killer. Meanwhile, the still- distraught, but resourceful, mother discovers some clues of her own. Do either routes succeed, before time runs out?

This all then leads into the bulk of the film, an investigation into the kidnapping of another child. As the story progresses, themes of guilt and redemption emerge, mixed in with complications that impede the investigation. Slowly and suspensefully, details emerge during present day alongside flash-back revelations.

Solid acting all around, albeit some overwrought melodrama intermittently spliced in.

Most of the movie felt relatively fresh, despite borrowing from familiar Western crime dramas from over the decades.

Recommended